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Das Ufa Buch


Das Ufa Buch
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Das Ufa Buch


Das Ufa Buch
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Author : Hans-Michael Bock
language : de
Publisher:
Release Date : 1992

Das Ufa Buch written by Hans-Michael Bock and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with categories.




Das Ufa Buch


Das Ufa Buch
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Author :
language : de
Publisher:
Release Date : 1994

Das Ufa Buch written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994 with categories.




Das Ufa Buch


Das Ufa Buch
DOWNLOAD
Author :
language : de
Publisher:
Release Date : 1992

Das Ufa Buch written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with categories.




Das Ufa Buch


 Das Ufa Buch
DOWNLOAD
Author :
language : de
Publisher:
Release Date : 1992

Das Ufa Buch written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Motion pictures categories.




Das Ufa Buch


Das Ufa Buch
DOWNLOAD
Author : Hans-Michael Bock
language : de
Publisher:
Release Date : 1992

Das Ufa Buch written by Hans-Michael Bock and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1992 with Motion picture industry categories.




Take Two


Take Two
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Author : John E. Davidson
language : en
Publisher: Berghahn Books
Release Date : 2007

Take Two written by John E. Davidson and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with History categories.


This anthology offers an account of German cinema in the fifties, focusing on popular genres, famous stars and dominant practices, taking into account the complicated relationships between East and West Germany, and by paying attention to the economic and political conditions of film production and reception during this period.



Distributing Silent Film Serials


Distributing Silent Film Serials
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Author : Rudmer Canjels
language : en
Publisher: Routledge
Release Date : 2011-01-25

Distributing Silent Film Serials written by Rudmer Canjels and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-01-25 with Education categories.


Tracing the international consumption, distribution, and cultural importance of silent film serials in the 1910s and 1920s, Canjels provides an exciting new understanding of the cultural dimension and the cultural transformation and circulation of media forms. Specifically, he demonstrates that the serial film form goes far beyond the well-known American two-reel serial—the cliffhanger. Throughout the book, Canjels focuses on the biggest producers of serials, America, France, and Germany, while imported serials, such as those in the Netherlands, are also examined. This research offers new views on the serial work of well known directors as D.W. Griffith, Abel Gance, Erich von Stroheim, and Fritz Lang, while foregrounding the importance of lesser known directors such as Louis Feuillade or Joe May. In the early twentieth-century, serial productions were constantly undergoing change and were not merely distributed in their original form upon import. As adjusted serials were present in large quantities or confronted different social spaces, nationalistic feelings and views stimulated by the unrest of World War I and the expanding American film industry could be incorporated and attached to the serial form. Serial productions were not only adaptable to local discourses, they could actively stimulate and interact as well, influencing reception and further film production. By examining the distribution, reception, and cultural contexts of American and European serials in various countries, this cross-cultural research makes both local and global observations. Canjels thus offers a highly relevant case study of transnational, transcultural and transmedia relations.



From Caligari To California


From Caligari To California
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Author : Ursula Hardt
language : en
Publisher: Berghahn Books
Release Date : 1996-12

From Caligari To California written by Ursula Hardt and has been published by Berghahn Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-12 with Biography & Autobiography categories.


A biography of the famed German film producer whose successes such as The Cabinet of Dr. Caligari and The Blue Angel have become industry classics. Hardt traces Pommer's work from the pre-Hitler days of the Ufa studio, his emigration to the US in 1933, his battle to establish himself in the Hollywood milieu, his political struggles as motion Picture Control Officer of the US Military during 1946-1949 as he tried to rebuild Germany's film machinery, and ultimately documents Pommer's survival as one of the major producers of the era. Includes photographs and film index appendices. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR



The Many Faces Of Weimar Cinema


The Many Faces Of Weimar Cinema
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Author : Christian Rogowski
language : en
Publisher: Camden House
Release Date : 2010

The Many Faces Of Weimar Cinema written by Christian Rogowski and has been published by Camden House this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Performing Arts categories.


Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, "expressionist film," has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema. This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles on film spectatorship; and connections between film and other arts and media. Such shifts have been accompanied by archival research that has made a cornucopia of new information available and augmented by the increased availability of films from the period on DVD. This wealth of new source material calls for a re-evaluation of Weimar cinema that considers the legacies of lesser-known directors and producers, popular genres, experiments of the artistic avant-garde, and nonfiction films, all of which are aspects attended to by the essays in this volume. Contributors: Ofer Ashkenazi, Jaimey Fisher, Veronika Fuechtner, Joseph Garncarz, Barbara Hales, Anjeana Hans, Richard W. McCormick, Nancy P. Nenno, Elizabeth Otto, Mihaela Petrescu, Theodore F. Rippey, Christian Rogowski, Jill Smith, Philipp Stiasny, Chris Wahl, Cynthia Walk, Valerie Weinstein, Joel Westerdale. Christian Rogowski is Professor and Chair of German at Amherst College.



Film And Stereotype


Film And Stereotype
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Author : Jörg Schweinitz
language : en
Publisher: Columbia University Press
Release Date : 2011

Film And Stereotype written by Jörg Schweinitz and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with History categories.


Since the early days of film, critics and theorists have contested the value of formula, cliché, conventional imagery, and recurring narrative patterns of reduced complexity in cinema. Whether it's the high-noon showdown or the last-minute rescue, a lonely woman standing in the window or two lovers saying goodbye in the rain, many films rely on scenes of stereotype, and audiences have come to expect them. Outlining a comprehensive theory of film stereotype, a device as functionally important as it is problematic to a film's narrative, Jörg Schweinitz constructs a fascinating though overlooked critical history from the 1920s to today. Drawing on theories of stereotype in linguistics, literary analysis, art history, and psychology, Schweinitz identifies the major facets of film stereotype and articulates the positions of theorists in response to the challenges posed by stereotype. He reviews the writing of Susan Sontag, Roland Barthes, Theodor W. Adorno, Rudolf Arnheim, Robert Musil, Béla Balázs, Hugo Münsterberg, and Edgar Morin, and he revives the work of less-prominent writers, such as René Fülöp-Miller and Gilbert Cohen-Séat, tracing the evolution of the discourse into a postmodern celebration of the device. Through detailed readings of specific films, Schweinitz also maps the development of models for adapting and reflecting stereotype, from early irony (Alexander Granowski) and conscious rejection (Robert Rossellini) to critical deconstruction (Robert Altman in the 1970s) and celebratory transfiguration (Sergio Leone and the Coen brothers). Altogether a provocative spectacle, Schweinitz's history reveals the role of film stereotype in shaping processes of communication and recognition, as well as its function in growing media competence in audiences beyond cinema.