Copying The Master And Stealing His Secrets
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Copying The Master And Stealing His Secrets
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Author : Brenda G. Jordan
language : en
Publisher: University of Hawaii Press
Release Date : 2003-01-01
Copying The Master And Stealing His Secrets written by Brenda G. Jordan and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-01-01 with Art categories.
Examines the transmission of painting traditions in Japan.
Listen Copy Read
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Author :
language : en
Publisher: BRILL
Release Date : 2014-09-11
Listen Copy Read written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-11 with History categories.
Listen, Copy, Read: Popular Learning in Early Modern Japan endeavors to elucidate the mechanisms by which a growing number of men and women of all social strata became involved in acquiring knowledge and skills during the Tokugawa period. It offers an overview of the communication media and tools that teachers, booksellers, and authors elaborated to make such knowledge more accessible to a large audience. Schools, public lectures, private academies or hand-copied or printed manuals devoted to a great variety of topics, from epistolary etiquette or personal ethics to calculation, divination or painting, are here invoked to illustrate the vitality of Tokugawa Japan’s ‘knowledge market’, and to show how popular learning relied on three types of activities: listening, copying and reading. With contributions by: W.J. Boot, Matthias Hayek, Annick Horiuchi, Michael Kinski, Koizumi Yoshinaga, Peter Kornicki, Machi Senjūrō, Christophe Marquet, Markus Rüttermann, Tsujimoto Masashi, and Wakao Masaki.
Between Manuscript And Print
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Author : Sylvia Brockstieger
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2023-07-24
Between Manuscript And Print written by Sylvia Brockstieger and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-24 with History categories.
A cross-cultural, comparative view on the transition from a predominant 'culture of handwriting' to a predominant 'culture of print' in the late medieval and early modern periods is provided here, combining research on Christian and Jewish European book culture with findings on East Asian manuscript and print culture. This approach highlights interactions and interdependencies instead of retracing a linear process from the manuscript book to its printed successor. While each chapter is written as a disciplinary study focused on one specific case from the respective field, the volume as a whole allows for transcultural perspectives. It thereby not only focusses on change, but also on simultaneities of manuscript and printing practices as well as on shifts in the perception of media, writing surfaces, and materials: Which values did writers, printers, and readers attribute to the handwritten and printed materials? For which types of texts was handwriting preferred or perceived as suitable? How and under which circumstances could handwritten and printed texts coexist, even within the same document, and which epistemic dynamics emerged from such textual assemblages?
Constructing Intellectual Property
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Author : Alexandra George
language : en
Publisher: Cambridge University Press
Release Date : 2012-03-12
Constructing Intellectual Property written by Alexandra George and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-03-12 with Law categories.
This book examines the way in which this important area of law is constructed by the legal system.
Partners In Print
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Author : Julie Nelson Davis
language : en
Publisher: University of Hawaii Press
Release Date : 2014-12-31
Partners In Print written by Julie Nelson Davis and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-12-31 with Art categories.
This compelling account of collaboration in the genre of ukiyo-e (pictures of the floating world) offers a new approach to understanding the production and reception of print culture in early modern Japan. It provides a corrective to the perception that the ukiyo-e tradition was the product of the creative talents of individual artists, revealing instead the many identities that made and disseminated printed work. Julie Nelson Davis demonstrates by way of examples from the later eighteenth century that this popular genre was the result of an exchange among publishers, designers, writers, carvers, printers, patrons, buyers, and readers. By recasting these works as examples of a network of commercial and artistic cooperation, she offers a nuanced view of the complexity of this tradition and expands our understanding of the dynamic processes of production, reception, and intention in floating world print culture. Four case studies give evidence of what constituted modes of collaboration among artistic producers in the period. In each case Davis explores a different configuration of collaboration: that between a teacher and a student, two painters and their publishers, a designer and a publisher, and a writer and an illustrator. Each investigates a mode of partnership through a single work: a specially commissioned print, a lavishly illustrated album, a printed handscroll, and an inexpensive illustrated novel. These case studies explore the diversity of printed things in the period ranging from expensive works made for a select circle of connoisseurs to those meant to be sold at a modest price to a large audience. They take up familiar subjects from the floating world—connoisseurship, beauty, sex, and humor—and explore multiple dimensions of inquiry vital to that dynamic culture: the status of art, the evaluation of beauty, the representation of sexuality, and the tension between mind and body. Where earlier studies of woodblock prints have tended to focus on the individual artist, Partners in Print takes the subject a major step forward to a richer picture of the creative process. Placing these works in their period context not only reveals an aesthetic network responsive to and shaped by the desires of consumers in a specific place and time, but also contributes to a larger discussion about the role of art and the place of the material text in the early modern world.
Traditional Japanese Arts And Culture
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Author : Stephen Addiss
language : en
Publisher: University of Hawaii Press
Release Date : 2006-01-01
Traditional Japanese Arts And Culture written by Stephen Addiss and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-01-01 with Art categories.
Compiled in this volume is original material on Japanese arts and culture from the prehistoric era to the Meiji Restoration (1867). These sources, including many translated here for the first time, are placed in their historical context and outfitted with brief commentaries, allowing the reader to make connections to larger concepts and values found in Japanese culture. This book contains material on the visual and literary arts, as well as primary texts on topics not easily classified in Western categories, such as the martial and culinary arts, the art of tea, and flower arranging. More than sixty color and black-and-white illustrations enrich the collection and provide further insights into Japanese artistic and cultural values. Also included are a bibliography of English-language and Japanese sources and an extensive list of suggested further readings.
The Culture Of Copying In Japan
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Author : Rupert Cox
language : en
Publisher: Routledge
Release Date : 2007-09-12
The Culture Of Copying In Japan written by Rupert Cox and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-09-12 with History categories.
This book challenges the perception of Japan as a ‘copying culture’ through a series of detailed ethnographic and historical case studies. It addresses a question about why the West has had such a fascination for the adeptness with which the Japanese apparently assimilate all things foreign and at the same time such a fear of their skill at artificially remaking and automating the world around them. Countering the idea of a Japan that deviously or ingenuously copies others, it elucidates the history of creative exchanges with the outside world and the particular myths, philosophies and concepts which are emblematic of the origins and originality of copying in Japan. The volume demonstrates the diversity and creativity of copying in the Japanese context through the translation of a series of otherwise loosely related ideas and concepts into objects, images, texts and practices of reproduction, which include: shamanic theatre, puppetry, tea utensils, Kyoto town houses, architectural models, genres of painting, calligraphy, and poetry, ‘sample’ food displays, and the fashion and car industries.
The Life And Afterlives Of Hanabusa Itch Artist Rebel Of Edo
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Author : Miriam Wattles
language : en
Publisher: BRILL
Release Date : 2017-01-16
The Life And Afterlives Of Hanabusa Itch Artist Rebel Of Edo written by Miriam Wattles and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-16 with Art categories.
Miriam Wattles recounts the making of Hanabusa Itchō (1652-1724), painter, haikai-poet, singer-songwriter, and artist subversive, in The Life and Afterlives of Hanabusa Itchō, Artist-Rebel of Edo. Translating literary motifs visually to encapsulate the tensions of his time, many of Itchō’s original works became models emulated by ukiyo-e and other artists. A wide array of sources reveals a lifetime of multiple personas and positions that are the source of his multifarious artistic reincarnations. While, on the one hand, his legend as seditious exile appears in the fictional cross-media worlds of theater, novels, and prints, on the other hand, factual accounts of his complicated artistic life reveal an important figure within the first artists’ biographies of early modern Japan.
Imagery Of The Orchid Pavilion Gathering Visualizing Tokugawa Cultural Networks
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Author : Kazuko Kameda-Madar
language : en
Publisher: BRILL
Release Date : 2022-10-04
Imagery Of The Orchid Pavilion Gathering Visualizing Tokugawa Cultural Networks written by Kazuko Kameda-Madar and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-10-04 with Art categories.
This book investigates the diverse visual representations of the Orchid Pavilion Gathering produced during the Edo period Japan.
Critical Perspectives On Classicism In Japanese Painting
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Author : Elizabeth Lillehoj
language : en
Publisher: University of Hawaii Press
Release Date : 2004-01-01
Critical Perspectives On Classicism In Japanese Painting written by Elizabeth Lillehoj and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-01-01 with Art categories.
In the West, classical art - inextricably linked to concerns of a ruling or dominant class - commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600-1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a classical revival, era of classicism, or a renaissance. How did seventeenth-century artists and patrons imagine the past? Why did they so often select styles and themes from the court culture of the Heian period (794-1185)? Were references to the past something new, or were artists and patrons in previous periods equally interested in manners that came to be seen as classical? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan - just as in the West. Troublesome in its ambiguity and implications, it cannot be separated from the political and ideological interests of those who have employed it over the years. The modern writers who firs