Black Images In The American Theatre
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Black Images In The American Theatre
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Author : Leonard Courtney Archer
language : en
Publisher:
Release Date : 1973
Black Images In The American Theatre written by Leonard Courtney Archer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1973 with Performing Arts categories.
Blacks In American Theatre History
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Author : H. D. Flowers
language : en
Publisher:
Release Date : 1992
Blacks In American Theatre History written by H. D. Flowers and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Performing Arts categories.
The Cambridge Companion To African American Theatre
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Author : Harvey Young
language : en
Publisher: Cambridge University Press
Release Date : 2013
The Cambridge Companion To African American Theatre written by Harvey Young and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Drama categories.
With contributions from the leading scholars in the field, this Companion provides a comprehensive and accessible overview of African American theatre, from the early nineteenth century to the present day. Along the way, it chronicles the evolution of African American theatre and its engagement with the wider community.
Black Theater City Life
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Author : Macelle Mahala
language : en
Publisher: Northwestern University Press
Release Date : 2022-08-15
Black Theater City Life written by Macelle Mahala and has been published by Northwestern University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-08-15 with Performing Arts categories.
Macelle Mahala’s rich study of contemporary African American theater institutions reveals how they reflect and shape the histories and cultural realities of their cities. Arguing that the community in which a play is staged is as important to the work’s meaning as the script or set, Mahala focuses on four cities’ “arts ecologies” to shed new light on the unique relationship between performance and place: Cleveland, home to the oldest continuously operating Black theater in the country; Pittsburgh, birthplace of the legendary playwright August Wilson; San Francisco, a metropolis currently experiencing displacement of its Black population; and Atlanta, a city with forty years of progressive Black leadership and reverse migration. Black Theater, City Life looks at Karamu House Theatre, the August Wilson African American Cultural Center, Pittsburgh Playwrights’ Theatre Company, the Lorraine Hansberry Theatre, the African American Shakespeare Company, the Atlanta Black Theatre Festival, and Kenny Leon’s True Colors Theatre Company to demonstrate how each organization articulates the cultural specificities, sociopolitical realities, and histories of African Americans. These companies have faced challenges that mirror the larger racial and economic disparities in arts funding and social practice in America, while their achievements exemplify such institutions’ vital role in enacting an artistic practice that reflects the cultural backgrounds of their local communities. Timely, significant, and deeply researched, this book spotlights the artistic and civic import of Black theaters in American cities.
A History Of African American Theatre
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Author : Errol G. Hill
language : en
Publisher: Cambridge University Press
Release Date : 2003-07-17
A History Of African American Theatre written by Errol G. Hill and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-07-17 with Drama categories.
Table of contents
African American Performance And Theater History
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Author : Harry J. Elam
language : en
Publisher: Oxford University Press
Release Date : 2001-01-18
African American Performance And Theater History written by Harry J. Elam and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001-01-18 with Literary Criticism categories.
African American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theater, and performance in America. Assembled by two esteemed scholars in black theater, Harry J. Elam, Jr. and David Krasner, and composed of essays from acknowledged authorities in the field, this anthology is organized into four sections representative of the ways black theater, drama, and performance interact and enact continual social, cultural, and political dialogues. Ranging from a discussion of dramatic performances of Uncle Tom's Cabin to the Black Art Movement of the 1960s and early 1970s, articles gathered in the first section, "Social Protest and the Politics of Representation," discuss the ways in which African American theater and performance have operated as social weapons and tools of protest. The second section of the volume, "Cultural Traditions, Cultural Memory and Performance," features, among other essays, Joseph Roach's chronicle of the slave performances at Congo Square in New Orleans and Henry Louis Gates, Jr.'s critique of August Wilson's cultural polemics. "Intersections of Race and Gender," the third section, includes analyses of the intersections of race and gender on the minstrel stage, the plight of black female choreographers at the inception of Modern Dance, and contemporary representations of black homosexuality by PomoAfro Homo. Using theories of performance and performativity, articles in the fourth section, "African American Performativity and the Performance of Race," probe into the ways blackness and racial identity have been constructed in and through performance. The final section is a round-table assessment of the past and present state of African American Theater and Performance Studies by some of the leading senior scholars in the field--James V. Hatch, Sandra L. Richards, and Margaret B. Wilkerson. Revealing the dynamic relationship between race and theater, this volume illustrates how the social and historical contexts of production critically affect theatrical performances of blackness and their meanings and, at the same time, how African American cultural, social, and political struggles have been profoundly affected by theatrical representations and performances. This one-volume collection is sure to become an important reference for those studying black theater and an engrossing survey for all readers of African American literature.
The Theater Of Black Americans
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Author : Errol Hill
language : en
Publisher: Prentice Hall
Release Date : 1980
The Theater Of Black Americans written by Errol Hill and has been published by Prentice Hall this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Literary Criticism categories.
Critical essays on the history, impact and future of the black theater movement in the United States. Volume one traces its historical origins from its African and American roots and studies important black plays and individual playwrights from the Harlem Renaissance down to Ed Bullins. Volume two examines black theater companies and raises some of the moral and aesthetic questions they pose for audiences and critics, black and white. The contributors include Darwin T. Turner, Lindsay Patterson and Stanley Kauffman.
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Author :
language : en
Publisher:
Release Date :
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Black Dionysus
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Author : Kevin J. Wetmore, Jr.
language : en
Publisher: McFarland
Release Date : 2010-03-22
Black Dionysus written by Kevin J. Wetmore, Jr. and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-03-22 with Performing Arts categories.
Many playwrights, authors, poets and historians have used images, metaphors and references to and from Greek tragedy, myth and epic to describe the African experience in the New World. The complex relationship between ancient Greek tragedy and modern African American theatre is primarily rooted in America, where the connection between ancient Greece and ancient Africa is explored and debated the most. The different ways in which Greek tragedy has been used by playwrights, directors and others to represent and define African American history and identity are explored in this work. Two models are offered for an Afro-Greek connection: Black Orpheus, in which the Greek connection is metaphorical, expressing the African in terms of the European; and Black Athena, in which ancient Greek culture is "reclaimed" as part of an Afrocentric tradition. African American adaptations of Greek tragedy on the continuum of these two models are then discussed, and plays by Peter Sellars, Adrienne Kennedy, Lee Breuer, Rita Dove, Jim Magnuson, Ernest Ferlita, Steve Carter, Silas Jones, Rhodessa Jones and Derek Walcott are analyzed. The concepts of colorblind and nontraditional casting and how such practices can shape the reception and meaning of Greek tragedy in modern American productions are also covered.
Black Theatre
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Author : Carlton W. Molette
language : en
Publisher:
Release Date : 1986
Black Theatre written by Carlton W. Molette and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1986 with Drama categories.
Our intention, explain the Mollettes, is to describe the nature of African American theatre as an expression of culture and a medium for communicating values. We have divided this book into two sections. Part One, PREMISE, describes the terms and concepts needed to examine African American theatre from an Afrocentric point of view. Essential to that discourse is an understanding of culture and values and their impact upon an individual's point of view and subsequent interpretation of what is seen and heard. We cite examples of historical interpretations and analyses to illustrate the differences in these statements of evaluation that result from variations in culture and values. Part Two, Presentation, delineates values that influence theatrical presentations by and for African Americans and their impact upon style, form, and the performance environment. The values of specific cultures also control concepts such as space and time that are crucial to the way in which performance art is perceived. Both Afrocentric and Eurocentric concepts of time and space are described in order to contrast Afrocentric and Eurocentric conventions of theatrical presentations.