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Concept Albums


Concept Albums
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Concept Albums


Concept Albums
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Author : Gareth Shute
language : en
Publisher:
Release Date : 2013

Concept Albums written by Gareth Shute and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Popular music categories.




Fifty Years Of The Concept Album In Popular Music


Fifty Years Of The Concept Album In Popular Music
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Author : Eric Wolfson
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2023-12-28

Fifty Years Of The Concept Album In Popular Music written by Eric Wolfson and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-12-28 with Music categories.


The concept album is one of popular music's most celebrated-and misunderstood-achievements. This book examines the untold history of the rock concept album, from The Beatles to Beyoncé. The roots of the concept album are nearly as old as the long-playing record itself, as recording artists began using the format to transcend a mere collection of songs into a listening experience that takes the listener on a journey through its unifying mood, theme, narrative, or underlying idea. Along the way, artists as varied as the Moody Blues, Jimi Hendrix, Joni Mitchell, Pink Floyd, Parliament, Donna Summer, Iron Maiden, Radiohead, The Notorious B.I.G., Green Day, Janelle Monáe, and Kendrick Lamar created albums that form an extended conversation of art and music. Limits were pushed as the format grew over the subsequent eras. Seminal albums like the Beatles' Sgt. Pepper's Lonely Hearts Club Band, the Who's Tommy, Marvin Gaye's What's Going On, stand alongside modern classics like Liz Phair's Exile in Guyville, Kendrick Lamar's good kid, "m.A.A.d city," and Beyoncé's Lemonade. Mixing iconic albums with some newer and lesser-known works makes for a book that ventures into the many sides of a history that has yet to be told-until now.



Roger Waters And Pink Floyd


Roger Waters And Pink Floyd
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Author : Phil Rose
language : en
Publisher: Rowman & Littlefield
Release Date : 2015-01-14

Roger Waters And Pink Floyd written by Phil Rose and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-14 with Social Science categories.


Beyond its elucidation and critique of traditional ‘notation-centric’ musicology, this book's primary emphasis is on the negotiation and construction of meaning within the extended musical multimedia works of the classic British group Pink Floyd. Encompassing the concept albums that the group released from 1973 to 1983, during Roger Waters’ final period with the band, chapters are devoted to Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979) and The Final Cut (1983), along with Waters’ third solo album Amused to Death (1993). This book's analysis of album covers, lyrics, music and film makes use of techniques of literary and film criticism, while employing the combined lenses of musical hermeneutics and discourse analysis, so as to illustrate how sonic and musical information contribute to listeners’ interpretations of the discerning messages of these monumental musical artifacts. Ultimately, it demonstrates how their words, sounds, and images work together in order to communicate one fundamental concern, which—to paraphrase the music journalist Karl Dallas—is to affirm human values against everything in life that should conspire against them.



Radiohead And The Resistant Concept Album


Radiohead And The Resistant Concept Album
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Author : Marianne Tatom Letts
language : en
Publisher: Indiana University Press
Release Date : 2010-11-08

Radiohead And The Resistant Concept Album written by Marianne Tatom Letts and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-11-08 with Music categories.


How the British rock band Radiohead subverts the idea of the concept album in order to articulate themes of alienation and anti-capitalism is the focus of Marianne Tatom Letts's analysis of Kid A and Amnesiac. These experimental albums marked a departure from the band's standard guitar-driven base layered with complex production effects. Considering the albums in the context of the band's earlier releases, Letts explores the motivations behind this change. She places the two albums within the concept-album/progressive-rock tradition and shows how both resist that tradition. Unlike most critics of Radiohead, who focus on the band's lyrics, videos, sociological importance, or audience reception, Letts focuses on the music itself. She investigates Radiohead's ambivalence toward its own success, as manifested in the vanishing subject of Kid A on these two albums.



Concept Albums


Concept Albums
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Author : Source Wikipedia
language : en
Publisher: Booksllc.Net
Release Date : 2013-09

Concept Albums written by Source Wikipedia and has been published by Booksllc.Net this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09 with categories.


Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Commentary (music and lyrics not included). Pages: 182. Chapters: I Am... Sasha Fierce, Everything That Happens Will Happen Today, Holy Wood (In the Shadow of the Valley of Death), The Fame, A Thousand Suns, Janet (album), The Dark Side of the Moon, New Amerykah Part One (4th World War), Radiosurgery (album), Janet Jackson's Rhythm Nation 1814, Cyberpunk (album), Mechanical Animals, American Life, Imaginos, The Velvet Rope, Viva la Vida or Death and All His Friends, Last Train to Paris, Sgt. Pepper's Lonely Hearts Club Band, Erotica (Madonna album), Smile (The Beach Boys album), The Miseducation of Lauryn Hill, Pet Sounds, Biophilia (album), 21st Century Breakdown, The Wall, Plastic Beach. Excerpt: I Am... Sasha Fierce is the third studio album by American R&B recording artist Beyonce Knowles. Beginning on November 14, 2008, Columbia Records began distributing the album in several countries, followed by a deluxe version released simultaneously with the original. The album was formatted as a dual disc, in an attempt to market the singer's contrasting facets of artistry. The first disc, I Am..., introduces the record with slow and midtempo and R&B ballads, while the second, Sasha Fierce, (named after Knowles' on-stage alter ego) focuses on more uptempo beats that blend Europop and electropop genres. In composing the song's lyrics, Knowles worked with many writers, with each session accompanied by live orchestration. Knowles credited both her husband and rapper Jay-Z, and jazz singer Etta James for inspiring her to push the limits of her songwriting and artistry. Musically, I Am... drew inspiration from folk music and alternative rock, while blending acoustic guitar elements into contemporary ballads. The tracks on the first disc were written and produced by Knowles, during collaborative efforts with Kenneth Edmonds, Christopher Stewart, ...



Popular Music


Popular Music
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Author : Roy Shuker
language : en
Publisher: Psychology Press
Release Date : 2002

Popular Music written by Roy Shuker and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Popular music categories.


With 'Key Concepts in Popular Music', Roy Shuker presents a comprehensive A-Z glossary of the main terms and concepts used in the study of popular music.



Essays On The Song Cycle And On Defining The Field


Essays On The Song Cycle And On Defining The Field
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Author :
language : en
Publisher: BRILL
Release Date : 2022-07-18

Essays On The Song Cycle And On Defining The Field written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-07-18 with History categories.


This volume assembles twelve interdisciplinary essays that were originally presented at the Second International Conference on Word and Music Studies at Ann Arbor, MI, in 1999, a conference organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on two centres of interest. The first deals with general issues of literature and music relations from culturalist, historical, reception-aesthetic and cognitive points of view. It covers issues such as conceptual problems in devising transdisciplinary histories of both arts, cultural functions of opera as a means of reflecting postcolonial national identity, the problem of verbalizing musical experience in nineteenth-century aesthetics and of understanding reception processes triggered by musicalized fiction. The second centre of interest deals with a specific genre of vocal music as an obvious area of word and music interaction, namely the song cycle. As a musico-literary genre, the song cycle not only permits explorations of relations between text and music in individual songs but also raises the question if, and to what extent words and/or music contribute to creating a larger unity beyond the limits of single songs. Elucidating both of these issues with stimulating diversity the essays in this section highlight classic nineteenth- and twentieth-century song cycles by Franz Schubert, Robert Schumann, Hugo Wolf, Richard Strauss and Benjamin Britten and also include the discussion of a modern successor of the song cycle, the concept album as part of today’s popular culture.



Popular Music The Key Concepts


Popular Music The Key Concepts
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Author : Roy Shuker
language : en
Publisher: Taylor & Francis
Release Date : 2017-03-27

Popular Music The Key Concepts written by Roy Shuker and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-03-27 with Social Science categories.


Now in an updated fourth edition, this popular A-Z student handbook provides a comprehensive survey of key ideas and concepts in popular music culture. With new and expanded entries on genres and subgenres, the text comprehensively examines the social and cultural aspects of popular music, taking into account the digital music revolution and changes in the way that music is manufactured, marketed and delivered. New and updated entries include: Age and youth Black music Digital music culture K-Pop Mash-ups Philadelphia Soul Pub music Religion and spirituality Remix Southern Soul Streaming Vinyl With further reading and listening included throughout, Popular Music: The Key Concepts is an essential reference text for all students studying the social and cultural dimensions of popular music.



This Is The Art Form


This Is The Art Form
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Author : Mario Alonzo Dozal
language : en
Publisher:
Release Date : 2012

This Is The Art Form written by Mario Alonzo Dozal and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Communication in music categories.




Listening Devices


Listening Devices
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Author : Jens Gerrit Papenburg
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2023-05-04

Listening Devices written by Jens Gerrit Papenburg and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-05-04 with Music categories.


From 1940 to 1990, new machines and devices radically changed listening to music. Small and large single records, new kinds of jukeboxes and loudspeaker systems not only made it possible to playback music in a different way, they also evidence a fundamental transformation of music and listening itself. Taking the media and machines through which listening took place during this period, Listening Devices develops a new history of listening.Although these devices were (and often still are) easily accessible, up to now we have no concept of them. To address this gap, this volume proposes the term “listening device.” In conjunction with this concept, the book develops an original and fruitful method for exploring listening as a historical subject that has been increasingly organized in relation to technology. Case studies of four listening devices are the points of departure for the analysis, which leads the reader down unfamiliar paths, traversing the popular sound worlds of 1950s rock 'n' roll culture and the disco and club culture of the 1970s and 1980s. Despite all the characteristics specific to the different listening devices, they can nevertheless be compared because of the fundamental similarities they share: they model and manage listening, they actively mediate between the listener and the music heard, and it is this mediation that brings both listener and the music listened to into being. Ultimately, however, the intention is that the listening devices themselves should not be heard so that the music they playback can be heard. Thus, they take the history of listening to its very limits and confront it with its “other”-a history of non-listening. The book proposes “listening device” as a key concept for sound studies, popular music studies, musicology, and media studies. With this conceptual key, a new, productive understanding of past music and sound cultures of the pre-digital era can be unlocked, and, not least, of the listening culture of the digital present.