Contemporary Music Theory Level Three

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Contemporary Music Theory Level One

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Author : Mark Harrison
language : en
Publisher: Hal Leonard Corporation
Release Date : 1999-01-01

Contemporary Music Theory Level One written by Mark Harrison and has been published by Hal Leonard Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-01-01 with Music categories.

(Piano). The Music Theory series is designed from the ground-up to explain the terminology and musical structures needed for modern applications. Level One is an introductory course which covers music notation, key signatures, basic scales, intervals, modes, diatonic relationships and 3-and 4-part chords. Includes reference appendices, a complete glossary of terms, and hundreds of written theory exercises with answers.

Contemporary Music Theory Level Two

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Author : Mark Harrison
language : en
Publisher: Hal Leonard Publishing Corporation
Release Date : 1995

Contemporary Music Theory Level Two written by Mark Harrison and has been published by Hal Leonard Publishing Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Music categories.

This title provides a complete harmony and theory method designed specifically for the pop and jazz musician. It derives and explains major and minor scales, keys and key signatures, all intervals, triads and four-part chords, modes and more.

Reconceiving Structure In Contemporary Music

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Author : Judy Lochhead
language : en
Publisher: Routledge
Release Date : 2015-06-19

Reconceiving Structure In Contemporary Music written by Judy Lochhead and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-19 with Art categories.

This book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. The critique addresses the present fringe status of recent music sometimes described as crossover, postmodern, post-classical, post-minimalist, etc. and demonstrates that existing descriptive languages and analytical approaches do not provide adequate tools to address this music in positive and productive terms. Existing tools and concepts were developed primarily in the mid-20th century in tandem with the high modernist compositional aesthetic, and they have changed little since then. The aesthetics of music composition, on the other hand, have been in constant transformation. Lochhead proposes new ways to conceive musical works, their structurings of musical experience and time, and the procedures and goals of analytic close reading. These tools define investigative procedures that engage the multiple perspectives of composers, performers, and listeners, and that generate conceptual modes unique to each work. In action, they rebuild a conceptual, methodological, and experiential place for recent music. These new approaches are demonstrated in analyses of four pieces: Kaija Saariaho’s Lonh (1996), Sofia Gubaidulina’s Second String Quartet (1987), Stacy Garrop’s String Quartet no.2, Demons and Angels (2004-05), and Anna Clyne’s "Choke" (2004). This book defies the prediction of classical music’s death, and will be of interest to scholars and musicians of classical music, and those interested in music theory, musicology, and aural culture.

Music Theory In Practice

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Author : Eric Taylor
language : en
Publisher: Music Theory in Practice (ABRSM)
Release Date : 2008-05

Music Theory In Practice written by Eric Taylor and has been published by Music Theory in Practice (ABRSM) this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-05 with Music categories.

Fully revised, this workbook remains the best way to prepare for ABRSM's Grade 5 Theory of Music Exam. Features a clear explanation of music notation, many worked examples and practice exercises, definitions of important words and concepts, specimen exam questions and helpful tips for students.

All About Music Theory

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Author : Mark Harrison
language : en
Publisher: Hal Leonard Corporation
Release Date : 2009-07-01

All About Music Theory written by Mark Harrison and has been published by Hal Leonard Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-07-01 with Music categories.

Describes the fundamentals of music, covering such topics as music notation, scales and modes, chord progression, and song form and structure.

Understanding Basic Music Theory

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Author : Catherine Schmidt-Jones
language : en
Publisher: CreateSpace
Release Date : 2015-02-18

Understanding Basic Music Theory written by Catherine Schmidt-Jones and has been published by CreateSpace this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-02-18 with categories.

The main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction.

Contemporary Music

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Author : Mr Max Paddison
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2013-01-28

Contemporary Music written by Mr Max Paddison and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-01-28 with Music categories.

This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. Edited by Max Paddison and Irène Deliège, the book offers a wide range of international perspectives from prominent musicologists, philosophers and composers, including Célestin Deliège, Pascal Decroupet, Richard Toop, Rudolf Frisius, Alastair Williams, Herman Sabbe, François Nicolas, Marc Jimenez, Anne Boissière, Max Paddison, Hugues Dufourt, Jonathan Harvey, and new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Part I is mainly theoretical in emphasis. Issues addressed include the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake of Spectralism, debates on the 'new complexity', the heterogeneity, pluralism and stylistic omnivorousness that characterizes music in our time, and the characterization of twentieth-century and contemporary music as a 'search for lost harmony'. The orientation of Part II is mainly philosophical, examining concepts of totality and inclusivity in new music, raising questions as to what might be expected from an autonomous contemporary musical logic, and considering the problem of the survival of the avant-garde in the context of postmodernist relativism. As well as analytic philosophy and cognitive psychology, critical theory features prominently, with theories of social mediation in music, new perspectives on the concept of musical material in Adorno's late aesthetic theory, and a call for 'an aesthetics of risk' in contemporary art as a means 'to reassert the essential role of criticism, of judgment, and of evaluation as necessary conditions to bring about a real public debate on the art of today'. Part III offers creative perspectives, with new essays and interviews from important contemporary composers who have made highly significant interventions in the debates around music today, both through their compositions and through their writings on music. The contributions from Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, Wolfgang Rihm, and Jonathan Harvey, and also the opening essay of the volume by the French spectralist composer and philosopher Hugues Dufourt, address issues of chance, control, freedom, intuition, ambiguity, technology, time, and meaning in contemporary music. A concluding essay by Alastair Williams on advanced contemporary music and the Austro-German tradition post-1968 provides a postlude to the book, while the whole collection is prefaced by an extended introductory chapter by Max Paddison which provides a context of ideas, and traces many of the issues discussed back to Adorno's seminal notion of une musique informelle.

Piano Styles Of 23 Pop Masters

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Author : Mark Harrison
language : en
Publisher: Hal Leonard Corporation
Release Date : 2013-07-01

Piano Styles Of 23 Pop Masters written by Mark Harrison and has been published by Hal Leonard Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-01 with Music categories.

(Keyboard Instruction). Learn to play the piano styles of today's top rock, pop, and jazz artists! Here are the melodic and harmonic techniques of 23 iconic performers, including Ray Charles, Herbie Hancock, Norah Jones, Alicia Keys, Elton John and Stevie Wonder, to name just a few. The accompanying audio is designed to allow maximum flexibility when practicing: you can highlight the piano part, the rhythm section, or both according to your needs. A must for players who really want to get inside the styles of their favorite artists.

Jazz Blues Piano

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Author : Mark Harrison
language : en
Publisher: Hal Leonard Corporation
Release Date : 2006-06-01

Jazz Blues Piano written by Mark Harrison and has been published by Hal Leonard Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-06-01 with Music categories.

(Keyboard Instruction). This comprehensive book/audio pack will teach you the basic skills needed to play jazz-blues piano. From comping to soloing, you'll learn the theory, the tools, and the tricks used by the pros. The audio features many of the examples in the book performed either solo, or with a full band, including a full chapter of complete songs. Topics covered include: scales and chords * harmony and voicings * progressions and comping * melodies and soloing * characteristic stylings.

Jazz Rock Piano Chops

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Author : Mark Harrison
language : en
Publisher: Hal Leonard Corporation
Release Date : 2014-06-01

Jazz Rock Piano Chops written by Mark Harrison and has been published by Hal Leonard Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-01 with Music categories.

(Keyboard Instruction). Get a complete jazz-rock piano workout as you develop your rhythmic feel, dexterity, hand coordination and voicing skills as you work through the fun, authentic examples in this book. The pieces will help you use your jazz-rock piano technique in a musical, stylistically effective way. Each music sample is recorded at several tempos, so you can choose the one that's right for you as you play alonh with the jazz-rock rhythm section.