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Brahms 1913


Brahms 1913
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Brahms


Brahms
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Author : John Lawrence Erb
language : en
Publisher: Forgotten Books
Release Date : 2017-10-22

Brahms written by John Lawrence Erb and has been published by Forgotten Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10-22 with Music categories.


Excerpt from Brahms: With Illustrations and Portraits Unto-date biography Of Brahms. This little volume is an attempt to supply the deficiency. The work was conceived and carried out as a labour of love, and was meant to give to our English-speaking public a correct idea, so far as could be gathered from the writings of those Who knew, of the principal facts concerning the character and achievements of one whom all must acknowledge as a Master Artist. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.



Rethinking Brahms


Rethinking Brahms
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Author : Nicole Grimes
language : en
Publisher: Oxford University Press
Release Date : 2022-10-28

Rethinking Brahms written by Nicole Grimes and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-28 with Music categories.


As one of the most significant and widely performed composers of the nineteenth century, Brahms continues to command our attention. Rethinking Brahms counterbalances prevailing scholarly assumptions that position him as a conservative composer (whether musically or politically) with a wide-ranging exploration and re-evaluation of his significance today. Drawing on German- and English-language scholarship, it deploys original approaches to his music and pursues innovative methodologies to interrogate the historical, cultural, and artistic contexts of his creativity. Empowered by recent theoretical work on form and tonality, it offers fresh analytical insights into his music, including a number of corpus studies that interrogate the relationships between Brahms and other composers, past and present. The book brings into sharp focus the productive tension that exists between the perceived fixedness of musical texts and the ephemerality of performance by considering how historical and modern performers shape established understandings of Brahms and his music. Rethinking Brahms invites the reader to hear familiar pieces anew as they are refracted through historical, artistic, and philosophical prisms. Bringing us up to the present day, it also gives sustained attention to the resounding impact of Brahms's compositions on new music by exploring works by recent composers who have engaged deeply with his oeuvre. Combining awareness of overarching contexts with perceptive insights into Brahms's music, this book enlivens our understanding of Brahms, providing a dynamic, multifaceted, complex, and invigoratingly fresh portrait of the composer.



Brahms And His World


Brahms And His World
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Author : Peter Clive
language : en
Publisher: Scarecrow Press
Release Date : 2006-10-02

Brahms And His World written by Peter Clive and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-10-02 with Music categories.


As an influential and well-connected composer, Johannes Brahms (1833-1897) had encountered, befriended, and collaborated with hundreds of people over his significant career. In Brahms and His World: A Biographical Dictionary, author Peter Clive provides extensive and up-to-date information on the composer's personal and professional association with some 430 persons. These persons include relatives, friends, acquaintances, and physicians; fellow musicians and composers whom Brahms particularly admired and in the editions of whose works he was involved; conductors, instrumentalists, and singers who took part in notable or first performances of his works; poets whose texts he set to music; publishers and artists; and even the rulers of certain German states with whom he had significant contact. Offering information not usually available in Brahms biographies, this volume combines findings from both primary and secondary sources, giving insights into Brahms' character, his life, and his career, and shedding light on the educated middle and upper class culture of the nineteenth century. A comprehensive chronology of Brahms' life, a bibliography, and two indexes round out this important reference guide.



Conducting The Brahms Symphonies


Conducting The Brahms Symphonies
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Author : Christopher Dyment
language : en
Publisher: Boydell & Brewer
Release Date : 2016

Conducting The Brahms Symphonies written by Christopher Dyment and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Music categories.


How did Brahms conduct his four symphonies? What did he want from other conductors when they performed these works, and to which among them did he give his approval? And crucially, are there any stylistic pointers to these performances in early recordings of the symphonies made in the first half of the twentieth century? For the first time, Christopher Dyment provides a comprehensive and in-depth answer to these important issues. Drawing together thestrands of existing research with extensive new material from a wide range of sources - the views of musicians, contemporary journals, memoirs, biographies and other critical literature - Dyment presents a vivid picture of historic performance practice in Brahms's era and the half-century that followed. Here is a remarkable panorama showcasing Brahms himself conducting, together with those conductors whom he heard, among them Levi, Richter, Nikisch, Weingartner and Fritz Steinbach, and their disciples, such as Toscanini, Stokowski, Boult and Fritz Busch. Here, too, are other famed Brahms conductors of the early twentieth century, including Furtwängler and Abendroth, whose connections with the Brahms tradition are closely examined. Dyment then analyses recordings of the symphonies by these conductors and highlights aspects which the composer might well have commended. Finally, Dyment suggests the importanceof his conclusions for those contemporary conductors who are currently attempting to rediscover genuine performance traditions in their own re-creations of the symphonies. This major study is complemented with forty photographs and a frontispiece. It is sure to fascinate musicians, Brahms enthusiasts and those interested in the history of recorded music. CHRISTOPHER DYMENT is author of Felix Weingartner: Recollections and Recordings(Triad Press 1976) and Toscanini in Britain (The Boydell Press 2012). He has published many articles about historic conductors over the last forty years.



Brahms And The Principle Of Developing Variation


Brahms And The Principle Of Developing Variation
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Author : Walter Frisch
language : en
Publisher: Univ of California Press
Release Date : 1990-04-20

Brahms And The Principle Of Developing Variation written by Walter Frisch and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990-04-20 with Biography & Autobiography categories.


This volume is an analytical study of 18 works by Brahms, making skillful use of Schoenberg's provocative concept of developing variation. It traces a genuine evolution through Brahm's compositions, considering their relationship to each other.



Expressive Forms In Brahms S Instrumental Music


Expressive Forms In Brahms S Instrumental Music
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Author : Peter H. Smith
language : en
Publisher: Indiana University Press
Release Date : 2005-07-07

Expressive Forms In Brahms S Instrumental Music written by Peter H. Smith and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-07-07 with Music categories.


"This book is a substantial and timely contribution to Brahms studies. Its strategy is to focus on a single critical work, the C-Minor Piano Quartet, analyzing and interpreting it in great detail, but also using it as a stepping-stone to connect it to other central Brahms works in order to reach a new understanding of the composer's technical language and expressive intent. It is an original and worthy contribution on the music of a major composer." —Patrick McCreless Expressive Forms in Brahms's Instrumental Music integrates a wide variety of analytical methods into a broader study of theoretical approaches, using a single work by Brahms as a case study. On the basis of his findings, Smith considers how Brahms's approach in this piano quartet informs analyses of similar works by Brahms as well as by Beethoven and Mozart. Musical Meaning and Interpretation—Robert S. Hatten, editor



Johannes Brahms


Johannes Brahms
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Author : Heather Platt
language : en
Publisher: Routledge
Release Date : 2004-03

Johannes Brahms written by Heather Platt and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-03 with Art categories.


First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.



The Washington Conservatory Of Music And African American Musical Experience 1903 1941


The Washington Conservatory Of Music And African American Musical Experience 1903 1941
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Author : Sarah Carr Liggett Schmalenberger
language : en
Publisher:
Release Date : 2004

The Washington Conservatory Of Music And African American Musical Experience 1903 1941 written by Sarah Carr Liggett Schmalenberger and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with African American musicians categories.


In 1903, Harriett Gibbs Marshall, the first African-American woman graduate of the Oberlin Conservatory of Music, opened the Washington Conservatory of Music. This was the first private conservatory owned and operated exclusively by black Americans. Most of the instructors were female graduates of leading music schools, and the majority of the students were women. This project examines the repertoire studied and performed at the Washington Conservatory in order to suggest that its program of study supported the genesis of a "black canon" developing in the United States. Several concert programs from the school thematize racial accomplishment by featuring works by prominent black composers. An investigation of repertoire, courses, letters, and financial records of the school describe the means by which Marshall negotiated a place within white dominated society using the cultural currency of "high" concert music. In addition, Marshall's career illustrates the contributions that black American women have made in shaping musical practice in the United States through their work as teachers and administrators.



Opera And British Print Culture In The Long Nineteenth Century


Opera And British Print Culture In The Long Nineteenth Century
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Author : Christina Fuhrmann
language : en
Publisher: Liverpool University Press
Release Date : 2023-02-16

Opera And British Print Culture In The Long Nineteenth Century written by Christina Fuhrmann and has been published by Liverpool University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-02-16 with Music categories.


Recently, studies of opera, of print culture, and of music in Britain in the long nineteenth century have proliferated. This essay collection explores the multiple point of interaction among these fields. Past scholarship often used print as a simple conduit for information about opera in Britain, but these essays demonstrate that print and opera existed in a more complex symbiosis. This collection embeds opera within the culture of Britain in the long nineteenth century, a culture inundated by print. The essays explore: how print culture both disseminated and shaped operatic culture; how the businesses of opera production and publishing intertwined; how performers and impresarios used print culture to cultivate their public persona; how issues of nationalism, class, and gender impacted reception in the periodical press; and how opera intertwined with literature, not only drawing source material from novels and plays, but also as a plot element in literary works or as a point of friction in literary circles. As the growth of digital humanities increases access to print sources, and as opera scholars move away from a focus on operas as isolated works, this study points the way forward to a richer understanding of the intersections between opera and print culture.



Toscanini In Britain


Toscanini In Britain
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Author : Christopher Dyment
language : en
Publisher: Boydell Press
Release Date : 2012

Toscanini In Britain written by Christopher Dyment and has been published by Boydell Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Biography & Autobiography categories.


This is the first book to describe Arturo Toscanini's activities - the life he led, his concerts and recording sessions - during his visits to London and elsewhere in Britain in the years 1900-1952. During the 1930s Arturo Toscanini conducted many concerts broadcast by the BBC from London's Queen's Hall, where he also made some unsurpassed recordings. Drawing on newly researched material in British and American archives, Christopher Dyment reveals how the most renowned and influential conductor of the twentieth century, notoriously microphone-shy though he was, came to conduct so frequently in London, a tale replete with unexpected twists, turns and ingenious stratagems. Toscanini's dominating influence on London critics and audiences in the period covered by the narrative, extending through to his final appearances at the Royal Festival Hall in 1952, is copiously documented from contemporary sources. Dyment also presents fresh evidence showing how the remarkable combination of passionate conviction and architectural mastery that characterised Toscanini's conducting was grounded not only in his obsessive study of the score but also in his awareness of performing traditions dating back to the mid-nineteenth century. This book will fascinate those with a particular interest in Toscanini's career and recorded legacy. It is also essential reading for anyone with an interest in the history of conducting and recording in the first half of the twentieth century, set against the vividly evoked backdrop of London's concert scene of the period. This comprehensive study includes both an annotated table of all Toscanini's London concerts and his EMI discography. CHRISTOPHER DYMENT has written extensively about historic conductors since the 1970s, particularly Felix Weingartner and Arturo Toscanini. His first book, on Weingartner, was published in 1976.