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Bernard Herrmann S The Ghost And Mrs Muir


Bernard Herrmann S The Ghost And Mrs Muir
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Bernard Herrmann S The Ghost And Mrs Muir


Bernard Herrmann S The Ghost And Mrs Muir
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Author : David Cooper
language : en
Publisher: Rowman & Littlefield
Release Date : 2005

Bernard Herrmann S The Ghost And Mrs Muir written by David Cooper and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Motion picture music categories.


"In this guide, Cooper considers Herrmann's musical technique and theorizes some of the ways in which music can be meaningful in film. He also explores nonmusical contexts of the film, including the screenplay's relationship to the popular novel from which it was adapted, as well as the contribution of director Joseph L. Mankiewicz, the performances of Gene Tierney and Rex Harrison, and the editing of Dorothy Spencer. Cooper also provides a quantitative, evidence-based study of the score. A rundown of all the cues in Herrmann's manuscript is followed by an examination of the score as a musical artifact. In his evaluation of the overall approach to the soundtrack, the author considers the musical detail of the score's structure, its themes, and their orchestration.



Bernard Herrmann S The Ghost And Mrs Muir


Bernard Herrmann S The Ghost And Mrs Muir
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Author :
language : en
Publisher:
Release Date : 2005

Bernard Herrmann S The Ghost And Mrs Muir written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with categories.




The Ghost And Mrs Muir


The Ghost And Mrs Muir
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Author : Frieda Grafe
language : en
Publisher:
Release Date : 1995-11

The Ghost And Mrs Muir written by Frieda Grafe and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995-11 with Performing Arts categories.


The Ghost and Mrs Muir tells the story of a young widow (Gene Tierney) who rents an old house by the sea that is haunted by the ghost of a sea captain (Rex Harrison). Despite all the trappings of a gothic tale, the film is in fact an ironic comedy, in which the ghost and the widow play out their relationship as a battle of wits. The film was not a huge success when first released in America in 1947, though it achieved an afterlife as a TV series in the 1960s. But in Europe the film soon acquired a reputation as an exemplary product of the Hollywood system. Joseph Mankiewicz, its director, was a firm advocate of the idea of the auteur, by which he meant that the director must also be the author of the script. For Mankiewicz, cinema was above all dialogue. But as Frieda Grafe shows in her attentive and evocative account, there are many voices speaking in The Ghost and Mrs Muir. She traces the influence of Darryl Zanuck, the forceful head of 20th Century-Fox, the screenwriter Philip Dunne, R.A. Dick, the author of the novel on which the film was based, Bernard Herrmann, who composed its wonderful music, and the particular slant given to the film by the casting of Tierney and Harrison.



The Ghost And Mrs Muir


The Ghost And Mrs Muir
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Author : Frieda Grafe
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-07-25

The Ghost And Mrs Muir written by Frieda Grafe and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-25 with Performing Arts categories.


Joseph Mankiewicz's romance, 'The Ghost and Mrs Muir', stars Gene Tierney as a widow who refuses to be frightened away from her seaside home by the ghost of a sea-captain, played by Rex Harrison. This study features a brief production history and a detailed filmography.



The Invisible Art Of Film Music


The Invisible Art Of Film Music
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Author : Laurence E. MacDonald
language : en
Publisher: Scarecrow Press
Release Date : 2013-05-02

The Invisible Art Of Film Music written by Laurence E. MacDonald and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-05-02 with Performing Arts categories.


Beginning with the era of synchronized sound in the 1920s, music has been an integral part of motion pictures. Whether used to heighten the tension of a scene or evoke a subtle emotional response, scores have played a significant—if often unrealized—role in the viewer’s enjoyment. In The Invisible Art of Film Music, Laurence MacDonald provides a comprehensive introduction for the general student, film historian, and aspiring cinematographer. Arranged chronologically from the silent era to the present day, this volume provides insight into the evolution of music in cinema and analyzes the vital contributions of scores to hundreds of films. MacDonald reviews key developments in film music and discusses many of the most important and influential scores of the last nine decades, including those from Modern Times, Gone with the Wind, Citizen Kane, Laura, A Streetcar Named Desire, Ben-Hur, Lawrence of Arabia, The Godfather, Jaws, Ragtime, The Mission, Titanic, Gladiator, The Lord of the Rings, Brokeback Mountain,and Slumdog Millionaire. MacDonald also provides biographical sketches of such great composers as Max Steiner, Alfred Newman, Franz Waxman, Bernard Herrmann, Elmer Bernstein, Henry Mancini, Maurice Jarre, John Barry, John Williams, Jerry Goldsmith, Dave Grusin, Ennio Morricone, Randy Newman, Hans Zimmer, and Danny Elfman. Updated and expanded to include scores produced well into the twenty-first century, this new edition of The Invisible Art of Film Music will appeal not only to scholars of cinema and musicologists but also any fan of film scores.



100 Greatest Film Scores


100 Greatest Film Scores
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Author : Matt Lawson
language : en
Publisher: Rowman & Littlefield
Release Date : 2018-09-15

100 Greatest Film Scores written by Matt Lawson and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-09-15 with Performing Arts categories.


The background music on a film can make or break the audience experience. Imagine the shower scene in Psycho without the shrieking violins or Jaws without the ominous notes thatportend the shark’s attack! Musical accompaniment helps create atmosphere for the viewer, from subtle undertones to compositions that heighten the drama. In 100 Greatest Film Scores, authors Matt Lawson and Laurence E. MacDonald consider the finest music produced for cinema since the development of motion picture sound. Each entry includes background details about the film, biographical information about the composer, a concise analysis of the score, and a summary of the score’s impact both within the film and on cinematic history. Among the many films cited here are iconic scores for The Adventures of Robin Hood, A Beautiful Mind,The Big Country, Chariots of Fire, Citizen Kane, Edward Scissorhands, Fargo, Gonewith the Wind, The Great Escape, Jurassic Park, King Kong, Lawrence of Arabia, The Lion in Winter, North by Northwest, On the Waterfront, Out of Africa, The Pink Panther, Raiders of the Lost Ark, Vertigo, and Up. Arranged alphabetically and featuring a photo of each movies, the entries in this volume give the reader insight into how music functions across a wide spectrum of film genres. Representing some of the greatest composers in the history of cinema including Elmer Bernstein, Bernard Herrmann, Alfred Newman, John Williams, and Hans Zimmer, 100 Greatest Film Scores will be of interest to fans of movie music everywhere.



A Heart At Fire S Center


A Heart At Fire S Center
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Author : Steven C. Smith
language : en
Publisher: Univ of California Press
Release Date : 2002-05-31

A Heart At Fire S Center written by Steven C. Smith and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-05-31 with Performing Arts categories.


No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, François Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film (Citizen Kane) to his last (Taxi Driver), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic (Fahrenheit 451, The Day the Earth Stood Still) to the romantic (Obsession, The Ghost and Mrs. Muir) to the terrifying (Psycho). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles's Mercury Theatre on the Air and The War of the Worlds. His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony. Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored—a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love. Films scored by Bernard Herrmann: Citizen Kane, The Ghost and Mrs. Muir, Vertigo, Psycho, Fahrenheit 451, Taxi Driver, The Magnificent Ambersons, The Man Who Knew Too Much, North By Northwest, The Birds, The Snows of Kilimanjaro, Cape Fear, Marnie, Torn Curtain, among others



The Mediterranean In Music


The Mediterranean In Music
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Author : David Cooper
language : en
Publisher: Scarecrow Press
Release Date : 2005

The Mediterranean In Music written by David Cooper and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Music categories.


Politically and historically, the Mediterranean has been a space for critical dialogue for competing and often antagonistic voices, and still functions as meeting place for diverse and interdisciplinary approaches. Although other academic disciplines have attempted a unified approach to Mediterranean studies, until recently Mediterranean music as a singular concept has received relatively little scholarly development. This volume is a crucial first step and investigates several musical cultures that have traditionally demonstrated common threads, trends, and interactions. The music of Greece, Crete, Turkey, Albania, Corsica, Italy, Spain, Morocco, Algeria and Palestine are all considered in this volume as the scholars represented here reveal the musical commonality among otherwise divergent traditions. Unnecessary technical jargon is avoided, and an interdisciplinary approach embracing ethnology and material culture considerations makes this volume relevant not only to musicologists and anthropologists, but likewise to the general reader interested in tourism.



Seeing Through Music


Seeing Through Music
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Author : Peter Franklin
language : en
Publisher: Oxford University Press
Release Date : 2011-07-29

Seeing Through Music written by Peter Franklin and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-07-29 with Music categories.


Hollywood film music is often mocked as a disreputably 'applied' branch of the art of composition that lacks both the seriousness and the quality of the classical or late-romantic concert and operatic music from which it derives. Its composers in the 1930s and '40s were themselves often scornful of it and aspired to produce more 'serious' works that would enhance their artistic reputation. In fact the criticism of film music as slavishly descriptive or manipulatively over-emotional has a history that is older than film - it had even been directed at the relatively popular operatic and concert music written by some of the émigré Hollywood composers themselves before they had left Europe. There, as subsequently in America, such criticism was promoted by the developing project of Modernism, whose often high-minded opposition to mass culture used polarizing language that drew, intentionally or not, upon that of gender difference. Regressive, late-romantic music, the old argument ran, was -- as women were believed to be -- emotional, irrational, and lacking in logic. This book seeks to level the critical playing field between film music and "serious music," reflecting upon gender-related ideas about music and modernism as much as about film. Peter Franklin broaches the possibility of a history of twentieth-century music that would include, rather than marginalize, film music -- and, indeed, the scores of a number of the major Hollywood movies discussed here, like The Bride of Frankenstein, King Kong, Rebecca, Gone With The Wind, Citizen Kane and Psycho. In doing so, he brings more detailed music-historical knowledge to bear upon cinema music, often discussed as a unique and special product of film, and also offers conclusions about the problematic aspects of musical modernism and some arguably liberating aspects of "late-romanticism."



A Research Guide To Film And Television Music In The United States


A Research Guide To Film And Television Music In The United States
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Author : Jeannie G. Pool
language : en
Publisher: Rowman & Littlefield
Release Date : 2011

A Research Guide To Film And Television Music In The United States written by Jeannie G. Pool and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Music categories.


Unlike sources for traditional music, those for film and television music are often difficult to locate and do not follow the patterns that researchers are trained to identify. Although there have been several self-described introductions to the field and articles that summarize the problems and state of this research, no resource gathers all the basic information. In this volume, Jeannie Gayle Pool and H. Stephen Wright address the difficulties that scholars encounter when conducting research on film and television music. Intended as a guide for those navigating the complex world of film and television music research, this book presents a detailed description of primary sources and explains how to find and interpret them. The authors tackle the problems of determining film-score authorship and working with recordings of film music. A bibliography summarizes the major works and trends in film music research and identifies the most important resources in the field. Up-to-date information about prominent collections of film music sources and other research materials is also included. Designed to clarify the nature of source materials and how they are generated, A Research Guide to Film and Television Music in the United States provides clear signposts for scholars and highlights opportunities for further investigation. Book jacket.