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Dian Ying Yu Dian Ying Yi Shu


Dian Ying Yu Dian Ying Yi Shu
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Dian Ying Yu Dian Ying Yi Shu


Dian Ying Yu Dian Ying Yi Shu
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Author : Cun Yang
language : zh-CN
Publisher:
Release Date : 1953

Dian Ying Yu Dian Ying Yi Shu written by Cun Yang and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1953 with Motion pictures categories.




Dian Ying Yi Shu Yu Dian Ying Wen Xue Ji Chu


Dian Ying Yi Shu Yu Dian Ying Wen Xue Ji Chu
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Author : Ma Zhu
language : zh-CN
Publisher:
Release Date : 1979

Dian Ying Yi Shu Yu Dian Ying Wen Xue Ji Chu written by Ma Zhu and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1979 with Motion picture plays categories.






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Author : 劉文周
language : zh-CN
Publisher:
Release Date : 1982

written by 劉文周 and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Motion pictures categories.




A Companion To Chinese Cinema


A Companion To Chinese Cinema
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Author : Yingjin Zhang
language : en
Publisher: John Wiley & Sons
Release Date : 2012-04-23

A Companion To Chinese Cinema written by Yingjin Zhang and has been published by John Wiley & Sons this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-04-23 with Performing Arts categories.


A Companion to Chinese Cinema is a collection of original essays written by experts in a range of disciplines that provide a comprehensive overview of the evolution and current state of Chinese cinema. Represents the most comprehensive coverage of Chinese cinema to date Applies a multidisciplinary approach that maps the expanding field of Chinese cinema in bold and definitive ways Draws attention to previously neglected areas such as diasporic filmmaking, independent documentary, film styles and techniques, queer aesthetics, star studies, film and other arts or media Features several chapters that explore China’s new market economy, government policy, and industry practice, placing the intricate relationship between film and politics in a historical and international context Includes overviews of Chinese film studies in Chinese and English publications



An Annotated Bibliography Of Chinese Film Studies


An Annotated Bibliography Of Chinese Film Studies
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Author : Jim Cheng
language : zh-CN
Publisher: Hong Kong University Press
Release Date : 2004-10-01

An Annotated Bibliography Of Chinese Film Studies written by Jim Cheng and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-10-01 with Reference categories.


Covers monographs, conference proceedings, and theses that relate to film studies in and about mainland China published between 1920 and 2003. It references basic information, such as film titles, directors, and actors, as well as a variety of topics in film studies, such as film history, genres, and technology.



Craziness And Carnival In Neo Noir Chinese Cinema


Craziness And Carnival In Neo Noir Chinese Cinema
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Author : Harry H. Kuoshu
language : en
Publisher: Springer Nature
Release Date : 2021-04-20

Craziness And Carnival In Neo Noir Chinese Cinema written by Harry H. Kuoshu and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-20 with Literary Criticism categories.


Craziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the “stone phenomenon” in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global neo noir maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of neo noir. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for neo noir as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre.



Hong Kong Cinema


Hong Kong Cinema
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Author : Yingchi Chu
language : en
Publisher: Routledge
Release Date : 2003-08-29

Hong Kong Cinema written by Yingchi Chu and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-08-29 with Business & Economics categories.


Examining Hong Kong cinema from its inception in 1913 to the end of the colonial era, this work explains the key areas of production, market, film products and critical traditions. Hong Kong Cinema considers the different political formations of Hong Kong's culture as seen through the cinema, and deals with the historical, political, economic and cultural relations between Hong Kong cinema and other Chinese film industries on the mainland, as well as in Taiwan and South-East Asia. Discussion covers the concept of 'national cinema' in the context of Hong Kong's status as a quasi-nation with strong links to both the 'motherland' (China) and the 'coloniser' (Britain), and also argues that Hong Kong cinema is a national cinema only in an incomplete and ambiguous sense.



Chinese National Cinema


Chinese National Cinema
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Author : Yingjin Zhang
language : en
Publisher: Routledge
Release Date : 2004-08-02

Chinese National Cinema written by Yingjin Zhang and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-08-02 with Performing Arts categories.


This introduction to Chinese national cinema covers three 'Chinas': mainland China, Hong Kong and Taiwan. Historical and comparative perspectives bring out the parallel developments in these three Chinas, while critical analysis explores thematic and stylistic changes over time. As well as exploring artistic achievements and ideological debates, Yingjin Zhang examines how - despite the pressures placed on the industry from state control and rigid censorship - Chinese national cinema remains incapable of projecting a single unified picture, but rather portrays many different Chinas.



Chinese Revolutionary Cinema


Chinese Revolutionary Cinema
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Author : Jessica Ka Yee Chan
language : en
Publisher: Bloomsbury Publishing
Release Date : 2019-01-21

Chinese Revolutionary Cinema written by Jessica Ka Yee Chan and has been published by Bloomsbury Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-21 with Performing Arts categories.


Engaging with fiction films devoted to heroic tales from the decade and a half between 1949 and 1966, this book reconceives state propaganda as aesthetic experiments that not only radically transformed acting, cinematography and screenwriting in socialist China, but also articulated a new socialist film theory and criticism. Rooted in the interwar avant-garde and commercial cinema, Chinese revolutionary cinema, as a state cinema for the newly established People's Republic, adapted Chinese literature for the screen, incorporated Hollywood narration, appropriated Soviet montage theory and orchestrated a new, glamorous, socialist star culture. In the wake of decolonisation, Chinese film journals were quick to project and disseminate the country's redefined self-image to Asia, Africa and Latin America as they helped to create an alternative vision of modernity and internationalism. Revealing the historical contingency of the term 'propaganda', Chan uncovers the visual, aural, kinaesthetic, sexual and ideological dynamics that gave rise to a new aesthetic of revolutionary heroism in world cinema. Based on extensive archival research, this book's focus on the distinctive rhetoric of post-war socialist China will be of value to East Asian Cinema scholars, Chinese Studies academics and those interested in the history of twentieth-century socialist culture.



An Annotated Bibliography For Taiwan Film Studies


An Annotated Bibliography For Taiwan Film Studies
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Author : Jim Cheng
language : en
Publisher: Columbia University Press
Release Date : 2016-04-19

An Annotated Bibliography For Taiwan Film Studies written by Jim Cheng and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-19 with Performing Arts categories.


Compiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the disparate voices of Chinese film scholarship, charting its unique intellectual arc. Organized intuitively, the volume begins with reference materials (bibliographies, cinematographies, directories, indexes, dictionaries, and handbooks) and then moves through film history (the colonial period, Taiwan dialect film, new Taiwan cinema, the 2/28 incident); film genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); film reviews; film theory and technique; interdisciplinary studies (Taiwan and mainland China, Taiwan and Japan, film and aboriginal peoples, film and literature, film and nationality); biographical materials; film stories, screenplays, and scripts; film technology; and miscellaneous aspects of Taiwanese film scholarship (artifacts, acts of censorship, copyright law, distribution channels, film festivals, and industry practice). Works written in multiple languages include transliteration/romanized and original script entries, which follow universal AACR-2 and American cataloguing standards, and professional notations by the editors to aid in the use of sources.