Campari And Cinema
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Campari And Cinema
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Author : Gianni Canova
language : en
Publisher: Skira
Release Date : 2022-01-04
Campari And Cinema written by Gianni Canova and has been published by Skira this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-01-04 with categories.
An illustrated history of Campari's hands-on patronage of the film industry This volume examines the longstanding and fruitful relationship between Campari and the film industry. Tracing Campari's long history as an enthusiastic and involved patron of cinema, the book details how the company's support has served as the impetus for countless experimental and groundbreaking film projects. From Campari's 1984 TV commercial directed by legendary director Fredrico Fellini to its most recent collaboration with Oscar-winning director Paolo Sorrentino and Hollywood actor Clive Owen on the Red Diaries series--an ongoing campaign of short films illustrating that "every cocktail tells a story"--Campari's forays into the world of film are always ambitiously crafted and masterfully realized. A perfect alchemy of passion and imagination, Campari and Cinema offers a sweeping panorama of film history and demonstrates how cinematic creativity goes hand in hand with the innovation of Campari.
Campari E Il Cinema
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Author : G. Canova
language : it
Publisher:
Release Date : 2021
Campari E Il Cinema written by G. Canova and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Design categories.
The Cinema Of Federico Fellini
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Author : Peter Bondanella
language : en
Publisher: Princeton University Press
Release Date : 2021-01-12
The Cinema Of Federico Fellini written by Peter Bondanella and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-01-12 with Performing Arts categories.
This major artistic biography of Federico Fellini shows how his exuberant imagination has been shaped by popular culture, literature, and his encounter with the ideas of C. G. Jung, especially Jungian dream interpretation. Covering Fellini's entire career, the book links his mature accomplishments to his first employment as a cartoonist, gagman, and sketch-artist during the Fascist era and his development as a leading neo-realist scriptwriter. Peter Bondanella thoroughly explores key Fellinian themes to reveal the director's growth not only as an artistic master of the visual image but also as an astute interpreter of culture and politics. Throughout the book Bondanella draws on a new archive of several dozen manuscripts, obtained from Fellini and his scriptwriters. These previously unexamined documents allow a comprehensive treatment of Fellini's important part in the rise of Italian neorealism and the even more decisive role that he played in the evolution of Italian cinema beyond neorealism in the 1950s. By probing Fellini's recurring themes, Bondanella reinterprets the visual qualities of the director's body of work--and also discloses in the films a critical and intellectual vitality often hidden by Fellini's reputation as a storyteller and entertainer. After two chapters on Fellini's precinematic career, the book covers all the films to date in analytical chapters arranged by topic: Fellini and his growth beyond his neorealist apprenticeship, dreams and metacinema, literature and cinema, Fellini and politics, Fellini and the image of women, and La voce della luna and the cinema of poetry.
Post War Italian Cinema
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Author : Daniela Treveri Gennari
language : en
Publisher: Routledge
Release Date : 2011-02-23
Post War Italian Cinema written by Daniela Treveri Gennari and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-02-23 with History categories.
This book focuses on the involvement of the United States and the Vatican in the Italian film industry between 1945 and 1960. Gennari analyzes the tensions between economic (film industry), political (government) and ideological pressures.
Italian Neorealist Cinema
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Author : Christopher Wagstaff
language : en
Publisher: University of Toronto Press
Release Date : 2007-01-01
Italian Neorealist Cinema written by Christopher Wagstaff and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-01-01 with Performing Arts categories.
"The end of the Second World War saw the emergence in Italy of the neorealism movement, which produced a number of films characterized by stories set among the poor and working class, often shot on location using non-professional actors. In this study Christopher Wagstaff provides an in-depth analysis of neorealist film, focusing on three films that have had a major impact on filmmakers and audiences around the world: Roberto Rossellini's Roma città aperta and Paisà and Vittorio De Sica's Ladri di biciclette. Indeed, these films are still, more than half a century after they were made, among the most highly regarded works in the history of cinema. In this insightful and carefully researched work, Wagstaff suggests that the importance of these films is largely due to the aesthetic and rhetorical qualities of their assembled sounds and images rather than, as commonly thought, their particular representations of historical reality.The author begins by situating neorealist cinema in its historical, industrial, commercial, and cultural context. He goes on to provide a theoretical discussion of realism and the merits of neorealist films, individually and collectively, as aesthetic artefacts. He follows with a detailed analysis of the three films, focusing on technical and production aspects as well as on the significance of the films as cinematic works of art.While providing a wealth of information and analysis previously unavailable to an English-speaking audience, Italian Neorealist Cinema offers a radically new perspective on neorealist cinema and the Italian art cinema that followed it."
Eye Of The Century
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Author : Francesco Casetti
language : en
Publisher: Columbia University Press
Release Date : 2008
Eye Of The Century written by Francesco Casetti and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Performing Arts categories.
Acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of 20th century modernity. He suggests that film defined a unique gaze not only because it recorded many of the centuries most important events, but also because it determined the manner in which they were received.
Padri E Figli Nel Cinema
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Author : Roberto Campari
language : it
Publisher: La Nave di Teseo Editore spa
Release Date : 2021-06-17T00:00:00+02:00
Padri E Figli Nel Cinema written by Roberto Campari and has been published by La Nave di Teseo Editore spa this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-06-17T00:00:00+02:00 with Performing Arts categories.
“Scegliere la strada del cinema per raccontare il rapporto tra padri e figli è una scommessa altrettanto avventurosa che scegliere la strada del rapporto tra padri e figli per raccontare il cinema. Roberto Campari le imbocca entrambe con eleganza. Lieve come il racconto di un amico e puntuale come la competenza di uno studioso, Padri e figli nel cinema ci cattura con una storia antica come Abramo e Isacco e moderna come i protagonisti senza nome, padre e figlio, della Strada di Cormac McCarthy e dell’omonimo film di John Hillcoat.” Dall’introduzione di Vittorio Lingiardi Un viaggio affascinante e intenso nelle pellicole che hanno fatto la storia del cinema per esplorare il sentimento della paternità. Affettuosi e gentili, oppure irascibili e brutali, colpevoli o redenti, indulgenti o moralisti, attesi o rimpianti, guerrieri o sconfitti, i tanti padri narrati in questo libro disegnano un unico grande ritratto composto di infiniti volti in cui cercare anche quello della propria famiglia.
The History Of Italian Cinema
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Author : Gian Piero Brunetta
language : en
Publisher: Princeton University Press
Release Date : 2009
The History Of Italian Cinema written by Gian Piero Brunetta and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Art categories.
Discusses renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy like Dino Risi and Ettore Scola. The author examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods like the Fascist era. He illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, the author recreates the world of Italian cinema.
Cinema And Painting
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Author : Angela Dalle Vacche
language : en
Publisher: University of Texas Press
Release Date : 1996
Cinema And Painting written by Angela Dalle Vacche and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Performing Arts categories.
The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.
Revolutionary Desire In Italian Cinema
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Author : Luana Ciavola
language : en
Publisher: Troubador Publishing Ltd
Release Date : 2011
Revolutionary Desire In Italian Cinema written by Luana Ciavola and has been published by Troubador Publishing Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Performing Arts categories.
Revolutionary Desire in Italian Cinema is the first book to draw on psychoanalytical concepts and film theories to examine the critical tendency of Italian cinema and the way in which auteur Italian filmmakers have expressed their counter-ideological thought and criticism against Italian society. The book examines how by being committed to Italian social reality, Italian cinema expresses a desire for revolt against the status quo and the dominant ideological order. Taking as case studies Bernardo Bertolucci’s Prima della rivoluzione, Marco Bellocchio’s I pugni in tasca, Pier Paolo Pasolini’s Porcile, Nanni Moretti’s Ecce Bombo and La messa è finita, the book relies on socio-historiographical theories through which Luana Ciavola discusses how plot and characters create a sense of revolt against the both social order and values such as family, religion and bourgeois ethics. The book confirms the central role of Italian cinema in a historical and political context, insofar as it includes a substantial background which highlights aspects of Italian history never considered before in a study on Italian cinema. Revolutionary Desire in Italian Cinema is aimed at academics, researchers, undergraduate and postgraduate students and all lovers of Italian cinema.