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Arte Programmata E Cinetica 1953 1963


Arte Programmata E Cinetica 1953 1963
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Arte Programmata E Cinetica 1953 1963


Arte Programmata E Cinetica 1953 1963
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Author : Palazzo reale di Milano
language : it
Publisher:
Release Date : 1984

Arte Programmata E Cinetica 1953 1963 written by Palazzo reale di Milano and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984 with categories.




Arte Programmata E Cinetica 1953 1963


Arte Programmata E Cinetica 1953 1963
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Author : Palazzo reale di Milano
language : fr
Publisher:
Release Date : 1983

Arte Programmata E Cinetica 1953 1963 written by Palazzo reale di Milano and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1983 with categories.




Arte Programmata E Cinetica 1953 1963


Arte Programmata E Cinetica 1953 1963
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Author : Lea Vergine
language : it
Publisher: Mazzotta
Release Date : 1983

Arte Programmata E Cinetica 1953 1963 written by Lea Vergine and has been published by Mazzotta this book supported file pdf, txt, epub, kindle and other format this book has been release on 1983 with Art categories.


Catalogo della mostra d'ate contemporanea tenuta a Milano nel 1983-1984. Le opere sono state suddivise in tre sezioni specifiche: FUTURISTI, COSTRUTTIVISTI, ASTRATTISTI, opere di: g. Balla, P. Mansouroff, E. Lissitzky, K. Kobro, H. Berlewy. W. Baranoff Rossiné. W. K. Szpakowski, M. Duchamp. F. Kupka, R. P. Lohse, J. Albers, A. Herbin, A. Albers, B. Munari, C. Graeser, V. Leowensberg, g. Vantongerloo. ARTE PROGRAMMATA E CINETICA 1953-1963, opere di: M. Adrian, Y. agam, G. Alviani, G. Anceschi, a. Biasi, D. Boriani, E. Chiggio, T. Costa, C. Cruz-Diez, H. Demarco, G. De Vecchi, Equipo 57-A. Duarte, H. Garcia Rossi,K. Gerstner, D. Hacker, E. Landi, J. Le Parc, E. Mari, M. Massironi, A. da Silva Mavignier, C. Megert, F. e V. Molnar, F. Morellet, B. Munari, I. Picelj, E. Sempere, F. Sobrino, J. R. Soto, J. Steele, J. Stein, P. Talmann, G. Varisco, V. Vasarely, L. Wilding, Yvaral. PRESENZE PARALLELE, opere di: A. Asis, M. Ballocco, P. Bury, E. Castellani, A. Christen, Dadamaino, N. Debourg, J. Knifer, V. Kristl, W. Ludwig, H. O. Mack, A. Palatnik, V. Richter, B. Riley, J. Tinguely, L. Tomasello, M. Vieira.



L Ultima Avanguardia


L Ultima Avanguardia
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Author :
language : it
Publisher:
Release Date : 1983

L Ultima Avanguardia written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1983 with categories.




Arte Programmata E Cinetica 1953 1963


Arte Programmata E Cinetica 1953 1963
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Author : Lea Vergine
language : it
Publisher:
Release Date : 1983

Arte Programmata E Cinetica 1953 1963 written by Lea Vergine and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1983 with categories.




Arte Programmata


Arte Programmata
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Author : Lindsay Caplan
language : en
Publisher: U of Minnesota Press
Release Date : 2022-10-25

Arte Programmata written by Lindsay Caplan and has been published by U of Minnesota Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-25 with Art categories.


Tracing the evolution of the Italian avant-garde’s pioneering experiments with art and technology and their subversion of freedom and control In postwar Italy, a group of visionary artists used emergent computer technologies as both tools of artistic production and a means to reconceptualize the dynamic interrelation between individual freedom and collectivity. Working contrary to assumptions that the rigid, structural nature of programming limits subjectivity, this book traces the multifaceted practices of these groundbreaking artists and their conviction that technology could provide the conditions for a liberated social life. Situating their developments within the context of the Cold War and the ensuing crisis among the Italian left, Arte Programmata describes how Italy’s distinctive political climate fueled the group’s engagement with computers, cybernetics, and information theory. Creating a broad range of immersive environments, kinetic sculptures, domestic home goods, and other multimedia art and design works, artists such as Bruno Munari, Enzo Mari, and others looked to the conceptual frameworks provided by this new technology to envision a way out of the ideological impasses of the age. Showcasing the ingenuity of Italy’s earliest computer-based art, this study highlights its distinguishing characteristics while also exploring concurrent developments across the globe. Centered on the relationships between art, technology, and politics, Arte Programmata considers an important antecedent to the digital age.



Art Hack Practice


Art Hack Practice
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Author : Victoria Bradbury
language : en
Publisher: Routledge
Release Date : 2019-10-29

Art Hack Practice written by Victoria Bradbury and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-29 with Art categories.


Bridging art and innovation, this book invites readers into the processes of artists, curators, cultural producers and historians who are working within new contexts that run parallel to or against the phenomenon of ‘maker culture’. The book is a fascinating and compelling resource for those interested in critical and interdisciplinary modes of practice that combine arts, technology and making. It presents international case studies that interrogate perceived distinctions between sites of artistic and economic production by brokering new ways of working between them. It also discusses the synergies and dissonances between art and maker culture, analyses the social and collaborative impact of maker spaces and reflects upon the ethos of the hackathon within the fabric of a media lab’s working practices. Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement is essential reading for courses in art, design, new media, computer science, media studies and mass communications as well as those working to bring new forms of programming to museums, cultural venues, commercial venture and interdisciplinary academic research centres.



The Artist As Inventor


The Artist As Inventor
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Author : Valentino Catricalà
language : en
Publisher: Rowman & Littlefield
Release Date : 2021-07-13

The Artist As Inventor written by Valentino Catricalà and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-07-13 with Social Science categories.


Today the media arts not only address the great themes of our times, they inhabit the very media of which they speak. The contemporary is global, but only because of the media that enable globalisation. Those media are almost nowhere apparent in the mainstream practice of art that we see in biennials from Venice to Sao Paolo. The media arts reflect back to us our present condition, and in the archive present us with the ghosts of what we were, and what we failed to become. This book brings the reader into the centre of these strange encounters, introducing us to the rich legacies and futures of the most important arts of the last hundred years. It also looks ahead to the future and asks what happens to the condition of being human within the new constellation into which we are entering?



Practicing Art Science


Practicing Art Science
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Author : Philippe Sormani
language : en
Publisher: Routledge
Release Date : 2018-07-11

Practicing Art Science written by Philippe Sormani and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-11 with Social Science categories.


Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, science, and technology have seen the light of day. Why, by whom, and under what circumstances are such initiatives promoted? What does their experimental character look like - and what can be learned, epistemologically and institutionally, from probing the multiple practices of "art/science" at work? In answer to the questions raised, Practicing Art/Science contrasts topical positions and insightful case studies, ranging from the detailed investigation of "art at the nanoscale" to the material analysis of Leonardo’s Mona Lisa and its cracked smile. In so doing, this volume brings to bear the "practice turn" in science and technology studies on the empirical investigation of multifaceted experimentation across contemporary art, science, and technology in situ. Against the background of current discourse on "artistic research," the introduction not only explains the particular relevance of the "practice turn" in STS to tackle the interdisciplinary task at hand, but offers also a timely survey of varying strands of artistic experimentation. In bringing together ground-breaking studies from internationally renowned scholars and upcoming researchers in sociology, art theory and artistic practice, as well as history and philosophy of science, Practicing Art/Science will be essential reading for practitioners and professionals in said fields, as well as postgraduate students and representatives of higher education and research policy more broadly.



Sensing Machines


Sensing Machines
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Author : Chris Salter
language : en
Publisher: MIT Press
Release Date : 2022-04-19

Sensing Machines written by Chris Salter and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-04-19 with Technology & Engineering categories.


How we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and Roombas to immersive art installations. Sensing machines are everywhere in our world. As we move through the day, electronic sensors and computers adjust our thermostats, guide our Roombas, count our steps, change the orientation of an image when we rotate our phones. There are more of these electronic devices in the world than there are people—in 2020, thirty to fifty billion of them (versus 7.8 billion people), with more than a trillion expected in the next decade. In Sensing Machines, Chris Salter examines how we are tracked, surveilled, tantalized, and seduced by machines ranging from smart watches and mood trackers to massive immersive art installations. Salter, an artist/scholar who has worked with sensors and computers for more than twenty years, explains that the quantification of bodies, senses, and experience did not begin with the surveillance capitalism practiced by Facebook, Amazon, Netflix, and Google but can be traced back to mathematical and statistical techniques of the nineteenth century. He describes the emergence of the “sensed self,” investigating how sensor technology has been deployed in music and gaming, programmable and immersive art environments, driving, and even eating, with e-tongues and e-noses that can taste and smell for us. Sensing technology turns our experience into data; but Salter’s story isn’t just about what these machines want from us, but what we want from them—new sensations, the thrill of the uncanny, and magic that will transport us from our daily grind.