Contemporary Latina O Theater
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Contemporary Latina O Theater
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Author : Jon D. Rossini
language : en
Publisher: SIU Press
Release Date : 2008-04-17
Contemporary Latina O Theater written by Jon D. Rossini and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-04-17 with Performing Arts categories.
In Contemporary Latina/o Theater, Jon D. Rossini explores the complex relationship between theater and the creation of ethnicity in an unprecedented examination of six Latina/o playwrights and their works: Miguel Piñero, Luis Valdez, Guillermo Reyes, Octavio Solis, José Rivera, and Cherríe Moraga. Rossini exposes how these writers use the genre as a tool to reveal and transform existing preconceptions about their culture. Through “wrighting”—the triplicate process of writing plays, righting misconceptions about ethnic identity, and creating an entirely new way of understanding Latina/o culture—these playwrights directly intervene in current conversations regarding ethnic identity, providing the tools for audiences to reexplore their previously held perspectives outside the theater. Examining these writers and their works in both cultural and historical contexts, Rossini reveals how playwrights use the liminal space of the stage—an area on the thresholds of both theory and reality—to “wright” new insights into Latina/o identity. They use the limits of the theater itself to offer practical explorations of issues that could otherwise be discussed only in highly theoretical terms. Rossini traces playwrights’ methods as they address some of the most challenging issues facing contemporary Latinas/os in America: from the struggles for ethnic solidarity and the dangers of a community based in fear, to stereotypes of Latino masculinity and the problematic fusion of ethnicity and politics. Rossini discusses the looming specter of the border in theater, both as a conceptual device and as a literal reality—a crucial subject for modern Latinas/os, given recent legislation and other actions. Throughout, the author draws intriguing comparisons to the cultural limbo in which many Latinas/os find themselves today. An indispensable volume for anyone interested in drama and ethnic studies, Contemporary Latina/o Theater underscores the power of theatricality in exploring and rethinking ethnicity. Rossini provides the most in-depth analysis of these plays to date, offering a groundbreaking look at the ability of playwrights to correct misconceptions and create fresh perspectives on diversity, culture, and identity in Latina/o America.
Out Of The Fringe
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Author : Caridad Svich
language : en
Publisher:
Release Date : 2000
Out Of The Fringe written by Caridad Svich and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Drama categories.
Major new collection of Latina/o contemporary work for the stage.
Contemporary Latina O Theater
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Author : Jon D. Rossini
language : en
Publisher: SIU Press
Release Date : 2008-04-17
Contemporary Latina O Theater written by Jon D. Rossini and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-04-17 with Drama categories.
In Contemporary Latina/o Theater, Jon D. Rossini explores the complex relationship between theater and the creation of ethnicity in an unprecedented examination of six Latina/o playwrights and their works: Miguel Piñero, Luis Valdez, Guillermo Reyes, Octavio Solis, José Rivera, and Cherríe Moraga. Rossini exposes how these writers use the genre as a tool to reveal and transform existing preconceptions about their culture. Through “wrighting”—the triplicate process of writing plays, righting misconceptions about ethnic identity, and creating an entirely new way of understanding Latina/o culture—these playwrights directly intervene in current conversations regarding ethnic identity, providing the tools for audiences to reexplore their previously held perspectives outside the theater. Examining these writers and their works in both cultural and historical contexts, Rossini reveals how playwrights use the liminal space of the stage—an area on the thresholds of both theory and reality—to “wright” new insights into Latina/o identity. They use the limits of the theater itself to offer practical explorations of issues that could otherwise be discussed only in highly theoretical terms. Rossini traces playwrights’ methods as they address some of the most challenging issues facing contemporary Latinas/os in America: from the struggles for ethnic solidarity and the dangers of a community based in fear, to stereotypes of Latino masculinity and the problematic fusion of ethnicity and politics. Rossini discusses the looming specter of the border in theater, both as a conceptual device and as a literal reality—a crucial subject for modern Latinas/os, given recent legislation and other actions. Throughout, the author draws intriguing comparisons to the cultural limbo in which many Latinas/os find themselves today. An indispensable volume for anyone interested in drama and ethnic studies, Contemporary Latina/o Theater underscores the power of theatricality in exploring and rethinking ethnicity. Rossini provides the most in-depth analysis of these plays to date, offering a groundbreaking look at the ability of playwrights to correct misconceptions and create fresh perspectives on diversity, culture, and identity in Latina/o America.
The Fornes Frame
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Author : Anne García-Romero
language : en
Publisher: University of Arizona Press
Release Date : 2016-03-24
The Fornes Frame written by Anne García-Romero and has been published by University of Arizona Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-24 with Literary Criticism categories.
A key way to view Latina plays today is through the foundational frame of playwright and teacher, Maria Irene Fornes, who has transformed American theatre. Considering Fornes's legacy, Anne García-Romero shows how five award-winning playwrights continue to contest and complicate Latina theatre.
The State Of Latino Theater In The United States
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Author : Luis Ramos-García
language : en
Publisher: Psychology Press
Release Date : 2002
The State Of Latino Theater In The United States written by Luis Ramos-García and has been published by Psychology Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Hispanic American drama categories.
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Theatre And Cartographies Of Power
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Author : Jimmy A. Noriega
language : en
Publisher: SIU Press
Release Date : 2018-02-09
Theatre And Cartographies Of Power written by Jimmy A. Noriega and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-02-09 with History categories.
Contributors -- Index -- Series Page -- Other Titles in the Series -- Back Cover
Performing Latinidad In Los Angeles
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Author : Chantal Rodríguez
language : en
Publisher:
Release Date : 2009
Performing Latinidad In Los Angeles written by Chantal Rodríguez and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with American drama categories.
La Voz Latina
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Author : Elizabeth C. Ramírez
language : en
Publisher: University of Illinois Press
Release Date : 2011
La Voz Latina written by Elizabeth C. Ramírez and has been published by University of Illinois Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Drama categories.
Surveying the Latina theatre movement in the United States since the 1980s, La Voz Latina brings together contemporary plays and performance pieces by innovative Latina playwrights. This rich collection of varying styles, forms, themes, and genres includes work by Yareli Arizmendi, Josefina B ez, The Colorado Sisters, Migdalia Cruz, Evelina Fern ndez, Cherr e Moraga, Carmen Pelaez, Carmen Rivera, Celia H. Rodr guez, Diane Rodriguez, and Milcha Sanchez-Scott, as well as commentary by Kathy Perkins and Caridad Svich on the present state of Latinas in theatre roles. La Voz Latina expands the field of Latina theatre while situating it in the larger spectrum of American stage and performance studies. In highlighting the ethnic and cultural roots of the performance artists, Elizabeth C. Ram rez and Catherine Casiano provide historical context as well as a short biography, production history, and artistic statement from each playwright.
Latina Performance
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Author : Alicia Arrizón
language : en
Publisher: Indiana University Press
Release Date : 1999-09-22
Latina Performance written by Alicia Arrizón and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-09-22 with Performing Arts categories.
A study exploring the role of Latina women in theater performance, literature, and criticism. Arrizón’s examination of Latina performance spans the twentieth century, beginning with oral traditions of corrido and revistas. She examines the soldadera and later theatrical personalities such as La Chata Noloesca and contemporary performance artist Carmelita Tropicana. Latina Performance considers the emergence of Latina aesthetics developed in the United States, but simultaneously linked with Latin America. As dramatists, performance artists, protagonists, and/or cultural critics, the women Arrizón examines in this book draw attention to their own divided position. They are neither Latin American nor Anglo, neither third- or first-world; they are feminists, but not quite “American style.” This in-between-ness is precisely what has created Latina performance and performance studies, and has made “Latina” an allegory for dual national and artistic identities. “Alicia Arrizón’s Latina Performance is a truly innovative and important contribution to Latino Studies as well as to theater and performance studies.” —Diana Taylor, New York University “Arrizón’s . . . important book revolves around the complex issues of identity formation and power relations for US women performers of Latin American descent. . . . Valuable for anyone interested in theater history and criticism, cultural studies, gender studies, and ethnic studies with attention to Mexican American, Chicana/o, and Latina/o studies. Upper—division undergraduates through professionals.” —E. C. Ramirez, Choice
Stages Of Life
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Author : Alberto Sandoval-Sánchez
language : en
Publisher: University of Arizona Press
Release Date : 2023-01-10
Stages Of Life written by Alberto Sandoval-Sánchez and has been published by University of Arizona Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-01-10 with Social Science categories.
Latina theater and solo performance emerged in the 1990s as vibrant, energetic new genres found on stages from New York to Los Angeles. Many women now work in all aspects of Latina theater—often as playwrights or solo performers—with practitioners ranging from teenagers to grandmothers. Alberto Sandoval-Sánchez and Nancy Saporta Sternbach have previously published a groundbreaking anthology of Latina theater, Puro Teatro. They now offer a critical analysis of theatrical works, presenting a theoretical perspective from which to examine, understand, and contextualize Latina theater as a genre in its own right. This is the first in-depth study of the entire corpus of Latina theater, based on close readings of works both published and in manuscript. It considers a large body of productions and performances, including works by such internationally known authors as Dolores Prida, Cherríe Moraga, and Janis Astor del Valle. Applying feminist and postcolonial theory as well as theories of transculturation, Sandoval-Sánchez and Sternbach show how, despite cultural differences among Latinas, their works share a common poetics by building upon the politics of representation, identity, and location. In addition to covering theater, this study also shows that solo performance has its own history, properties, structure, and poetics. It examines performances of Carmelita Tropicana, Monica Palacios, and Marga Gomez—artists whose hybrid identities as Latina lesbians constitute living examples of transculturation in the making—to show how solo performance has roots in and digresses from more traditional modes of theater. With their Latina heritage as a unifying link, these women reflect common traits, patterns, dramatic structures, and properties that overcome regional differences. Stages of Life reads these eclectic cultural productions as a unified body of work that contributes to the formation of Latina identity in America today.