Cong Hui Hua Dao Wu Tai
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Cong Hui Hua Dao Wu Tai
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Author : 詹筑鈞
language : en
Publisher:
Release Date : 2021
Cong Hui Hua Dao Wu Tai written by 詹筑鈞 and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with categories.
Chinese Ways Of Seeing And Open Air Painting
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Author : Yi Gu
language : en
Publisher: BRILL
Release Date : 2021-02-01
Chinese Ways Of Seeing And Open Air Painting written by Yi Gu and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-02-01 with Art categories.
"How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."
The Wisdom Of Zhuang Zi On Daoism
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Author : Zhuangzi
language : en
Publisher: Peter Lang
Release Date : 2008
The Wisdom Of Zhuang Zi On Daoism written by Zhuangzi and has been published by Peter Lang this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Foreign Language Study categories.
Throughout the years there have been several editions of Zhuang Zi's book with significant differences in certain parts of the text. Not every word in the book came from Zhuang Zi's pen. Contributions were made by his disciples and there have been many changes to the original text: errors in hand copying the text, in mistaking notations for text, and in outright forgery throughout centuries. Chen Guying's 1976 edition of the book, an eclectic study of all the editions that identifies probable forgeries, is used as the text reference in the present translation.
An Annotated Bibliography Of Chinese Film Studies
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Author : Jim Cheng
language : zh-CN
Publisher: Hong Kong University Press
Release Date : 2004-10-01
An Annotated Bibliography Of Chinese Film Studies written by Jim Cheng and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-10-01 with Reference categories.
Covers monographs, conference proceedings, and theses that relate to film studies in and about mainland China published between 1920 and 2003. It references basic information, such as film titles, directors, and actors, as well as a variety of topics in film studies, such as film history, genres, and technology.
Indoctrinating The Youth
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Author : Jennifer Liu
language : en
Publisher: University of Hawaii Press
Release Date : 2024-01-31
Indoctrinating The Youth written by Jennifer Liu and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-01-31 with History categories.
Indoctrinating the Youth examines how the Guomindang (GMD or Nationalists) sought to maintain control of middle-school students and cultivate their political loyalty over the trajectory of the Second Sino-Japanese War, Chinese Civil War, and postwar Taiwan. During the Sino-Japanese War the Nationalists managed middle-school refugee students by merging schools, publishing and distributing updated textbooks, and assisting students as they migrated to the interior with their principals and teachers. In Taiwan, the China Youth Corps (CYC) became a symbol of the regime’s successful establishment. Tracing Nationalist efforts to indoctrinate ideology and martial spirit, Jennifer Liu investigates how GMD leaders Chiang Kai-shek and his son Chiang Ching-kuo tried to build support among young people in their efforts to stabilize Taiwanese society under their rule. By comparing two key youth organizations—the Three People’s Principles Youth Corps in China, and the CYC on Taiwan—Liu uses education as a lens to analyze state-building in modern China. Liu’s careful analysis of the inner workings of GMD youth organizations also illuminates the day-to-day operations of military training in gender-segregated upper-middle schools—including how the government selected instructors and the skills taught to students. According to Liu, mandatory military training contributed to preventing major protest against the government but the policy was not without critics. Intellectuals, parents, and students voiced their dissent at what they perceived as excessive control by a repressive government and a waste of resources interfering with academics. The government-mandated civics curriculum, including government-approved textbooks and standards, reveals the characteristics and duties GMD officials believed modern citizens of the next generation should possess. Through provisions for refugee students, youth organizations, military training, and civics classes, GMD secondary education policy played a critical role in the process of state building in both modern China and Taiwan. Skillfully combining archival work in Nanjing and Taipei, along with oral interviews with former students and CYC administrators, instructors, and members, Liu offers a unique perspective toward a balanced assessment of Nationalist Party rule.
Projecting A Nation
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Author : Jubin Hu
language : en
Publisher: Hong Kong University Press
Release Date : 2003-06-01
Projecting A Nation written by Jubin Hu and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-06-01 with Social Science categories.
This is the first major work on pre-1949 Chinese cinema in English. As such, it represents a major contribution to existing discussions of both Chinese cinema and national cinema, and is an indispensible basic resource for scholars interested in Chinese film history. The book analyses the wide variety of conceptions of "Chinese national cinema" between the early years of the 20th century and 1949, and contrasts these to conceptions of national cinema in Europe and China. After years of exhausting primary historical research, the author has been able to bring to light sources hitherto not widely available. The author argues that questions and debates about the status and meaning of the "national" in "Chinese national cinema" are central to any consideration of cinema during this period, and addresses the issue of Chinese nationalism as part of a complex history of cinema within the early modern Chinese nation.
Water Margin
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Author : Nai'an Shi
language : en
Publisher:
Release Date : 1976
Water Margin written by Nai'an Shi and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1976 with categories.
Women Gender And Art In Asia C 1500 1900
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Author : MeliaBelli Bose
language : en
Publisher: Routledge
Release Date : 2017-07-05
Women Gender And Art In Asia C 1500 1900 written by MeliaBelli Bose and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-07-05 with Art categories.
Women, Gender and Art in Asia, c. 1500?1900 brings women's engagements with art into a pan-Asian dialogue with essays that examine women as artists, commissioners, collectors, and subjects from India, Southeast Asia, Tibet, China, Korea, and Japan, from the sixteenth to the early twentieth century. The artistic media includes painting, sculpture, architecture, textiles, and photography. The book is broadly concerned with four salient questions: How unusual was it for women to engage directly with art? What factors precluded more women from doing so? In what ways did women's artwork or commissions differ from those of men? And, what were the range of meanings for woman as subject matter? The chapters deal with historic individuals about whom there is considerable biographical information. Beyond locating these uncommon women within their socio-cultural milieux, contributors consider the multiple strands that twined to comprise their complex identities, and how these impacted their works of art. In many cases, the woman's status-as wife, mother, widow, ruler, or concubine (and multiple combinations thereof), as well as her religion and lineage-determined the media, style, and content of her art. Women, Gender and Art in Asia, c. 1500?1900 adds to our understanding of works of art, their meanings, and functions.
Bodies And Transformance In Taiwanese Contemporary Theater
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Author : Peilin Liang
language : en
Publisher: Routledge
Release Date : 2019-07-26
Bodies And Transformance In Taiwanese Contemporary Theater written by Peilin Liang and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-26 with History categories.
In Bodies and Transformance in Taiwanese Contemporary Theater, Peilin Liang develops a theory of bodily transformation. Proposing the concept of transformance, a conscious and rigorous process of self-cultivation toward a reconceptualized body, Liang shows how theater practitioners of minoritized cultures adopt transformance as a strategy to counteract the embodied practices of ideological and economic hegemony. This book observes key Taiwanese contemporary theater practitioners at work in forging five reconceptualized bodies: the energized, the rhythmic, the ritualized, the joyous, and the (re)productive. By focusing on the development of transformance between the years of 2000–2008, a tumultuous political watershed in Taiwan’s history, the author succeeds in bridging postcolonialism and interculturalism in her conceptual framework. Ideal for scholars of Asian and postcolonial theater, Bodies and Transformance in Taiwanese Contemporary Theater shows how transformance, rather than performance, calibrates with far greater precision and acuity the state of the body and the culture that it seeks to create.
An Annotated Bibliography For Taiwan Film Studies
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Author : Jim Cheng
language : en
Publisher: Columbia University Press
Release Date : 2016-04-19
An Annotated Bibliography For Taiwan Film Studies written by Jim Cheng and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-19 with Performing Arts categories.
Compiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the disparate voices of Chinese film scholarship, charting its unique intellectual arc. Organized intuitively, the volume begins with reference materials (bibliographies, cinematographies, directories, indexes, dictionaries, and handbooks) and then moves through film history (the colonial period, Taiwan dialect film, new Taiwan cinema, the 2/28 incident); film genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); film reviews; film theory and technique; interdisciplinary studies (Taiwan and mainland China, Taiwan and Japan, film and aboriginal peoples, film and literature, film and nationality); biographical materials; film stories, screenplays, and scripts; film technology; and miscellaneous aspects of Taiwanese film scholarship (artifacts, acts of censorship, copyright law, distribution channels, film festivals, and industry practice). Works written in multiple languages include transliteration/romanized and original script entries, which follow universal AACR-2 and American cataloguing standards, and professional notations by the editors to aid in the use of sources.