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Cinema And Its Representations


Cinema And Its Representations
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Cinema And Its Representations


Cinema And Its Representations
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Author : Hossein Keramatfar
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2019-12-11

Cinema And Its Representations written by Hossein Keramatfar and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-11 with Art categories.


This volume is a timely and necessary intervention as it provides a rich, multifaceted approach to the study of cinema and visual representation. It presents a lucid and intelligent account of twentieth century film criticism essential for students in the fields of media studies and cultural studies. It leads the reader through the major contemporary philosophical and sociocultural theories of appreciating cinematic signs and themes. The book also gathers together informed discussions about the nature and principles of literary adaptation that will greatly benefit anyone interested in this field of study.



Performing Difference


Performing Difference
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Author : Jonathan C. Friedman
language : en
Publisher: University Press of America
Release Date : 2008-12-24

Performing Difference written by Jonathan C. Friedman and has been published by University Press of America this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-12-24 with Performing Arts categories.


Performing Difference is a compilation of seventeen essays from some of the leading scholars in history, criticism, film, and theater studies. Each author examines the portrayal of groups and individuals that have been traditionally marginalized or excluded from dominant historical narratives. As a meeting point of several fields of study, this book is organized around three meta-themes: race, gender, and genocide. Included are analyses of films and theatrical productions from the United States, as well as essays on cinema from Southern and Central America, Europe, and the Middle East. Topically, the contributing authors write about the depiction of race, ethnicities, gender and sexual orientation, and genocides. This volume assesses how the performing arts have aided in the social construction of the 'other' in differing contexts. Its fundamental premise is that performance is powerful, and its unifying thesis is that the arts remain a major forum for advancing a more nuanced and humane vision of social outcasts, not only in the realm of national imaginations, but in social relations as well.



Crash Cinema


Crash Cinema
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Author : Will Godfrey
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2009-10-02

Crash Cinema written by Will Godfrey and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10-02 with Performing Arts categories.


Crash Cinema: Representation in Film is a collection of essays that emerged from Crash Cinema an annual symposium that is an integral part of the Bradford Film Festival at the National Media Museum (UK). The symposium was created by academics and curators who share the common aim of promoting the importance of film both as an academic study and for critical public appreciation. Films can be enjoyed as entertainment, they can educate and inform and they can excite and disturb. Films are powerful pieces of culture. The films that we now ‘consume’ do more than simply amuse or horrify. Cinema not only thrills us but also communicates to us about ourselves and in the twentieth and twenty-first century moving images have become the dominant form of this communication. Bombarded by images, we inhabit a media intensive world in which every aspect of life is pervaded by visual signs. In these circumstances it becomes increasingly significant to engage with the politics of representation. Through this vital process we can acknowledge that all cultural forms, whether in high art or the mass media, are in the broadest sense political. We can also appreciate that it is a complex agenda of interests that shapes specific ideological meanings. Fulsomely equipped, we can apply this essential tool to the exciting task of decoding the political, social and cultural meanings articulated through the making, promotion and consumption of film. This book aims to offer an arena for the analysis of these representations. Representations cannot depict the ‘truth’ and the essays in this book do not claim to search for the ‘truth’. We ask whose ‘truth’ is being represented, how is it represented and why is it represented like that? We also ask how do representations tell us something about the culture within which they are created. Yet the essays in this volume are not ‘stuck’ in the representational concerns of the past and try instead to uncover the power of cinema to shock and surprise whether that be through visceral impact, subversive content, experiments with identity or the exploration of the taboo. Representation, as defined by the eleven essays in this book, is a fluid and dynamic approach to the study of film. The study of film, to which this book contributes some unique case studies, is as popular as ever and has withstood growing challenge from the new media such as CG Animations, the internet and computer, console and online gaming. This is because the pleasure of film is still the most humanistic and because the sophistication of the representations offered by cinematic expression remain ever more complex and pleasurable to decipher. This book can therefore be read by any student, academic, writer or filmmaker hooked on these delights.



The Matter Of Images


The Matter Of Images
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Author : Richard Dyer
language : en
Publisher: Routledge
Release Date : 2013-04-15

The Matter Of Images written by Richard Dyer and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-15 with Performing Arts categories.


Now published in a revised second edition, The Matter of Images searches through the resonances of the term ‘representation’, analysing images in terms of why they matter, what they are made of, and the material realities they refer to. Richard Dyer’s analyses consider representations of ‘out’ groups and traditionally dominant groups alike, and encompass the eclectic texts of contemporary culture, from queers to straights, political correctness, representations of Empire and films including Gilda, Papillon and The Night of the Living Dead. Essays new to the second edition discuss Lillian Gish as the ultimate white movie star, the representation of whiteness in the South in Birth of a Nation, and society’s fascination with serial killers. The Matter of Images is distinctive in its commitment to writing politically about contemporary culture, while insisting on the importance of understanding the formal qualities and complexity of the images it investigates.



Cinema Memory Modernity


Cinema Memory Modernity
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Author : Russell J.A. Kilbourn
language : en
Publisher: Routledge
Release Date : 2013-10-18

Cinema Memory Modernity written by Russell J.A. Kilbourn and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10-18 with Performing Arts categories.


Since its inception, cinema has evolved into not merely a ‘reflection’ but an indispensable index of human experience – especially our experience of time’s passage, of the present moment, and, most importantly perhaps, of the past, in both collective and individual terms. In this volume, Kilbourn provides a comparative theorization of the representation of memory in both mainstream Hollywood and international art cinema within an increasingly transnational context of production and reception. Focusing on European, North and South American, and Asian films, Kilbourn reads cinema as providing the viewer with not only the content and form of memory, but also with its own directions for use: the required codes and conventions for understanding and implementing this crucial prosthetic technology — an art of memory for the twentieth-century and beyond.



Law In Film


Law In Film
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Author : David Alan Black
language : en
Publisher: University of Illinois Press
Release Date : 1999

Law In Film written by David Alan Black and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Law categories.


The courtroom, like the movie theater, is an arena for the telling and interpreting of stories. Investigators piece them together, witnesses tell them, advocates retell them, and judges and juries assess their plausibility. These narratives reconstitute absent events through words, and their filming constitutes a double narrative: one important cultural practice rendered in the terms of another. Drawing on both film studies and legal scholarship, David A. Black explores the implications of representing court procedure, as well as other phases of legal process, in film. His study ranges from an inquiry into the common metaphorical ground between film and law, explored through "the detective" and "the witness," to a critical survey of legal writings about the cinema, to close analyses of key films about law. In examining multiple aspects of law in film, Black sustains a focus on the central importance of narrative while also unearthing the influences--pleasure in film, power in law--that lie beyond the narrative realm. Black's penetrating study treats questions of narrative authority and structure, social authority, and cultural history, revealing the underlying historical, cultural, and cognitive connections between legal and cinematic practices.



The Representation Of Economics In Cinema


The Representation Of Economics In Cinema
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Author : Santiago Sanchez-Pages
language : en
Publisher:
Release Date : 2021

The Representation Of Economics In Cinema written by Santiago Sanchez-Pages and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with categories.


"This wonderful book can make you aware of some splendid works in the "seventh art" that already influence, or should influence, anyone who wants to understand economics. It can be used to teach an economics class in an innovative way, or simply to enjoy economics and movies differently." - Antonio Cabrales, Professor of Economics, Universidad Carlos III Madrid. "In this outstandingly entertaining book, Professor Sanchez-Pages uses the lens of a micro-economist to dissect some of the most seen films of our time. The perspective is startlingly brilliant and unique. Once you have read this book you will want to see these movies again, but from a completely novel perspective." - Shanker Satyanath, Professor of Politics, New York University. Cinema articulates the economic anxieties of each generation of filmmakers and audiences. It has an influence on people's views on various economic issues and many orders of magnitude larger than that of economics as a discipline. This book offers a sweeping study of the representation of economics in cinema across a wide range of areas and genres, from the conflicts over resources in the lawless Old West to the post-scarcity societies of science fiction futures. This book studies how films have portrayed trade unions, scarcity, money, businesses, innovators, migrant workers, working women, globalization, the stock market, and the automation of work. It aims to be useful to those who are interested in cinema with economic themes and to those who want to learn about economics through cinema. Santiago Sanchez-Pages is associate professor in economics at King's College London, UK. His academic research focuses on political economy, economic theory, and experimental economics. His articles have been published in leading international journals. He also writes on film and popular culture and has published several short stories.



Representations Of Femininity In American Genre Cinema


Representations Of Femininity In American Genre Cinema
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Author : David Greven
language : en
Publisher: Springer
Release Date : 2011-04-25

Representations Of Femininity In American Genre Cinema written by David Greven and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-04-25 with Social Science categories.


The theme of female transformation informs the Hollywood representation of femininity from the studio era to the present. Whether it occurs physically, emotionally, or on some other level, transformation allows female protagonists to negotiate their own complex desires and to resist the compulsory marriage plot. A sweeping study of Hollywood from Now, Voyager, The Heiress, and Flamingo Road to Carrie, the Alien films, The Brave One, and the slasher horror genre, this book boldly unsettles commonplace understandings of genre film, female sexuality, and Freudian theory as it makes a strong new case for the queer relevance of female representation.



Religion And Film


Religion And Film
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Author : Stefanie Knauss
language : en
Publisher: BRILL
Release Date : 2020-01-29

Religion And Film written by Stefanie Knauss and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-29 with Religion categories.


This critical overview of the field of film and religion distinguishes three complementary approaches: the study of film as text, the investigation of how film affect audiencs, and the consideration of film and religion as agents in cultural processes. The overview concludes with a reflection on theories and methodologies of the field and some possibilities for future development.



Ideology And The Image


Ideology And The Image
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Author : Bill Nichols
language : en
Publisher: Bloomington : Indiana University Press
Release Date : 1981

Ideology And The Image written by Bill Nichols and has been published by Bloomington : Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with Performing Arts categories.


To what degree, Nichols asks, does ideology inform images in films, advertising, and other media? Does the cinema or any other sign system liberate or manipulate us? How can we as spectators know when the media are subtly perpetuating a specific set of values? To address these issues, the author draws from a variety of approaches -- Marxism, psycholanalysis, communication theory, semiotics, structuralism, the psychology of perception. Working with two interrelated theories -- ideology and image-systems, and ideology and principles of textual criticism -- Nichols shows how and why we make emotional investments in sign sytsems with an ideological context.