Csound

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The Csound Book

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Author : Richard Boulanger
language : en
Publisher: MIT Press
Release Date : 2000-02-28

The Csound Book written by Richard Boulanger and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000-02-28 with Music categories.

Created in 1985 by Barry Vercoe, Csound is one of the most widely used software sound synthesis systems. Because it is so powerful, mastering Csound can take a good deal of time and effort. But this long-awaited guide will dramatically straighten the learning curve and enable musicians to take advantage of this rich computer technology available for creating music. Written by the world's leading educators, programmers, sound designers, and composers, this comprehensive guide covers both the basics of Csound and the theoretical and musical concepts necessary to use the program effectively. The thirty-two tutorial chapters cover: additive, subtractive, FM, AM, FOF, granular, wavetable, waveguide, vector, LA, and other hybrid methods; analysis and resynthesis using ADSYN, LP, and the Phase Vocoder; sample processing; mathematical and physical modeling; and digital signal processing, including room simulation and 3D modeling. CDs for this book are no longer produced. To request files, please email [email protected].

Csound

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Author : Victor Lazzarini
language : en
Publisher: Springer
Release Date : 2016-11-15

Csound written by Victor Lazzarini and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-15 with Computers categories.

This rigorous book is a complete and up-to-date reference for the Csound system from the perspective of its main developers and power users. It explains the system, including the basic modes of operation and its programming language; it explores the many ways users can interact with the system, including the latest features; and it describes key applications such as instrument design, signal processing, and creative electronic music composition. The Csound system has been adopted by many educational institutions as part of their undergraduate and graduate teaching programs, and it is used by practitioners worldwide. This book is suitable for students, lecturers, composers, sound designers, programmers, and researchers in the areas of music, sound, and audio signal processing.

Cooking With Csound Part 1

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Author : Andrew Horner
language : en
Publisher: A-R Editions, Inc.
Release Date : 2002-01-01

Cooking With Csound Part 1 written by Andrew Horner and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-01-01 with Music categories.

Cooking with Csound offers a fresh approach to using the software to create effectivesounds. This book contains a collection of software synthesis designs for the woodwindand brass instruments, which you can bake into compositional curries, casseroles andsouffles in your computer. Whether you are a composer, researcher, student or hobbyist,the ready-to-use designs found in this volume will provide you with a rich set of sounds. The designs are in the Csound software synthesis language, which is available free on theweb. The book includes a tutorial for those new to Csound, and a wide variety of effectsfor customizing the instrument designs. A chapter on pitch representation also allowsreaders to use customized tunings and scalesIncludes a CD-ROM

Ways Ahead

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Author : Joachim Heintz
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2013-07-29

Ways Ahead written by Joachim Heintz and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-29 with Computers categories.

The first international Csound conference, held at the Hanover University of Music, Drama and Media (HMTMH) between 30th September and 2nd October 2011, marked the first time that the principal people involved with Csound – in existence since 1986 – met in person. This book documents not only the proceedings of this conference through its inclusion of the featured papers, workshop descriptions and round table summaries, but also includes interviews with developers and musicians, along with several new articles written exclusively for this publication. Reflecting the diversity of contributions to the Csound project that conference attendees brought, this book is organised into five main parts entitled “History”, “Development”, “Music”, “Usage” and “Education”.

Ubiquitous Music Ecologies

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Author : Victor Lazzarini
language : en
Publisher: Routledge
Release Date : 2020-11-26

Ubiquitous Music Ecologies written by Victor Lazzarini and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-26 with Computers categories.

Ubiquitous music is an interdisciplinary area of research that lies at the intersection of music and computer science. Initially evolving from the related concept of ubiquitous computing, today ubiquitous music offers a paradigm for understanding how the everyday presence of computers has led to highly diverse music practices. As we move from desktop computers to mobile and internet-based multi-platform systems, new ways to participate in creative musical activities have radically changed the cultural and social landscape of music composition and performance. This volume explores how these new systems interact and how they may transform our musical experiences. Emerging out of the work of the Ubiquitous Music Group, an international research network established in 2007, this volume provides a snapshot of the ecologically grounded perspectives on ubiquitous music that share the concept of ecosystem as a central theme. Covering theory, software and hardware design, and applications in educational and artistic settings, each chapter features in-depth descriptions of exploratory and cutting-edge creative practices that expand our understanding of music making by means of digital and analogue technologies.

Sound And Music Computing

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Author : Tapio Lokki
language : en
Publisher: MDPI
Release Date : 2018-06-26

Sound And Music Computing written by Tapio Lokki and has been published by MDPI this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-06-26 with Science categories.

This book is a printed edition of the Special Issue "Sound and Music Computing" that was published in Applied Sciences

Beyond Midi

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Author : Eleanor Selfridge-Field
language : en
Publisher: MIT Press
Release Date : 1997

Beyond Midi written by Eleanor Selfridge-Field and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Computers categories.

The establishment of the Musical Instrument Digital Interface (MIDI) in the late 1980s allowed hobbyists and musicians to experiment with sound control in ways that previously had been possible only in research studios. MIDI is now the most prevalent representation of music, but what it represents is based on hardware control protocols for sound synthesis. Programs that support sound input for graphics output necessarily span a gamut of representational categories. What is most likely to be lost is any sense of the musical work. Thus, for those involved in pedagogy, analysis, simulation, notation, and music theory, the nature of the representation matters a great deal. An understanding of the data requirements of different applications is fundamental to the creation of interchange codes. The contributors to Beyond MIDI present a broad range of schemes, illustrating a wide variety of approaches to music representation. Generally, each chapter describes the history and intended purposes of the code, a description of the representation of the primary attributes of music (pitch, duration, articulation, ornamentation, dynamics, and timbre), a description of the file organization, some mention of existing data in the format, resources for further information, and at least one encoded example. The book also shows how intended applications influence the kinds of musical information that are encoded. Contributors David Bainbridge, Ulf Berggren, Roger D. Boyle, Donald Byrd, David Cooper, Edmund Correia, Jr., David Cottle, Tim Crawford, J. Stephen Dydo, Brent A. Field, Roger Firman, John Gibson, Cindy Grande, Lippold Haken, Thomas Hall, David Halperin, Philip Hazel, Walter B. Hewlett, John Howard, David Huron, Werner Icking, David Jaffe, Bettye Krolick, Max V. Mathews, Toshiaki Matsushima, Steven R. Newcomb, Kia-Chuan Ng, Kjell E. Nordli, Sile O'Modhrain, Perry Roland, Helmut Schaffrath, Bill Schottstaedt, Eleanor Selfrdige-Field, Peer Sitter, Donald Sloan, Leland Smith, Andranick Tanguiane, Lynn M. Trowbridge, Frans Wiering

Music A Mathematical Offering

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Author : Dave Benson
language : en
Publisher: Cambridge University Press
Release Date : 2007

Music A Mathematical Offering written by Dave Benson and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Mathematics categories.

This book explores the interaction between music and mathematics including harmony, symmetry, digital music and perception of sound.

Computer Music Instruments

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Author : Victor Lazzarini
language : en
Publisher: Springer
Release Date : 2017-09-26

Computer Music Instruments written by Victor Lazzarini and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-09-26 with Computers categories.

This book is divided into three elements. Part I provides a broad introduction to the foundations of computer music instruments, covering some key points in digital signal processing, with rigorous but approachable mathematics, and programming examples, as well as an overview of development environments for computer instruments. In Part II, the author presents synthesis and processing, with chapters on source-filter models, summation formulae, feedback and adaptive systems, granular methods, and frequency-domain techniques. In Part III he explains application development approaches, in particular communication protocols and user interfaces, and computer music platforms. All elements are fully illustrated with programming examples using Csound, Python, and Faust. The book is suitable for advanced undergraduate and postgraduate students in music and signal processing, and for practitioners and researchers.