Beating Time And Measuring Music In The Early Modern Era


Beating Time And Measuring Music In The Early Modern Era
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Beating Time Measuring Music In The Early Modern Era


Beating Time Measuring Music In The Early Modern Era
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Author : Roger Mathew Grant
language : en
Publisher: Oxford University Press
Release Date : 2014-10-21

Beating Time Measuring Music In The Early Modern Era written by Roger Mathew Grant and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-21 with Music categories.


Beating Time & Measuring Music in the Early Modern Era chronicles the shifting relationships between ideas about time in music and science from the sixteenth through the early nineteenth centuries. Centered on theories of musical meter, the book investigates the interdependence between theories of meter and conceptualizations of time from the age of Zarlino to the invention of the metronome. These formulations have evolved throughout the history of Western music, reflecting fundamental reevaluations not only of music but also of time itself. Drawing on paradigms from the history of science and technology and the history of philosophy, author Roger Mathew Grant illustrates ways in which theories of meter and time, informed by one another, have manifested themselves in the field of music. During the long eighteenth century, treatises on subjects such as aesthetics, music theory, mathematics, and natural philosophy began to reflect an understanding of time as an absolute quantity, independent of events. This gradual but conclusive change had a profound impact on the network of ideas connecting time, meter, character, and tempo. Investigating the impacts of this change, Grant explores the timekeeping techniques - musical and otherwise - that implemented this conceptual shift, both technologically and materially. Bringing together diverse strands of thought in a broader intellectual history of temporality, Grant's study fills an unexpected yet conspicuous gap in the history of music theory, and is essential reading for music theorists and composers as well as historical musicologists and practitioners of historically informed performance.



Beating Time Measuring Music In The Early Modern Era


Beating Time Measuring Music In The Early Modern Era
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Author : Roger Mathew Grant
language : en
Publisher: Oxford Studies in Music Theory
Release Date : 2014

Beating Time Measuring Music In The Early Modern Era written by Roger Mathew Grant and has been published by Oxford Studies in Music Theory this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Music categories.


Roger Mathew Grant is Assistant Professor of Music at Wesleyan University. A recent graduate of the University of Pennsylvania (PhD 2010) his research focuses on the relationships between eighteenth-century music theory, Enlightenment aesthetics, and early modern science. His journal articles have appeared in Music Theory Spectrum, Eighteenth-Century Music, and the Journal of Music Theory. A former Junior Fellow of the University of Michigan's Society of Fellows, he was the fourth musicologist ever to hold a fellowship in the forty-year history of the Society.



Peculiar Attunements


Peculiar Attunements
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Author : Roger Mathew Grant
language : en
Publisher: Fordham University Press
Release Date : 2020-03-03

Peculiar Attunements written by Roger Mathew Grant and has been published by Fordham University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-03-03 with Music categories.


Peculiar Attunements places the recent turn to affect into conversation with a parallel movement in European music theory of the eighteenth century. During that time the affects—or passions, as they were also called—formed a vital component of a mimetic model of the arts. Eighteenth-century critics held that artworks imitated or copied the natural world in order to produce copies of the affects in their beholders. But music caused a problem for such theories, since it wasn’t apparent that musical tones could imitate anything with any dependability, beyond the rare thunderclap or birdcall. Struggling to articulate how it was that music managed to move its auditors without imitation, certain theorists developed a new affect theory crafted especially for music, postulating that music’s physical materiality as sound vibrated the nerves of listeners and attuned them to the affects through sympathetic resonance. This was a theory of affective attunement that bypassed the entire structure of representation, offering a non-discursive, corporeal alternative. It is a pendant to contemporary theories of affect, and one from which they have much to learn. Inflecting our current intellectual moment through eighteenth-century music theory and aesthetics, this book offers a reassessment of affect theory’s common systems and processes. It offers a new way of thinking through affect dialectically, drawing attention to patterns and problems in affect theory that we have been given to repeating. Finally, taking a cue from eighteenth-century theory, it gives renewed attention to the objects that generate affects in subjects.



Music Medicine And Religion At The Ospedale Di Santo Spirito In Rome


Music Medicine And Religion At The Ospedale Di Santo Spirito In Rome
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Author : Naomi J. Barker
language : en
Publisher: Boydell & Brewer
Release Date : 2024-02-20

Music Medicine And Religion At The Ospedale Di Santo Spirito In Rome written by Naomi J. Barker and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-02-20 with categories.


Explores the use of music as therapy and shows how it operated in the hospital''s institutional, social and historical contexts, undergoing change in response to broader cultural and religious movements.This book explores connections between the physical care of the sick based on the study of medicine, concepts of healing founded on religious thought, and the practice of music at the Ospedale di Santo Spirito (Hospital of the Holy Spirit) in Rome. The hospital was a unique institution that was regulated by the Roman Catholic Church but simultaneously reflected the significant shifts in scientific thought emerging during the period that coincided with post-Tridentine reforms in the church.The volume discusses the hospital''s foundation, architecture and links with the papacy. It also reflects on the then acceptable "ways of knowing" informed by religious concerns and medical traditions. The tripartite relationship between religion, medicine and music within the institution was complex. At times they existed side-by-side, at others they intersected. Drawing on extensive archival research such as financial records, decrees, records of apostolic visits and inventories as well as surviving musical sources (printed and manuscript), the book makes connections between intellectual beliefs about music and actual musical practices. It explores the early use of music as therapy and investigates the musical ideals and practices of the monastic regime which ran the hospital. In a wider sense, the book shows how music operated in the hospital''s institutional, social and historical contexts, and how it underwent change over time in response to broader cultural and religious movements.NAOMI J. Barker is Senior Lecturer in Music at the Open University. She is the author of various articles on late-sixteenth and seventeenth-century music. This is her first book.ide-by-side, at others they intersected. Drawing on extensive archival research such as financial records, decrees, records of apostolic visits and inventories as well as surviving musical sources (printed and manuscript), the book makes connections between intellectual beliefs about music and actual musical practices. It explores the early use of music as therapy and investigates the musical ideals and practices of the monastic regime which ran the hospital. In a wider sense, the book shows how music operated in the hospital''s institutional, social and historical contexts, and how it underwent change over time in response to broader cultural and religious movements.NAOMI J. Barker is Senior Lecturer in Music at the Open University. She is the author of various articles on late-sixteenth and seventeenth-century music. This is her first book.ide-by-side, at others they intersected. Drawing on extensive archival research such as financial records, decrees, records of apostolic visits and inventories as well as surviving musical sources (printed and manuscript), the book makes connections between intellectual beliefs about music and actual musical practices. It explores the early use of music as therapy and investigates the musical ideals and practices of the monastic regime which ran the hospital. In a wider sense, the book shows how music operated in the hospital''s institutional, social and historical contexts, and how it underwent change over time in response to broader cultural and religious movements.NAOMI J. Barker is Senior Lecturer in Music at the Open University. She is the author of various articles on late-sixteenth and seventeenth-century music. This is her first book.ide-by-side, at others they intersected. Drawing on extensive archival research such as financial records, decrees, records of apostolic visits and inventories as well as surviving musical sources (printed and manuscript), the book makes connections between intellectual beliefs about music and actual musical practices. It explores the early use of music as therapy and investigates the musical ideals and practices of the monastic regime which ran the hospital. In a wider sense, the book shows how music operated in the hospital''s institutional, social and historical contexts, and how it underwent change over time in response to broader cultural and religious movements.NAOMI J. Barker is Senior Lecturer in Music at the Open University. She is the author of various articles on late-sixteenth and seventeenth-century music. This is her first book.surviving musical sources (printed and manuscript), the book makes connections between intellectual beliefs about music and actual musical practices. It explores the early use of music as therapy and investigates the musical ideals and practices of the monastic regime which ran the hospital. In a wider sense, the book shows how music operated in the hospital''s institutional, social and historical contexts, and how it underwent change over time in response to broader cultural and religious movements.NAOMI J. Barker is Senior Lecturer in Music at the Open University. She is the author of various articles on late-sixteenth and seventeenth-century music. This is her first book.



Beyond Boundaries


Beyond Boundaries
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Author : Linda Phyllis Austern
language : en
Publisher: Indiana University Press
Release Date : 2017-02-13

Beyond Boundaries written by Linda Phyllis Austern and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-02-13 with Music categories.


English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.



Making Musical Time


Making Musical Time
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Author : Guerino Mazzola
language : en
Publisher: Springer Nature
Release Date : 2021-11-15

Making Musical Time written by Guerino Mazzola and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-11-15 with Mathematics categories.


This book is a comprehensive examination of the conception, perception, performance, and composition of time in music across time and culture. It surveys the literature of time in mathematics, philosophy, psychology, music theory, and somatic studies (medicine and disability studies) and looks ahead through original research in performance, composition, psychology, and education. It is the first monograph solely devoted to the theory of construction of musical time since Kramer in 1988, with new insights, mathematical precision, and an expansive global and historical context. The mathematical methods applied for the construction of musical time are totally new. They relate to category theory (projective limits) and the mathematical theory of gestures. These methods and results extend the music theory of time but also apply to the applied performative understanding of making music. In addition, it is the very first approach to a constructive theory of time, deduced from the recent theory of musical gestures and their categories. Making Musical Time is intended for a wide audience of scholars with interest in music. These include mathematicians, music theorists, (ethno)musicologists, music psychologists / educators / therapists, music performers, philosophers of music, audiologists, and acousticians.



Tactus Mensuration And Rhythm In Renaissance Music


Tactus Mensuration And Rhythm In Renaissance Music
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Author : Ruth I. DeFord
language : en
Publisher: Cambridge University Press
Release Date : 2015-04-23

Tactus Mensuration And Rhythm In Renaissance Music written by Ruth I. DeFord and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-04-23 with Music categories.


Ruth I. DeFord offers new insights on Renaissance theories of rhythm and their application to the analysis and performance of music.



Meter In Music 1600 1800


Meter In Music 1600 1800
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Author : George Houle
language : en
Publisher: Indiana University Press
Release Date : 2000-06-22

Meter In Music 1600 1800 written by George Houle and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-06-22 with Music categories.


"All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." —Continuo "This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . " —Early Music " . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum." —Music Educators Journal The treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.



The Century Dictionary And Cyclopedia


The Century Dictionary And Cyclopedia
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Author : William Dwight Whitney
language : en
Publisher:
Release Date : 1895

The Century Dictionary And Cyclopedia written by William Dwight Whitney and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1895 with Biography categories.




The Century Dictionary And Cyclopedia The Century Dictionary


The Century Dictionary And Cyclopedia The Century Dictionary
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Author : William Dwight Whitney
language : en
Publisher:
Release Date : 1897

The Century Dictionary And Cyclopedia The Century Dictionary written by William Dwight Whitney and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1897 with Atlases categories.