Cricot2 Theatre 1955 1988
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Cricot 2 Theatre 1955 1988
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Author :
language : en
Publisher:
Release Date : 2005
Cricot 2 Theatre 1955 1988 written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with categories.
Cricot Sup 2 Theatre
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Author :
language : en
Publisher:
Release Date : 1988
Cricot Sup 2 Theatre written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Art categories.
Cricot2 Theatre 1955 1988
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Author :
language : en
Publisher:
Release Date : 1988
Cricot2 Theatre 1955 1988 written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with categories.
Teatr Cricot 2 1955 1988
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Author : Tadeusz Kantor
language : en
Publisher:
Release Date : 1988
Teatr Cricot 2 1955 1988 written by Tadeusz Kantor and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with categories.
The Post Traumatic Theatre Of Grotowski And Kantor
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Author :
language : en
Publisher: Anthem Press
Release Date :
The Post Traumatic Theatre Of Grotowski And Kantor written by and has been published by Anthem Press this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
Th Tre Cricot 2 1955 1988
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Author :
language : fr
Publisher:
Release Date : 1988
Th Tre Cricot 2 1955 1988 written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with categories.
The Post Traumatic Theatre Of Grotowski And Kantor
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Author : Magda Romanska
language : en
Publisher: Anthem Press
Release Date : 2014-10-01
The Post Traumatic Theatre Of Grotowski And Kantor written by Magda Romanska and has been published by Anthem Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-10-01 with Performing Arts categories.
Despite its international influence, Polish theatre remains a mystery to many Westerners. This volume attempts to fill in current gaps in English-language scholarship by offering a historical and critical analysis of two of the most influential works of Polish theatre: Jerzy Grotowski’s ‘Akropolis’ and Tadeusz Kantor’s ‘Dead Class’. By examining each director’s representation of Auschwitz, this study provides a new understanding of how translating national trauma through the prism of performance can alter and deflect the meaning and reception of theatrical works, both inside and outside of their cultural and historical contexts.
Metamorphosis
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Author : Anna-Teresa Tymieniecka
language : en
Publisher: Springer Science & Business Media
Release Date : 2013-06-05
Metamorphosis written by Anna-Teresa Tymieniecka and has been published by Springer Science & Business Media this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-06-05 with Philosophy categories.
How do we perdure when we and everything around us are caught up in incessant change? But the course of this change does not seem to be haphazard and we may seek the modalities of its Logos in the transformations in which it occurs. The classic term 'Metamorphosis' focuses upon the proportions between the transformed and the retained, the principles of sameness and otherness. Applied to life and its becoming, metamorphosis pinpoints the proportions between the vital and the aesthetic significance of life. Where could this metaphysical in-between territory come better to light than in the Fine Arts? In this collection are investigated the various proportions between the vital significance of the constructivism of life and a specifically human contribution made by the creative imagination to the transformatory search for beauty and aesthetic values. Papers by: Lawrence Kimmel, Mark L. Brack, Sheryl Tucker de Vazquez, William Roberts, Jadwiga Smith, Victor Gerald Rivas, Max Statkiewicz, Matti Itkonen, George R. Tibbetts, Linda Stratford, Jorella Andrews, Ingeborg M. Rocker, Stephen J. Goldberg, Leah Durner, Donnalee Dox, Catherine Schear, Samantha Henriette Krukowski, Gary Maciag, Kelly Dennis, Wanda Strukus, Magda Romanska, Patricia Trutty-Coohill, Ellen Burns, Tessa Morrison, Sabine Coelsch-Foisner, Gary Backhaus, Daniel M. Unger, Howard Pearce.
Das Unm Gliche Theater
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Author : Sabine Folie
language : en
Publisher: Verlag Fur Moderne Kunst
Release Date : 2005
Das Unm Gliche Theater written by Sabine Folie and has been published by Verlag Fur Moderne Kunst this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Art categories.
Essays by Sabine Folie, Jaroslaw Suchan and Hanna Wroblewska.
The Theatre Of Death The Uncanny In Mimesis
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Author : Mischa Twitchin
language : en
Publisher: Springer
Release Date : 2016-10-20
The Theatre Of Death The Uncanny In Mimesis written by Mischa Twitchin and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-10-20 with Performing Arts categories.
This book is concerned with such questions as the following: What is the life of the past in the present? How might “the theatre of death” and “the uncanny in mimesis” allow us to conceive of the afterlife of a supposedly ephemeral art practice? How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead? Distinct from the dominant expectation that actors should appear life-like onstage, why is it that some theatre artists – from Craig to Castellucci – have conceived of the actor in the image of the dead? Furthermore, how might an iconology of the actor allow us to imagine the afterlife of an apparently ephemeral art practice? This book explores such questions through the implications of the twofold analogy proposed in its very title: as theatre is to the uncanny, so death is to mimesis; and as theatre is to mimesis, so death is to the uncanny. Walter Benjamin once observed that: “The point at issue in the theatre today can be more accurately defined in relation to the stage than to the play. It concerns the filling-in of the orchestra pit. The abyss which separates the actors from the audience like the dead from the living...” If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre, how might avant-garde theatre be thought of in terms of this same relation “today”?