Border Arts Workshop Taller De Arte Fronterizo
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Border Arts Workshop Taller De Arte Fronterizo
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Author :
language : en
Publisher:
Release Date : 1990
Border Arts Workshop Taller De Arte Fronterizo written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with Art, American categories.
Taller De Arte Fronterizo Baw Taf 1984 1989
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Author : Border Art Workshop/Tallér de Arte Fronterízo
language : en
Publisher:
Release Date : 1988
Taller De Arte Fronterizo Baw Taf 1984 1989 written by Border Art Workshop/Tallér de Arte Fronterízo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Art categories.
Border
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Author : Patricio Chávez
language : en
Publisher: Centro Cultural de La Raza
Release Date : 1993
Border written by Patricio Chávez and has been published by Centro Cultural de La Raza this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Art categories.
Portable Borders
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Author : Ila Nicole Sheren
language : en
Publisher: University of Texas Press
Release Date : 2015-08-15
Portable Borders written by Ila Nicole Sheren and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-15 with Art categories.
After World War II, the concept of borders became unsettled, especially after the rise of subaltern and multicultural studies in the 1980s. Art at the U.S.-Mexico border came to a turning point at the beginning of that decade with the election of U.S. President Ronald Reagan. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century. Particularly in the world of visual art, borders have come to represent a space of performance rather than a geographical boundary, a cultural terrain meant to be negotiated rather than a physical line. From 1980 forward, Sheren argues, the border became portable through performance and conceptual work. This dematerialization of the physical border after the 1980s worked in two opposite directions—the movement of border thinking to the rest of the world, as well as the importation of ideas to the border itself. Beginning with site-specific conceptual artwork of the 1980s, particularly the performances of the Border Art Workshop/Taller de Arte Fronterizo, Sheren shows how these works reconfigured the border as an active site. Sheren moves on to examine artists such as Guillermo Gómez-Peña, Coco Fusco, and Marcos Ramirez “ERRE.” Although Sheren places emphasis on the Chicano movement and its art production, this groundbreaking book suggests possibilities for the expansion of the concept of portability to contemporary art projects beyond the region.
Portable Borders
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Author : Ila Nicole Sheren
language : en
Publisher: University of Texas Press
Release Date : 2015-08-15
Portable Borders written by Ila Nicole Sheren and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-15 with Art categories.
After World War II, the concept of borders became unsettled, especially after the rise of subaltern and multicultural studies in the 1980s. Art at the U.S.-Mexico border came to a turning point at the beginning of that decade with the election of U.S. President Ronald Reagan. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century. Particularly in the world of visual art, borders have come to represent a space of performance rather than a geographical boundary, a cultural terrain meant to be negotiated rather than a physical line. From 1980 forward, Sheren argues, the border became portable through performance and conceptual work. This dematerialization of the physical border after the 1980s worked in two opposite directions—the movement of border thinking to the rest of the world, as well as the importation of ideas to the border itself. Beginning with site-specific conceptual artwork of the 1980s, particularly the performances of the Border Art Workshop/Taller de Arte Fronterizo, Sheren shows how these works reconfigured the border as an active site. Sheren moves on to examine artists such as Guillermo Gómez-Peña, Coco Fusco, and Marcos Ramirez “ERRE.” Although Sheren places emphasis on the Chicano movement and its art production, this groundbreaking book suggests possibilities for the expansion of the concept of portability to contemporary art projects beyond the region.
Working At The Line
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Author : Benjamin McElroy Fuqua
language : en
Publisher:
Release Date : 2017
Working At The Line written by Benjamin McElroy Fuqua and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Art and social action categories.
My thesis examines the work of three arts organizations that have worked or are working at the U.S.-Mexico border: The Border Art Workshop/Taller de Arte Fronterizo; a San Diegobased artist collective which operate from 1984 to the mid-90s; inSite festival, which ran from 1992 to 2005 in San Diego and Tijuana; and the Border Art Corridor, which supports art projects in the towns of Douglas, Arizona, and Nogales, Mexico. Since the field of border art rose to prominence in the 1980s, international audiences have been drawn to the ways in which artists present new visions of the border. In order to support the work of these artists, organizations have adopted various approaches to working with the complex social and political realities that exist at the border. My thesis seeks out projects that disrupt traditional narratives of the border, and avoid the over-simplification that is too often applied to it. In doing so, I hope to present a nuanced portrait of a practice rooted in collaboration and cooperation.
Art Borders And Belonging
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Author : Maria Photiou
language : en
Publisher: Bloomsbury Publishing
Release Date : 2021-04-22
Art Borders And Belonging written by Maria Photiou and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-22 with Design categories.
Art, Borders and Belonging: On Home and Migration investigates how three associated concepts-house, home and homeland-are represented in contemporary global art. The volume brings together essays which explore the conditions of global migration as a process that is always both about departures and homecomings, indeed, home-makings, through which the construction of migratory narratives are made possible. Although centrally concerned with how recent and contemporary works of art can materialize the migratory experience of movement and (re)settlement, the contributions to this book also explore how curating and exhibition practices, at both local and global levels, can extend and challenge conventional narratives of art, borders and belonging. A growing number of artists migrate; some for better job opportunities and for the experience of different cultures, others not by choice but as a consequence of forced displacement caused economic or environmental collapse, or by political, religious or military destabilization. In recent years, the theme of migration has emerged as a dominant subject in art and curatorial practices. Art, Borders and Belonging thus seeks to explore how the migratory experience is generated and displayed through the lens of contemporary art. In considering the extent to which the visual arts are intertwined with real life events, this text acts as a vehicle of knowledge transfer of cultural perspectives and enhances the importance of understanding artistic interventions in relation to home, migration and belonging.
Artes Pl Sticas En La Frontera M Xico Estados Unidos
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Author : Harry Polkinhorn
language : en
Publisher: UABC
Release Date : 1991
Artes Pl Sticas En La Frontera M Xico Estados Unidos written by Harry Polkinhorn and has been published by UABC this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with Art categories.
Chicano San Diego
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Author : Richard Griswold del Castillo
language : en
Publisher: University of Arizona Press
Release Date : 2007
Chicano San Diego written by Richard Griswold del Castillo and has been published by University of Arizona Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with History categories.
The Mexican and Chicana/o residents of San Diego have a long, complicated, and rich history that has been largely ignored. This collection of essays shows how the Spanish-speaking people of this border city have created their own cultural spaces. Sensitive to issues of genderÑand paying special attention to political, economic, and cultural figures and eventsÑthe contributors explore what is unique about San DiegoÕs Mexican American history. In chronologically ordered chapters, scholars discuss how Mexican and Chicana/o people have resisted and accommodated the increasingly Anglo-oriented culture of the region. The bookÕs early chapters recount the historical origins of San Diego and its development through the mid-nineteenth century, describe the ÒAmerican colonizationÓ that followed, and include examples of Latino resistance that span the twentieth centuryÑfrom early workersÕ strikes to the United Farm Workers movement of the 1960s. Later chapters trace the Chicana/o Movement in the community and in the arts; the struggle against the gentrification of the barrio; and the growth of community organizing (especially around immigrantsÕ rights) from the perspective of a community organizer. To tell this sweeping story, the contributors use a variety of approaches. Testimonios retell individual lives, ethnographies relate the stories of communities, and historical narratives uncover what has previously been ignored or discounted. The result is a unique portrait of a marginalized population that has played an important but neglected role in the development of a major American border city.
The Expediency Of Culture
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Author : George Yúdice
language : en
Publisher: Duke University Press
Release Date : 2004-01-23
The Expediency Of Culture written by George Yúdice and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-01-23 with History categories.
The Expediency of Culture is a pioneering theorization of the changing role of culture in an increasingly globalized world. George Yúdice explores critically how groups ranging from indigenous activists to nation-states to nongovernmental organizations have all come to see culture as a valuable resource to be invested in, contested, and used for varied sociopolitical and economic ends. Through a dazzling series of illustrative studies, Yúdice challenges the Gramscian notion of cultural struggle for hegemony and instead develops an understanding of culture where cultural agency at every level is negotiated within globalized contexts dominated by the active management and administration of culture. He describes a world where “high” culture (such as the Guggenheim Museum in Bilbao, Spain) is a mode of urban development, rituals and everyday aesthetic practices are mobilized to promote tourism and the heritage industries, and mass culture industries comprise significant portions of a number of countries’ gross national products. Yúdice contends that a new international division of cultural labor has emerged, combining local difference with transnational administration and investment. This does not mean that today’s increasingly transnational culture—exemplified by the entertainment industries and the so-called global civil society of nongovernmental organizations—is necessarily homogenized. He demonstrates that national and regional differences are still functional, shaping the meaning of phenomena from pop songs to antiracist activism. Yúdice considers a range of sites where identity politics and cultural agency are negotiated in the face of powerful transnational forces. He analyzes appropriations of American funk music as well as a citizen action initiative in Rio de Janeiro to show how global notions such as cultural difference are deployed within specific social fields. He provides a political and cultural economy of a vast and increasingly influential art event— insite a triennial festival extending from San Diego to Tijuana. He also reflects on the city of Miami as one of a number of transnational “cultural corridors” and on the uses of culture in an unstable world where censorship and terrorist acts interrupt the usual channels of capitalist and artistic flows.