Dance And Instrumental Diferencias In Spain During The 17th And Early 18th Centuries History And Background Music And Dance
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Fifteenth Century Dance And Music Treatises And Music
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Author : A. William Smith
language : en
Publisher: Pendragon Press
Release Date : 1995
Fifteenth Century Dance And Music Treatises And Music written by A. William Smith and has been published by Pendragon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Dance categories.
Vol. 1: Treatises and music ; vol. 2: choreographic descriptions with concordances of variants.
Dance And Instrumental Diferencias In Spain During The 17th And Early 18th Centuries The Notes In Spanish And Other Languages From The Sources
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Author : Maurice Esses
language : es
Publisher: Pendragon Press
Release Date : 1992
Dance And Instrumental Diferencias In Spain During The 17th And Early 18th Centuries The Notes In Spanish And Other Languages From The Sources written by Maurice Esses and has been published by Pendragon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Dance categories.
The Notes in Spanish provides the original text and quotations, already presented in English in Volume I, in their original Spanish.
Dance And Instrumental Diferencias In Spain During The 17th And Early 18th Centuries
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Author : Maurice Esses
language : es
Publisher:
Release Date : 1992
Dance And Instrumental Diferencias In Spain During The 17th And Early 18th Centuries written by Maurice Esses and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Dance categories.
Dance And Instrumental Diferencias In Spain During The 17th And Early 18th Centuries
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Author : Maurice Esses
language : en
Publisher:
Release Date : 1992
Dance And Instrumental Diferencias In Spain During The 17th And Early 18th Centuries written by Maurice Esses and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Dance categories.
The intimately related phenomena of dance and instrumental variation were prominent features of Spanish culture during the 17th and early 18th centuries. These variations (diferencias) on a set piece of music or choreographed movement permeated the activities of professional and amateur musicians, secular and sacred festivities, and were cultivated by the aristocracy as well as the lower class. The incorporation of variation into the instrumental music which accompanied dance enabled the instrumentalists to produce pieces of sufficient length and diversity to accommodate the needs of the dancers on different occasions. As to the two volumes which will complete this set, Volume 2 supplies a complete inventory and transcription of th e extant instrumental dance pieces and variation sets (495 pieces plus 228 pasacalles), and Volume 3 will contain the original notes in Spanish.
Dance And Music Of Court And Theater
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Author : Wendy Hilton
language : en
Publisher: Pendragon Press
Release Date : 1997
Dance And Music Of Court And Theater written by Wendy Hilton and has been published by Pendragon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Juvenile Nonfiction categories.
This collection of selected writings of Ms. Hilton includes a complete facsimile of her 1981 book Dance of Court & Theater (no longer available) as well as two significant articles, and a notated triple-meter danse � deux by LouisP�cour. Book One (the facsimile) provides in-depth analysis of primary sources on dance of the baroque period.The main body of the text is devoted to mastery of the Beauchamp-Feuillet notation system,which includes the relationships of steps to music in such dance types as the menuet,gavotte, bourr�e, sarabande, passacaille, loure, gigue, and entr�e grave. Instruction is also given on style, bows and courtesies, the use of the hat, and the ballroom menuet ordinaire as given by Pierre Rameau.Book Two adds theslow Seventeenth-Century French Courante; A survey of the 56 dances extant to music by J.B. Lully with their airs and some of the more virtuosic, theatrical step-units in notation; Louis P�cour's ballroom dance Aimable Vainqueur (1701 in six pages of dance notation with a five-part score of Andr� Campra's music from Hesione (1700)and an updated bibliography.
Dance Music From The Ballets De Cour 1575 1651 Six Allemandes 2 Ballet Cheval Fait Pour Le Grand Carouselle Fait A La Place Royal Pour Le Mariage De Louis 13 4 Airs 3 Concert Louis Xiii Par Les 24 Viollons Et Les 12 Grand Hautbois De Plusieurs Airs Choisy De Differens Ballets 1627 4 Ballet Des Nations 5 Ballet Du Roy Des Festes De Baccus 1651
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Author : David J. Buch
language : en
Publisher: Pendragon Press
Release Date : 1993
Dance Music From The Ballets De Cour 1575 1651 Six Allemandes 2 Ballet Cheval Fait Pour Le Grand Carouselle Fait A La Place Royal Pour Le Mariage De Louis 13 4 Airs 3 Concert Louis Xiii Par Les 24 Viollons Et Les 12 Grand Hautbois De Plusieurs Airs Choisy De Differens Ballets 1627 4 Ballet Des Nations 5 Ballet Du Roy Des Festes De Baccus 1651 written by David J. Buch and has been published by Pendragon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with Ballet categories.
David Buch's informative volume is the first modern study edition and commentary dealing with almost all of the surviving French five-part scores of dance music from the ballets de cour 1575-1651. These full scores are especiall y important since most ballets from this time are preserved only in two-part readings (melody and bass). The exception here is a newly-created five-part score for the Ballet des Nations based on an original two-part setting. Also included are the six Allemandes from 1575 to ca. 1600 a Ballet cheval of 1615 a selection of miscellaneous Entres from several ballets prepared for the Concert Louis XIII par les Viollons et lest 12 Grands hautbois of 1627 and Philidor's five-part reading of seventeen Entres from the Ballet du Roy des Festes de Baccus of 1651.
The Extraordinary Dance Book T B 1826
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Author : Sandra Noll Hammond
language : en
Publisher: Pendragon Press
Release Date : 2000
The Extraordinary Dance Book T B 1826 written by Sandra Noll Hammond and has been published by Pendragon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Dance categories.
This facsimile edition of a hitherto unpublished manuscript reveals a beautiful workbook of impeccable penmanship by an early nineteenth-century dancing master. The title page reads Dance Book T B. 1826.Included among the more than thirty ballroom and theater dances are examples of the shauntreuse, allemande, hornpipe, quadrille, and waltz. There are also rare dances with descriptive titles such as Pas Seul, Pas Deux, Pas Trois d'Eggville, Russian Dance, Vestris Gavotte, and Cossack Dance. The importance of the manuscript to both musicians and dancers cannot be overestimated . It includes the earliest known full-length choreographed waltz for two that, through its intricate arm positions, shows the influence of the eighteenth-century contredanse allemande. Photographed in New Zealand by John Casey. The published volume unfortunately contains some miscropped images; a corrigenda leaflet can be downloaded a href="https: //boydellandbrewer.com/media/wysiwyg/431corrigenda.pdf">here/a
The Cambridge Companion To The Harpsichord
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Author : Mark Kroll
language : en
Publisher: Cambridge University Press
Release Date : 2019-01-03
The Cambridge Companion To The Harpsichord written by Mark Kroll and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-03 with Music categories.
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
The Cambridge Companion To The Guitar
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Author : Victor Coelho
language : en
Publisher: Cambridge University Press
Release Date : 2003-07-10
The Cambridge Companion To The Guitar written by Victor Coelho and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-07-10 with Music categories.
From its origins in the culture of late medieval Europe to enormous global popularity in the twentieth, the guitar and its development comprise multiple histories, each characterized by distinct styles, playing techniques, repertories, and socio-cultural roles. These histories simultaneously span popular and classical styles, contemporary and historical practices, written and unwritten traditions, and Western and non-Western cultures. This is the first book to encompass the breadth and depth of guitar performance, featuring twelve essays covering different traditions, styles, and instruments, written by some of the most influential players, teachers, and guitar historians in the world. The coverage of the book allows the player to understand both the analogies and the differences between guitar traditions; all styles--from baroque, classical, country, blues, and rock to flamenco, African, and Celtic--will share the same platform, along with instrument making. As musical training is increasingly broadened this comprehensive book will become an indispensable resource.
Colonial Counterpoint
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Author : D. R. M. Irving
language : en
Publisher: Oxford University Press
Release Date : 2010-06-03
Colonial Counterpoint written by D. R. M. Irving and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-06-03 with Music categories.
Named one of BBC History Magazine's "Books of the Year" in 2010 In this groundbreaking study, D. R. M. Irving reconnects the Philippines to current musicological discourse on the early modern Hispanic world. For some two and a half centuries, the Philippine Islands were firmly interlinked to Latin America and Spain through transoceanic relationships of politics, religion, trade, and culture. The city of Manila, founded in 1571, represented a vital intercultural nexus and a significant conduit for the regional diffusion of Western music. Within its ethnically diverse society, imported and local musics played a crucial role in the establishment of ecclesiastical hierarchies in the Philippines and in propelling the work of Roman Catholic missionaries in neighboring territories. Manila's religious institutions resounded with sumptuous vocal and instrumental performances, while an annual calendar of festivities brought together many musical traditions of the indigenous and immigrant populations in complex forms of artistic interaction and opposition. Multiple styles and genres coexisted according to strict regulations enforced by state and ecclesiastical authorities, and Irving uses the metaphors of European counterpoint and enharmony to critique musical practices within the colonial milieu. He argues that the introduction and institutionalization of counterpoint acted as a powerful agent of colonialism throughout the Philippine Archipelago, and that contrapuntal structures were reflected in the social and cultural reorganization of Filipino communities under Spanish rule. He also contends that the active appropriation of music and dance by the indigenous population constituted a significant contribution to the process of hispanization. Sustained "enharmonic engagement" between Filipinos and Spaniards led to the synthesis of hybrid, syncretic genres and the emergence of performance styles that could contest and subvert hegemony. Throwing new light on a virtually unknown area of music history, this book contributes to current understanding of the globalization of music, and repositions the Philippines at the frontiers of research into early modern intercultural exchange.