Cine Mexicano De Horror
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Cine Mexicano De Horror
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Author : Rogelio Agrasánchez
language : es
Publisher:
Release Date : 1999
Cine Mexicano De Horror written by Rogelio Agrasánchez and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Film posters, Mexican categories.
El Cine Horror Mexicano O Traici N Hollywoodense
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Author : Stacy Kim Schmitt
language : es
Publisher:
Release Date : 2003
El Cine Horror Mexicano O Traici N Hollywoodense written by Stacy Kim Schmitt and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Horror films categories.
Ordsk Lv 17 19 Sep 09
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Author :
language : es
Publisher:
Release Date : 2009
Ordsk Lv 17 19 Sep 09 written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with categories.
Crimen Y Suspenso En El Cine Mexicano 1946 1955
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Author : Alvaro A. Fernández Reyes
language : es
Publisher:
Release Date : 2007
Crimen Y Suspenso En El Cine Mexicano 1946 1955 written by Alvaro A. Fernández Reyes and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Crime films categories.
Taboada
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Author : Pablo Guisa
language : es
Publisher:
Release Date : 2011
Taboada written by Pablo Guisa and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Horror films categories.
Global Horror Cinema Today
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Author : Jon Towlson
language : en
Publisher: McFarland
Release Date : 2021-07-22
Global Horror Cinema Today written by Jon Towlson and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-07-22 with Performing Arts categories.
The horror film is thriving worldwide. Filmmakers in countries as diverse as the USA, Australia, Israel, Spain, France, Great Britain, Iran, and South Korea are using the horror genre to address the emerging fears and anxieties of their cultures. This book investigates horror cinema around the globe with an emphasis on how the genre has developed in the past ten years. It closely examines 28 international films, including It Follows (2014), Grave (Raw, 2016), Busanhaeng (Train to Busan, 2016), and Get Out (2016), with discussions of dozens more. Each chapter focuses on a different country, analyzing what frightens the people of these various nations and the ways in which horror crosses over to international audiences.
Women Make Horror
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Author : Alison Peirse
language : en
Publisher: Rutgers University Press
Release Date : 2020-09-17
Women Make Horror written by Alison Peirse and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-17 with Performing Arts categories.
Winner of the the 2021 Best Edited Collection Award from BAFTSS Winner of the 2021 British Fantasy Award in Best Non-Fiction Finalist for the 2020 Bram Stoker Award® for Superior Achievement in Non-Fiction Runner-Up for Book of the Year in the 19th Annual Rondo Halton Classic Horror Awards “But women were never out there making horror films, that’s why they are not written about – you can’t include what doesn’t exist.” “Women are just not that interested in making horror films.” This is what you get when you are a woman working in horror, whether as a writer, academic, festival programmer, or filmmaker. These assumptions are based on decades of flawed scholarly, critical, and industrial thinking about the genre. Women Make Horror sets right these misconceptions. Women have always made horror. They have always been an audience for the genre, and today, as this book reveals, women academics, critics, and filmmakers alike remain committed to a film genre that offers almost unlimited opportunities for exploring and deconstructing social and cultural constructions of gender, femininity, sexuality, and the body. Women Make Horror explores narrative and experimental cinema; short, anthology, and feature filmmaking; and offers case studies of North American, Latin American, European, East Asian, and Australian filmmakers, films, and festivals. With this book we can transform how we think about women filmmakers and genre.
La Disolvencia Del Cine Mexicano
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Author : Jorge Ayala Blanco
language : es
Publisher: UNAM, Escuela Nacional de Artes Cinematográficas
Release Date : 2021-04-23
La Disolvencia Del Cine Mexicano written by Jorge Ayala Blanco and has been published by UNAM, Escuela Nacional de Artes Cinematográficas this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-23 with Art categories.
La disolvencia del cine mexicano es el cuarto volumen de ensayos de Jorge Ayala Blanco, al cual anteceden La aventura, La búsqueda y La condición. El presente es un estudio detallado del significado cultural del cine nacional que abarca la segunda mitad de los años ochenta. Dividido en ocho partes: "La nueva generación de cómicos", "El aplauso rosa", "Elogio a la violencia", Un punto de vista de autor popular", "La ambición documental", "Lo exquisito propositivo, "Un punto de vista de autor exquisito" y "La mirada femenina", los textos aplican la "disolvencia", en términos cinematográficos, fundiendo distintos e inteligentes enfoques y miradas del autor a lo popular y novedoso del cine nacional de esa época.
Haunted Families And Temporal Normativity In Hispanic Horror Films
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Author : Charles St-Georges
language : en
Publisher: Lexington Books
Release Date : 2018-04-20
Haunted Families And Temporal Normativity In Hispanic Horror Films written by Charles St-Georges and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-04-20 with Social Science categories.
This book examines the interactions between ghosts and families in three recent horror films from the Spanish-speaking world that, rather than explicitly referencing recent political violence, speak to the societal conditions and everyday normative violence that serve as preconditions for political violence. This study deconstructs intersectional processes of racially and sexually normative subject formation—and its oppositional other, ghostly erasure—that are framed by a common temporal logic, wherein full citizenship is contingent upon a nation's dominant notions of contemporaneousness and whether individuals properly inhabit prescriptive timelines of (re)productivity. St-Georges’s study explores ways in which ghosts and families are manipulated in each national imaginary as a strategy for negotiating volatility within symbolic order: a tactic that can either naturalize or challenge normative discourses. As a literary and cinematic trope, ghosts are particularly useful vehicles for the exploration of national imaginaries and the dominant or competing cultural attitudes towards a country's history, and thus, the articulation of a present political reality. The rhetorical figure of the family is also key in this process as a mechanism for expressing national allegories, for expressing generational anxieties about a nation's relationship to time, and for organizing societies and social subjects as such, interpellating them into or excluding them from national imaginaries. By proposing these specific coordinates—ghosts and families—and by mapping their relationship between Spain and Latin America, Troubling Timelines proposes a study of a temporal framework that, besides bridging the traditional area-studies divide across the Atlantic, creates a space for interdisciplinary inquiry while also responding to increasing demand for studies that focus on intersectionality.
The Classical Mexican Cinema
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Author : Charles Ramírez Berg
language : en
Publisher: University of Texas Press
Release Date : 2015-09-01
The Classical Mexican Cinema written by Charles Ramírez Berg and has been published by University of Texas Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-09-01 with Performing Arts categories.
From the mid-1930s to the late 1950s, Mexican cinema became the most successful Latin American cinema and the leading Spanish-language film industry in the world. Many Cine de Oro (Golden Age cinema) films adhered to the dominant Hollywood model, but a small yet formidable filmmaking faction rejected Hollywood’s paradigm outright. Directors Fernando de Fuentes, Emilio Fernández, Luis Buñuel, Juan Bustillo Oro, Adolfo Best Maugard, and Julio Bracho sought to create a unique national cinema that, through the stories it told and the ways it told them, was wholly Mexican. The Classical Mexican Cinema traces the emergence and evolution of this Mexican cinematic aesthetic, a distinctive film form designed to express lo mexicano. Charles Ramírez Berg begins by locating the classical style’s pre-cinematic roots in the work of popular Mexican artist José Guadalupe Posada at the turn of the twentieth century. He also looks at the dawning of Mexican classicism in the poetics of Enrique Rosas’ El Automóvil Gris, the crowning achievement of Mexico’s silent filmmaking era and the film that set the stage for the Golden Age films. Berg then analyzes mature examples of classical Mexican filmmaking by the predominant Golden Age auteurs of three successive decades. Drawing on neoformalism and neoauteurism within a cultural studies framework, he brilliantly reveals how the poetics of Classical Mexican Cinema deviated from the formal norms of the Golden Age to express a uniquely Mexican sensibility thematically, stylistically, and ideologically.