Cinema Of Stanley Kubrick
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The Cinema Of Stanley Kubrick
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Author : Norman Kagan
language : en
Publisher: Burns & Oates
Release Date : 1989
The Cinema Of Stanley Kubrick written by Norman Kagan and has been published by Burns & Oates this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with 2001 : a space odyssey. [Motion picture] categories.
A major assessment of the great director's work. "A must for all fans of Kubrick. Kagan chronicles all of Kubrick's work...with a wealth of background information on the filmmaker and his films". -- Boxoffice
The Cinema Of Stanley Kubrick
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Author : Norman Kagan
language : en
Publisher:
Release Date : 2000
The Cinema Of Stanley Kubrick written by Norman Kagan and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Motion picture producers and directors categories.
A major assessment of the great director's work. "A must for all fans of Kubrick. Kagan chronicles all of Kubrick's work...with a wealth of background information on the filmmaker and his films". -- Boxoffice
Stanley Kubrick
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Author : Elisa Pezzotta
language : en
Publisher: Univ. Press of Mississippi
Release Date : 2013-07-25
Stanley Kubrick written by Elisa Pezzotta and has been published by Univ. Press of Mississippi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-25 with Performing Arts categories.
Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Stanley Kubrick's last six adaptations--2001: A Space Odyssey, A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999)--are characterized by certain structural and stylistic patterns. These features help to draw conclusions about the role of Kubrick in the history of cinema, about his role as an adapter, and, more generally, about the art of cinematic adaptations. The structural and stylistic patterns that characterize Kubrick adaptations seem to criticize scientific reasoning, causality, and traditional semantics. In the history of cinema, Kubrick can be considered a modernist auteur. In particular, he can be regarded as an heir of the modernist avant-garde of the 1920s. However, author Elisa Pezzotta concludes that, unlike his predecessors, Kubrick creates a cinema not only centered on the ontology of the medium, but on the staging of sublime, new experiences.
Kubrick S Total Cinema
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Author : Philip Kuberski
language : en
Publisher: A&C Black
Release Date : 2012-08-09
Kubrick S Total Cinema written by Philip Kuberski and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-09 with Performing Arts categories.
An original study of Kubrick's philosophical themes and cinematic qualities: time, light, speech, music, poiesis, corporeality, war, eros, technology, and transcendence.
Stanley Kubrick And The Art Of Adaptation
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Author : Greg Jenkins
language : en
Publisher: McFarland
Release Date : 2015-08-13
Stanley Kubrick And The Art Of Adaptation written by Greg Jenkins and has been published by McFarland this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-13 with Performing Arts categories.
Paring a novel into a two-hour film is an arduous task for even the best screenwriters and directors. Often the resulting movies are far removed from the novel, sometimes to the point of being unrecognizable. Stanley Kubrick's adaptations have consistently been among the best Hollywood has to offer. Kubrick's film adaptations of three novels--Lolita, The Shining and Full Metal Jacket--are analyzed in this work. The primary focus is on the alterations in the characters and narrative structure, with additional attention to style, scope, pace, mood and meaning. Kubrick's adaptations simplify, impose a new visuality, reduce violence, and render the moral slant more conventional. Instructors considering this book for use in a course may request an examination copy here.
Depth Of Field
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Author : Geoffrey Cocks
language : en
Publisher: Univ of Wisconsin Press
Release Date : 2006-08-01
Depth Of Field written by Geoffrey Cocks and has been published by Univ of Wisconsin Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-08-01 with Biography & Autobiography categories.
Director of some of the most controversial films of the twentieth century, Stanley Kubrick created a reputation as a Hollywood outsider as well as a cinematic genius. His diverse yet relatively small oeuvre—he directed only thirteen films during a career that spanned more than four decades—covers a broad range of the themes that shaped his century and continues to shape the twenty-first: war and crime, gender relations and class conflict, racism, and the fate of individual agency in a world of increasing social surveillance and control. In Depth of Field, leading screenwriters and scholars analyze Kubrick's films from a variety of perspectives. They examine such groundbreaking classics as Dr. Strangelove and 2001: A Space Odyssey and later films whose critical reputations are still in flux. Depth of Field ends with three viewpoints on Kubrick's final film, Eyes Wide Shut, placing it in the contexts of film history, the history and theory of psychoanalysis, and the sociology of sex and power. Probing Kubrick's whole body of work, Depth of Field is the first truly multidisciplinary study of one of the most innovative and controversial filmmakers of the twentieth century.
Stanley Kubrick
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Author : H. P. Reichmann
language : it
Publisher: Giunti GAMM
Release Date : 2007
Stanley Kubrick written by H. P. Reichmann and has been published by Giunti GAMM this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.
Eyes Wide Shut
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Author : Robert P. Kolker
language : en
Publisher: Oxford University Press
Release Date : 2019-05-08
Eyes Wide Shut written by Robert P. Kolker and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-08 with Performing Arts categories.
Twenty years since its release, Stanley Kubrick's Eyes Wide Shut remains a complex, visually arresting film about domesticity, sexual disturbance, and dreams. It was on the director's mind for some 50 years before he finally put it into production. Using the Stanley Kubrick Archive at the University of the Arts, London, and interviews with participants in the production, the authors create an archeology of the film that traces the progress of the film from its origins to its completion, reception, and afterlife. The book is also an appreciation of this enigmatic work and its equally enigmatic creator.
Stanley Kubrick A Guide To References And Resources
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Author : Wallace Coyle
language : en
Publisher: Hall Reference Books
Release Date : 1980
Stanley Kubrick A Guide To References And Resources written by Wallace Coyle and has been published by Hall Reference Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Performing Arts categories.
Film As Embodied Art
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Author : Maarten Coëgnarts
language : en
Publisher: Academic Studies PRess
Release Date : 2019-12-17
Film As Embodied Art written by Maarten Coëgnarts and has been published by Academic Studies PRess this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-12-17 with Performing Arts categories.
How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity.