Cosmetics In Shakespearean And Renaissance Drama
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Cosmetics In Shakespearean And Renaissance Drama
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Author : Farah Karim-Cooper
language : en
Publisher: Edinburgh University Press
Release Date : 2019-01-30
Cosmetics In Shakespearean And Renaissance Drama written by Farah Karim-Cooper and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-30 with categories.
Revised and updated critical survey of the field of cosmetics and adornment studiesThis revised edition examines how the plays of Shakespeare and his contemporaries dramatise the Renaissance preoccupation with cosmetics. Farah Karim-Cooper explores the then-contentious issue of female beauty and identifies a 'culture of cosmetics', which finds its visual identity on the early modern stage. She also examines cosmetic recipes and anti-cosmetic literature focusing on their relationship to drama in its representations of gender, race, politics and beauty.Key FeaturesOffers a new analysis of the construction of whiteness as a racial signifierProvides an original insight into women's cosmetic practice through an exploration of ingredients, methods and materials used to create cosmetics and the perception of make up in Shakespeare's timeIncludes numerous cosmetic recipes from the early modern period found in printed books and never published in a modern edition
Cosmetics In Shakespearean And Renaissance Drama
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Author : Karim-Cooper Farah Karim-Cooper
language : en
Publisher: Edinburgh University Press
Release Date : 2019-01-30
Cosmetics In Shakespearean And Renaissance Drama written by Karim-Cooper Farah Karim-Cooper and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-30 with Beauty, Personal categories.
Revised and updated critical survey of the field of cosmetics and adornment studiesThis revised edition examines how the plays of Shakespeare and his contemporaries dramatise the Renaissance preoccupation with cosmetics. Farah Karim-Cooper explores the then-contentious issue of female beauty and identifies a 'culture of cosmetics', which finds its visual identity on the early modern stage. She also examines cosmetic recipes and anti-cosmetic literature focusing on their relationship to drama in its representations of gender, race, politics and beauty.Key FeaturesOffers a new analysis of the construction of whiteness as a racial signifierProvides an original insight into women's cosmetic practice through an exploration of ingredients, methods and materials used to create cosmetics and the perception of make up in Shakespeare's timeIncludes numerous cosmetic recipes from the early modern period found in printed books and never published in a modern edition
Painted Faces On The Renaissance Stage
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Author : Annette Drew-Bear
language : en
Publisher: Bucknell University Press
Release Date : 1994
Painted Faces On The Renaissance Stage written by Annette Drew-Bear and has been published by Bucknell University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with Drama categories.
She also shows that in Renaissance comedy, playwrights exploited the many bawdy meanings of fucus, or cosmetic paint, to dramatize that "theres knauery in dawbing.".
Shakespeare And The Power Of The Face
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Author : James A. Knapp
language : en
Publisher: Routledge
Release Date : 2016-03-03
Shakespeare And The Power Of The Face written by James A. Knapp and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-03-03 with Literary Criticism categories.
Throughout his plays, Shakespeare placed an extraordinary emphasis on the power of the face to reveal or conceal moral character and emotion, repeatedly inviting the audience to attend carefully to facial features and expressions. The essays collected here disclose that an attention to the power of the face in Shakespeare’s England helps explain moments when Shakespeare’s language of the self becomes intertwined with his language of the face. As the range of these essays demonstrates, an attention to Shakespeare’s treatment of faces has implications for our understanding of the historical and cultural context in which he wrote, as well as the significance of the face for the ongoing interpretation and production of the plays. Engaging with a variety of critical strands that have emerged from the so-called turn to the body, the contributors to this volume argue that Shakespeare’s invitation to look to the face for clues to inner character is not an invitation to seek a static text beneath an external image, but rather to experience the power of the face to initiate reflection, judgment, and action. The evidence of the plays suggests that Shakespeare understood that this experience was extremely complex and mysterious. By turning attention to the face, the collection offers important new analyses of a key feature of Shakespeare’s dramatic attention to the part of the body that garnered the most commentary in early modern England. By bringing together critics interested in material culture studies with those focused on philosophies of self and other and historians and theorists of performance, Shakespeare and the Power of the Face constitutes a significant contribution to our growing understanding of attitudes towards embodiment in Shakespeare’s England.
The Arden Handbook Of Shakespeare And Early Modern Drama
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Author : Michelle M. Dowd
language : en
Publisher: Bloomsbury Publishing
Release Date : 2022-12-15
The Arden Handbook Of Shakespeare And Early Modern Drama written by Michelle M. Dowd and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-12-15 with Literary Criticism categories.
How does our understanding of early modern performance, culture and identity change when we decentre Shakespeare? And how might a more inclusive approach to early modern drama help enable students to discuss a range of issues, including race and gender, in more productive ways? Underpinned by these questions, this collection offers a wide-ranging, authoritative guide to research on drama in Shakespeare's England, mapping the variety of approaches to the context and work of Shakespeare and his contemporaries. By paying attention to repertory, performance in and beyond playhouses, modes of performance, and lost and less-studied plays, the handbook reshapes our critical narratives about early modern drama. Chapters explore early modern drama through a range of cultural contexts and approaches, from material culture and emotion studies to early modern race work and new directions in disability and trans studies, as well as contemporary performance. Running through the collection is a shared focus on contemporary concerns, with contributors exploring how race, religion, environment, gender and sexuality animate 16th- and 17th-century drama and, crucially, the questions we bring to our study, teaching and research of it. The volume includes a ground-breaking assessment of the chronology of early modern drama, a survey of resources and an annotated bibliography to assist researchers as they pursue their own avenues of inquiry. Combining original research with an account of the current state of play, The Arden Handbook of Shakespeare and Early Modern Drama will be an invaluable resource both for experienced scholars and for those beginning work in the field.
Moving Shakespeare Indoors
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Author : Andrew Gurr
language : en
Publisher: Cambridge University Press
Release Date : 2014-03-06
Moving Shakespeare Indoors written by Andrew Gurr and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-06 with Literary Criticism categories.
This book examines the conditions of the original performances in seventeenth-century indoor theatres.
Staging Female Characters In Shakespeare S English History Plays
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Author : Hailey Bachrach
language : en
Publisher: Cambridge University Press
Release Date : 2023-11-16
Staging Female Characters In Shakespeare S English History Plays written by Hailey Bachrach and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-11-16 with Literary Criticism categories.
Hailey Bachrach reveals how Shakespeare used female characters in deliberate and consistent ways across his history plays. Illuminating these patterns, she helps us understand these characters not as incidental or marginal presences, but as a key lens through which to understand Shakespeare's process for transforming history into drama. Shakespeare uses female characters to draw deliberate attention to the blurry line between history and fiction onstage, bringing to life the constrained but complex position of women not only in the past itself, but as characters in depictions of said past. In Shakespeare's historical landscape, female characters represent the impossibility of fully recovering voices the record has excluded, and the empowering potential of standing outside history that Shakespeare can only envision by drawing upon the theatre's material conditions. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Black And Asian Theatre In Britain
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Author : Colin Chambers
language : en
Publisher: Routledge
Release Date : 2020-12-17
Black And Asian Theatre In Britain written by Colin Chambers and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-12-17 with History categories.
Black and Asian Theatre in Britain is an unprecedented study tracing the history of ‘the Other’ through the ages in British theatre. The diverse and often contradictory aspects of this history are expertly drawn together to provide a detailed background to the work of African, Asian, and Caribbean diasporic companies and practitioners. Colin Chambers examines early forms of blackface and other representations in the sixteenth century, through to the emergence of black and Asian actors, companies, and theatre groups in their own right. Thorough analysis uncovers how they led to a flourishing of black and Asian voices in theatre at the turn of the twenty-first century. Figures and companies studied include: Ira Aldridge Henry Francis Downing Paul Robeson Errol John Mustapha Matura Dark and Light Theatre The Keskidee Centre Indian Art and Dramatic Society Temba Edric and Pearl Connor Tara Arts Yvonne Brewster Tamasha Talawa. Black and Asian Theatre in Britain is an enlightening and immensely readable resource and represents a major new study of theatre history and British history as a whole. Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Shakespeare S Two Playhouses
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Author : Sarah Dustagheer
language : en
Publisher: Cambridge University Press
Release Date : 2017-08-03
Shakespeare S Two Playhouses written by Sarah Dustagheer and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-08-03 with Drama categories.
Sarah Dustagheer offers the first in-depth, comparative analysis of the performance conditions of the Globe and the Blackfriars Theatres.
Shakespeare Skin
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Author : Ruben Espinosa
language : en
Publisher: Bloomsbury Publishing
Release Date : 2024-07-11
Shakespeare Skin written by Ruben Espinosa and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-07-11 with Literary Criticism categories.
This volume offers a comprehensive array of readings of 'skin' in Shakespeare's works, a term that embraces the human and animal, noun and verb. Shakespeare / Skin departs from previous studies as it deliberately and often explicitly engages with issues of social and racial justice. Each of the chapters interrogates and centres 'skin' in relation to areas of expertise that include performance studies, aesthetics, animal studies, religious studies, queer theory, Indigenous studies, history, food studies, border studies, postcolonial studies, Black feminism, disease studies and pedagogy. By considering contemporary understandings of skin, this volume examines how the literature of the early modern past creates paths to constructing racial hierarchies. With contributors from the USA, UK, South Africa, India, Sri Lanka, Singapore and Australia, chapters are informed by an array of histories, shedding light on how skin was understood in Shakespeare's time and at key moments during the past 400 years in different media and cultures. Chapters include considerations of plays such as Titus Andronicus, The Tempest and A Midsummer Night's Dream, and work by Borderlands Theater, Los Colochos and Satyajit Ray, among many others. For researchers and instructors, this book will help to shape teaching and inform research through its modelling of antiracist critical practice. Collectively, the chapters in this collection allow us to consider how sustained attention to skin via cross-historical and innovative approaches can reveal to us the various uses of Shakespeare that shed light on the fraught nature of our interrelatedness. They set a path for readers to consider how much skin they have in the game when it comes to challenging structures of racism.