Csm 30 Anonymous De Valore Notularum Tam Veteris Quam Novae Artis Anonymous Compendium Musicae
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Csm 30 Anonymous De Valore Notularum Tam Veteris Quam Novae Artis Anonymous Compendium Musicae
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Author : Anonymous
language : en
Publisher: American Institute of Musicology
Release Date : 1982
Csm 30 Anonymous De Valore Notularum Tam Veteris Quam Novae Artis Anonymous Compendium Musicae written by Anonymous and has been published by American Institute of Musicology this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with categories.
For more information, see http: //www.corpusmusicae.com/csm/csm_cc030.htm
Journal Of Renaissance And Baroque Music
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Author : Armen Carapetyan
language : en
Publisher:
Release Date : 1996
Journal Of Renaissance And Baroque Music written by Armen Carapetyan and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Music categories.
Abreviatio Magistri Franconis
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Author : Gilbert Reaney
language : la
Publisher:
Release Date : 1987
Abreviatio Magistri Franconis written by Gilbert Reaney and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Mensural notation categories.
De Diversis Maneriebus In Musica Mensurabili
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Author : Gilbert Reaney
language : la
Publisher:
Release Date : 1982
De Diversis Maneriebus In Musica Mensurabili written by Gilbert Reaney and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Mensural notation categories.
Regule
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Author : Robertus de Handlo
language : la
Publisher: U of Nebraska Press
Release Date : 1991-01-01
Regule written by Robertus de Handlo and has been published by U of Nebraska Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991-01-01 with Music categories.
The Regule of Robertus de Handlo and the Summa of Johannes Hanboys are among the few major texts of medieval English music theory. The first directly influenced the latter, and both deal with unique notational practices found in English music of the fourteenth century. These two texts were edited by Edmon de Coussemaker in the nineteenth century in editions that have come to be recognized as seriously deficient. Now Peter M. Lefferts has paired them in a new critical edition that is far superior in its accuracy and scholarly underpinnings. The Regule of 1326 provides one of the two most comprehensive views of late ars antiqua notational developments. Handlo takes as his point of departure the first part, on notation, of one of those widely circulated, abbreviated versions of the teachings of Franco of Cologne that begin in most sources with the motto, "Gaudent brevitate moderni." The Summa of Hanboys, written around 1375, takes Handlo as a point of departure and incorporates an abbreviated redaction of the Regule, along with citations of other later English authorities, into an exhaustively systematic survey of ars nova forms and rests. Building on a line of development in English theory, Hanboys expanded the mensural system to a total of eight figures. For this edition, Lefferts has thoroughly reexamined, edited, and appraised the single extant source of each treatise. Full descriptions of these sources are provided and the documents are illustrated with a plate from each. Each treatise is presented in its original Latin, with a fully annotated translation on facing pages. Leffert's introduction discusses the authors, places the treatise in the context of the theoretical traditions of fourteenth-century France and England, and reviews their contents in detail. Indexes of terms, names, and subjects are included. Appendixes provide a concordance to the music examples from the Regule that recur in the Summa and transcriptions of two English motet fragments that exhibit insular notational practices discussed in the treatises. Leffert's work will be seen as a major contribution to our understanding of medieval English music.
Practica Musicae
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Author : Franchinus Gaffurius
language : en
Publisher:
Release Date : 1968
Practica Musicae written by Franchinus Gaffurius and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Music categories.
The Berkeley Manuscript
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Author : Oliver B. Ellsworth
language : en
Publisher: U of Nebraska Press
Release Date : 1984-01-01
The Berkeley Manuscript written by Oliver B. Ellsworth and has been published by U of Nebraska Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1984-01-01 with Music categories.
Completed in Paris in 1375, this important manuscript combing several musical treatises was kept in private hands until the 1960s, when it was sold to the University of California at Berkeley and at last became readily accessible to scholars. This is the first complete edition and translation of the manuscript to be published, and extensive notes, a critical introduction, and indexes rerum et verborum augment the volume. Inasmuch as some of the treatises appear in later manuscripts located in Britain, Belgium, and Italy, full collations are provided. An appendix reviews more distantly related manuscripts. This edition will make widely available a collection of treatises that has already revised the history of music theory and practice. The treatises collected in the Berkeley Manuscript (olim Phillipps 4450) consider topics as fundamental and diverse as counterpoint, notation, tuning, chant, and speculative matters, for example, the history of the development of the scale. There is thorough coverage of the doctrine of coiuncta, which provides a means for accounting for chromatic accidentals in music, previously thought to be an invention of a century later. The discussion of tuning suggests the possibility of equal temperament some two centuries earlier than had been assumed. Two plates illustrate the edition. The first depicts musical instruments of the fourteenth century; the second provides a representative example of the handwritten manuscript.
Music In The German Renaissance
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Author : John Kmetz
language : en
Publisher: Cambridge University Press
Release Date : 1994-12-08
Music In The German Renaissance written by John Kmetz and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-12-08 with Music categories.
This 1994 collection of fourteen essays, written by an eminent group of scholars, explores the musical culture of the German-speaking realm between c.1450 and 1600. The essays demonstrate the important role played by German speakers in the development of instrumental music in the Renaissance, the shaping of the curricula of musical education in the modern age, in setting patterns of musical patronage, in establishing congregational singing in churches, and in developing commercial music printing. The essays shed light on the music that flourished at Imperial and ducal courts, universities, parish churches, collegiate schools, as well as the homes of prosperous merchants. The volume thus provides an overview of German polyphonic music in the age of Gutenberg, Dürer and Luther and documents the changing social status of music in Germany during a crucial epoch of its history.
Fauvel Studies
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Author : Margaret Bent
language : en
Publisher:
Release Date : 1998
Fauvel Studies written by Margaret Bent and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Literary Criticism categories.
The manuscript Paris, Bibliothe'que Nationale, fonds francais 146, one of the most sumptuous and important of the fourteenth century, stands as an unparalleled witness to the politics, society, and culture of the French royal court in the early fourteenth century. It contains an interpolated version of the Roman de Fauvel, completed by Gerve's de Bus in 1314, that uniquely combines the Old French text with music setting poetry in French and Latin, high-quality illuminations (including early depictions of the architecture of medieval Paris), and further literary elaborations and additions. The narrative finds a place within several literary traditions, serving both as a satire on a fallen minister, Philip IV (d. 1314), Enguerran de Marigny, and as admonition or advice for the new King Philip V (crowned 1317). Alongside the Roman de Fauvel, fr. 146 also includes French and Latin narrative dits (the latter edited here for the first time), the complete known works of Jehannot de Lescurel, and an important French verse chronicle. It invites complementary works by such shoalrs in several disciplines. This volume assembles papers by leading medievalists and younger scholars in different fields that reflect a period of interchange and collaboration viewing the same material from different perspectives. It is generously illustrated and includes essential new reference material for medievalists in political, social, and urban history, art and architecture history, musicology, the history of the book and codicology, and medieval languages and literatures, principally Old French and Latin. This interdisciplinary collection presents a wealth of new material for medievalists working in a number of fields.
Tractatus Figurarum
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Author : Philip Evan Schreur
language : la
Publisher: U of Nebraska Press
Release Date : 1989-01-01
Tractatus Figurarum written by Philip Evan Schreur and has been published by U of Nebraska Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989-01-01 with Music categories.
Notational complexity, or subtilitas, was engendered in the late fourteenth century by a thorough probing of all the rhythmic possibilities within the accepted mensurations. As French and Italian notational practices began to diverge at the beginning of the Ars nova, composers invented new rhythmic symbols?figurae?asøtheir innovations required, and this resulted in a variety of notations that were as confusing to the musician of the day as they are to the modern scholar. In the third quarter of the fourteenth century, a notational system combining elements of the French and Italian systems was put forth in the Tractatus figurarum. This system proposed a standard of set of figurae for simultaneous combinations of any two of the four prolations of the French mensural system. Edmond Coussemaker?s 1869 edition of the Tractatus figurarum, which attributes the treatise to Philippus de Caserta, was based on his knowledge of only four of the fourteen surviving manuscripts. A critical study of all the sources, including the important Newberry Library manuscript, leads to a corrected version of the text and allows the entire system to be resurrected. The critical edition is joined with fully annotated translation on facing pages. An Introduction discusses the authorship and theory of the treatise, as well as placing it within the context of the music theory of the fourteenth century. Full descriptions of all the manuscript sources and four full-color plates of the Newberry Library manuscript are included. The system of the Tractatus figurarum was beautifully creative, but it did not meet with success. Nevertheless, the treatise proves itself invaluable to the study of the Ars subtilior in revealing certain basic notational principles that may be applied to surviving musical compositions, illuminating the notational subtleties in which the music delighted.