Creativity Patterns Of Creative Imagination As Seen Through Art


Creativity Patterns Of Creative Imagination As Seen Through Art
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Creativity


Creativity
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Author : Paul Brutsche
language : en
Publisher:
Release Date : 2020-08-22

Creativity written by Paul Brutsche and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-08-22 with Psychology categories.


We don't know where creativity comes from. Is it inspired from above? Welling up from below? Picked up from the air? "Creativity is a mystery wherever you encounter it..." (Rupert Sheldrake). This book does not claim to reveal this secret. It does not attempt to reduce creativity to a "nothing but," for example to explain it as a special ability of certain creative individuals with special abilities. On the contrary, it is about exploring the fullness and variety of this amazing power, which is the basis of all cultural, artistic, scientific and spiritual activity of man, without attributing it to a simple cause. The creative imagination is unlimited in its richness of design. At the same time, however, there is a canon of basic forms of creative experience and creative ideas. In other words, creative design is infinitely complex in its respective contents and at the same time follows a limited formal grammar. To work out the basic forms of this grammar of creativity, this book examines 25 selected works by artists in detail. The guiding idea here is that artists often consciously or unconsciously address the riddle of their creative drive in their works, especially in their self-portraits. Artists are empiricists and experts in the creative process. All their work is shaped by the experience of being stimulated and guided by creative imagination. Their depiction of this enigmatic creative factor, from which their self-understanding and their creative perspective are derived, thus allows us to sketch, as it were, a general phenomenology of creative expression. In other words, the works of painters show in a both vivid and empirically evidenced way how creativity is basically experienced and in which forms it is expressed and realized. In order to be able to recognize pictures by artists in this sense as statements about the essence of creativity, they must be understood as symbolic reality, in which the riddle of creativity itself, which is at work in painting, is expressed in the form of a picture. The artist usually does not himself address this reflection on artistic creation in an explicit form. This would be questionable and in the best case lead only to an allegorical paraphrase of the phenomenon of art. Real statements about the essence of the creative are possible, however, if creativity itself is expressed in a pictorially symbolic form, i.e. if the artist does not try intentionally to illustrate his opinion about creativity, but if he allows the creative gestalt itself to appear as such. This book presents art as something that invites symbolic understanding. In this way, art appears not only as an aesthetic experience, but also as a deep symbolic discovery, in which rich psychological knowledge can be found. Table of Contents Introduction II Manifestations of Creativity III Dimensions of Creative Consciousness in Examples of Painting IV Creativity as Interaction Between Masculine and Feminine Factors V The Creative Individual VI Creative Existence VII Creativity and the Experience of Transcendence ' VIII Concluding Reflections on the Nature of Creativity Overview of Illustrations Notes Index



Keys To Drawing With Imagination


Keys To Drawing With Imagination
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Author : Bert Dodson
language : en
Publisher: Penguin
Release Date : 2006-11-13

Keys To Drawing With Imagination written by Bert Dodson and has been published by Penguin this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-11-13 with Art categories.


Draw with Confidence and Creativity! New in paperback! Creativity occurs in action. It is not a trait; it is something you do. To be creative, you need to engage in the art-making process. When you are "in the flow," you shift out of the future and into the present, making connections, generating variations and surrendering to the process. This ten-year edition of Keys to Drawing With Imagination is a course for artists in how to take something, do something to it and make something new. Bert Dodson, author of the best-selling Keys to Drawing (more than 250,000 copies sold!) presents fun techniques and mind-stretching strategies to get you drawing better and more imaginatively than you ever have before. In every section, he offers you basic guidelines that help you channel your creative energies in the right direction. Before you know it, you'll lose yourself in the process, enjoying the experience as you create something gratifying and worthwhile. The subjects covered in this hands-on book are as vast as the imagination itself. Through 58 strategies, 36 exercises and 13 step-by-step demonstrations, you'll explore how to: • Take your doodling from mindless to masterful • Create your own reality by crumbling, melting or breaking objects • Flip the familiar on its ear to create something utterly original • Experiment with visual paradox and metaphor • Tell vivid stories through the details in your drawings • Play with patterns to create captivating compositions • Build your drawings by borrowing ideas from different cultures • Develop a theme in your work Along the way, Dodson offers you priceless advice on the creative process culled from his 70 years of drawing and teaching. For additional inspiration and encouragement, he includes the work of 30 other outstanding artists, including R. Crumb and Maya Lin. So what are you waiting for? Grab this book and start drawing! You'll be amazed at what you can create. *Note to readers: This book is a 10-year anniversary paperback reprint of the Keys to Drawing with Imagination hardcover edition (2006).



365 Days Of Creativity


365 Days Of Creativity
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Author :
language : en
Publisher: Hardie Grant
Release Date : 2019-10-15

365 Days Of Creativity written by and has been published by Hardie Grant this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10-15 with Art categories.


365 Days of Creativity is a thoughtful and inspiring book designed to help you carve out moments of self-expression and unlock your creative potential. Award-winning illustrator Lorna Scobie shows you that art does not have to be scary – it can be done with any materials, in any color, in any style and, most importantly, it can be done anywhere! With themes that look at imagination, nature, memory, and pattern, this book is designed to encourage you to think outside the box and spark the artist within. Featuring a creative thought for every week, goal-setting, and mood-based activities, as well as plenty of supportive prompts and tips, this fun and inspiring book will make a perfect gift and keepsake as well as being a powerful tool for positive change.



The Origins Of Creativity


The Origins Of Creativity
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Author : Bruce Adolphe
language : en
Publisher: Oxford University Press, USA
Release Date : 2001

The Origins Of Creativity written by Bruce Adolphe and has been published by Oxford University Press, USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Psychology categories.


After Newton died in 1727, a monument was erected in the Scientist's Corner of Westminster Abbey. It was decorated with a pile of four books and adorned with cherubs holding a prism, a telescope and newly minted coins. The implication is clear. Newton's towering intellect and god-given giftfor creative thinking was the origin of his inspiration. Not far away, at the front of the monument to Newton, is the tomb of Charles Darwin, who published On the Origin of Species, which first discussed the evolution of man. The proximity of the monuments is telling. If we are to define thesingle, most unique human attribute evolution has produced, it must be our ability to think creatively. Thinking is the ultimate human resource. Breaking through the barriers posed by dogma, and reaching beyond the limits of established patterns of thinking to discover what is new and useful isthe engine that drives society. This book, which had its genesis in a conference organized by Karl Pfenninger, and held at Aspen, Colorado, entitled 'Higher brain function, art and science: an interdisciplinary examination of the creative process', brings together articles by thirteen contributorsfrom the fields of science, art and music. Two of the contributors have been awarded Nobel prizes, and all are distinguished representatives of their fields. The Origins of Creativity is organized around four central themes of creativity: the creative experience in art and science; the biologicalbasis of imagination, emotion and reason; creative powers and the environment; and the mind's perception of patterns. The views of artists, who couch their ideas in more metaphorical language, mingle with the analytical thoughts of scientists who strive to understand how the brain generates imagesand ideas. The voices of creators - artist, scientist, mathematician - and of those who study creative activity - neuroscientist, psychologist, philosopher - generate a broad spectrum of views on creativity whose integration offers new insights and becomes a creative act in itself. This bookoffers insights into the origins of human creativity to scientists, artists, and general readers. Its inter-disciplinary authorship presents a uniquely broad perspective on current research, and the style throughout is accessible and engaging.



Imagination In Action


Imagination In Action
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Author : Shaun McNiff
language : en
Publisher: Shambhala Publications
Release Date : 2015-08-04

Imagination In Action written by Shaun McNiff and has been published by Shambhala Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-08-04 with Self-Help categories.


He’s spent a career helping people access their creative potential, and now Shaun McNiff is sharing the secrets he’s learned from observing his own creative process as well as that of others—both those who identify as artists and those who don’t. The result is nothing less than a master class in creativity by one of the great creative theorists—and practitioners—of our time. "This is intended as a practical text," Shaun says, "a creativity primer, striving to capture the essential things that have been of use to me and others." The wealth of instruction he provides here in these essential things will be indispensable to artists of all stripes, as well as to all who strive to express themselves with honesty and authenticity using any of the media life makes available.



Creativity And Art Education


Creativity And Art Education
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Author : W. Lambert Brittain
language : en
Publisher:
Release Date : 1964

Creativity And Art Education written by W. Lambert Brittain and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1964 with Art categories.




Developing Creative Talent In Art


Developing Creative Talent In Art
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Author : Joe Khatena
language : en
Publisher: Praeger
Release Date : 1999-11-10

Developing Creative Talent In Art written by Joe Khatena and has been published by Praeger this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999-11-10 with Art categories.


Developing Creative Talent in Art is a guide for parents, teachers and others interested in developing creative art talent of young people. Visual art has its own language system by which the artist communicates to others thoughts, ideas and feelings about the world as they see them. First experienced as images and then codified in art language form, information about the world in this dual form is processed by creative imagination to produce original art works. Both the language of visual art and creative processing techniques are presented by example and instructional application so that students can compose art not only intuitively but also at will. The book is based on the assumptions that: (1) being able to recognize and know how to identify creative individuals with special talent in art, guidance can be given to maximize the achievement of their potential; (2) understanding creative imagination as process and skill will provide tools to talented individuals for their development in art; (3) mental images constitute the earliest informational source prior to their symbolization in one language form or another; (4) visual art has its own language, derived at first from mental imagery, and just as someone learns and uses the language of words, the artist learns and uses the language of art in productive expression; (5) individuals can be taught to use creative imagination to process all kinds of information and its art language-imagery correlates to produce original works; and (6) feedback in terms of appraisal of student art is essential to foster and guide developing art talent. We provide information about the nature of creativity and talent approaches to identify individuals possessing these potentials generally and art specifically , the nature of creative imagination and its significance and relevance in art imagery as the language of discovery, and the language of art design as order and composition in art, creative imagination as process and teachable skills, instruction in how they may be used to produce art works with relevant practical exercises, the nature of color and its role in art production, and approaches that can be used to evaluate student art.



The Hidden Order Of Art


The Hidden Order Of Art
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Author : Anton Ehrenzweig
language : en
Publisher: Univ of California Press
Release Date : 2023-04-28

The Hidden Order Of Art written by Anton Ehrenzweig and has been published by Univ of California Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-28 with Psychology categories.


From the Preface:The argument of this book ranges from highly theoretical speculations to highly topical problems of modern art and practical hints for the art teacher, and it is most unlikely that I can find a reader who will feel at home on every level of the argument. But fortunately this does not really matter. The principal ideas of the book can be understood even if the reader follows only one of the many lines of the discussion. The other aspects merely add stereoscopic depth to the argument, but not really new substance. May I, then, ask the reader not to be irritated by the obscurity of some of the material, to take out from the book what appeals to him and leave the rest unread? In a way this kind of reading needs what I will call a syncretistic approach. Children can listen breathlessly to a tale of which they understand only little. In the words of William James they take 'flying leaps' over long stretches that elude their understanding and fasten on the few points that appeal to them. They are still able to profit from this incomplete understanding. This ability of understanding- and it is an ability may be due to their syncretistic capacity to comprehend a total structure rather than analysing single elements. Child art too goes for the total structure without bothering about analytic details. I myself seem to have preserved some of this ability. This enables me to read technical books with some profit even if I am not conversant with some of the technical terms. A reader who cannot take 'flying leaps' over portions of technical information which he cannot understand will become of necessity a rather narrow specialist. It is an advantage therefore to retain some of the child's syncretistic ability, in order to escape excessive specialization. This book is certainly not for the man who can digest his information only within a well-defined range of technical terms. A publisher's reader once objected to my lack of focus. What he meant was that the argument had a tendency to jump from high psychological theory to highly practical recipes for art teaching and the like; scientific jargon mixed with mundane everyday language. This kind of treatment may well appear chaotic to an orderly mind. Yet I feel quite unrepentant. I realize that the apparently chaotic and scattered structure of my writing fits the subject matter of this book, which deals with the deceptive chaos in art's vast substructure. There is a 'hidden order' in this chaos which only a properly attuned reader or art lover can grasp. All artistic structure is essentially 'polyphonic'; it evolves not in a single line of thought, but in several superimposed strands at once. Hence creativity requires a diffuse, scattered kind of attention that contradicts our normal logical habits of thinking. Is it too high a claim to say that the polyphonic argument of my book must be read with this creative type of attention? I do not think that a reader who wants to proceed on a single track will understand the complexity of art and creativity in general anyway. So why bother about him? Even the most persuasive and logical argument cannot make up for his lack of sensitivity. On the other hand I have reason to hope that a reader who is attuned to the hidden substructure of art will find no difficulty in following the diffuse and scattered structure of my exposition. There is of course an intrinsic order in the progress of the book. Like most thinking on depth-psychology it proceeds from the conscious surface to the deeper levels of the unconscious. The first chapters deal with familiar technical and professional problems of the artist. Gradually aspects move into view that defy this kind of rational analysis. For instance the plastic effects of painting (pictorial space) which are familiar to every artist and art lover tum out to be determined by deeply unconscious perceptions. They ultimately evade all conscious control. In this way a profound conflict between conscious and unconscious (spontaneous) control comes forward. The conflict proves to be akin to the conflict of single-track thought and 'polyphonic' scattered attention which I have described. Conscious thought is sharply focused and highly differentiated in its elements; the deeper we penetrate into low-level imagery and phantasy the more the single track divides and branches into unlimited directions so that in the end its structure appears chaotic. The creative thinker is capabte of alternating between differentiated and undifferentiated modes of thinking, harnessing them together to give him service for solving very definite tasks. The uncreative psychotic succumbs to the tension between conscious (differentiated) and unconscious (undifferentiated) modes of mental functioning. As he cannot integrate their divergent functions, true chaos ensues. The unconscious functions overcome and fragment the conscious surface sensibilities and tear reason into shreds. Modern art displays this attack of unreason on reason quite openly. Yet owing to the powers of the creative mind real disaster is averted. Reason may seem to be cast aside for a moment. Modern art seems truly chaotic. But as time passes by the 'hidden order' in art's substructure (the work of unconscious form creation) rises to the surface. The modern artist may attack his own reason and single-track thought; but a new order is already in the making.



Animus Psyche And Culture


Animus Psyche And Culture
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Author : Sulagna Sengupta
language : en
Publisher: Taylor & Francis
Release Date : 2023-07-19

Animus Psyche And Culture written by Sulagna Sengupta and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-07-19 with Psychology categories.


Animus, Psyche and Culture takes Carl Jung’s concept of contra-sexual psyche and locates it within the cultural expanse of India, using ethnographic narratives, history, religion, myth, films, biographical extracts to deliberate on the feminine in psychological, social and archetypal realms. Jung’s concept of unconscious contra-sexuality, based on notions of feminine Eros and masculine Logos, was pioneering in his time, but took masculine and feminine to be fixed and essential attributes of gender in the psyche. This book explores the relevance of the animus, examining its rationale in current contexts of gender fluidity. Taking off from Post Jungian critiques, it proposes an exposition of the animus in history, social and religious phenomena, theories of knowledge, psychoid archetype and synchronicity, to grasp its nuances in diverse cultural worlds. This study re-envisions the notion of animus keeping in mind the intricacies of feminine subjectivity and the diversity of cultural worlds where depth psychological ideas are currently emerging. A remarkable reworking of Jungian ideas, this well-researched and important new book will be an insightful read for Jungian analysts and scholars with an interest in cultural and gender studies.



Jung S Red Book For Our Time


Jung S Red Book For Our Time
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Author : Murray Stein
language : en
Publisher: Chiron Publications
Release Date : 2021-09-25

Jung S Red Book For Our Time written by Murray Stein and has been published by Chiron Publications this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-09-25 with Psychology categories.


Edited by Murray Stein and Thomas Arzt, the essays in the series Jung's Red Book for Our Time: Searching for Soul under Postmodern Conditions are geared to the recognition that the posthumous publication of The Red Book: Liber Novus by C.G. Jung in 2009 was a meaningful gift to our contemporary world. The Red Book can be considered as a contribution to the "Golden Chain" (aurea catena) of the world's imaginative literature reaching back to the ancient Sumerian Epic of Gilgamesh. As Jung describes this tradition in a letter to Max Rychner, "Faust is the most recent pillar in that bridge of the spirit which spans the morass of world history, beginning with the Gilgamesh epic, the I Ching, the Upanishads, the Tao-te-Ching, the fragments of Heraclitus, and continuing in the Gospel of St. John, the letters of St. Paul, in Meister Eckhart and in Dante." The Red Book extends the "Golden Chain" into our era. Each of the 18 essays in this third volume of the series, Jung's Red Book for Our Time, is unique, and all of them converge on the central theme of the relevance of The Red Book for people today in search of soul under postmodern conditions. This is the third volume of a multi-volume series set up on a global and multicultural level and includes essays from the following distinguished Jungian analysts and scholars: