Die Band Ton Steine Scherben Subpolitiker Einer Gegenkultur
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Die Band Ton Steine Scherben Subpolitiker Einer Gegenkultur
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Author : Florian Tobias Kreier
language : de
Publisher: Diplomica Verlag
Release Date : 2012-06
Die Band Ton Steine Scherben Subpolitiker Einer Gegenkultur written by Florian Tobias Kreier and has been published by Diplomica Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06 with Music categories.
?Wir wollen mit der Musik, die wir machen, die Menschen davon berzeugen, dass sich alle Menschen von ihren Unterdrckern befreien mssen? erkl„rt Rio Reiser, Frontmann der Band Ton Steine Scherben 1970 in einem Interview. Die Band hatte sich kurz zuvor im West-Berliner Stadtteil Kreuzberg gegrndet, im Zeichen der aufgeheizten Atmosph„re des Konflikts zwischen verschiedenen gesellschaftlichen Gruppen. Mit ihrem selbst erfundenen Musikstil Agit-Rock und Titeln wie ?Macht kaputt was euch kaputt macht?, ?Ich will nicht werden was mein Alter ist?, ?Wir streiken? oder ?Der Kampf geht weiter? entwickelten sich in kurzer Zeit zu Hymnen von Hausbesetzern, politischen Aktivisten und Kulturrebellen. Der genaue Blick auf Ton Steine Scherben legt eine ungew”hnliche Mischung aus knstlerischer und Lebensradikalit„t frei: Als Teil der West-Berliner Gegengesellschaft lebten sie in Kommunen, beteiligten sich an Demonstrationen, Solidarit„ts- oder Protestaktionen und standen in Kontakt mit Personen aus dem Umfeld der APO, Bewegung 2. Juni und RAF. Konzerte endeten oft in Hausbesetzungen, ihre Kommune wurde regelm„áig von Polizeikommandos gestrmt. Die Tren ihrer Wohn- und Arbeitsr„ume standen jedermann offen, gemeinsam hat man musiziert, diskutiert oder Drogen konsumiert. Die Bandmitglieder verstanden sich als Teil einer revolution„ren Bewegung, deren politische Ausrichtung dem Kampf gegen Unterdrckung, Unfreiheit und Ungerechtigkeit dienen sollte, vor allem in ihrer direkten Umgebung in Kreuzberg/West-Berlin. Aber wie sollte die politische Arbeit einer Musikgruppe aussehen? Wieso verbreiteten sich ihre radikalen, schlagwortartigen Parolen blitzartig durch den deutschsprachigen Raum? Wie traten sie wofr ein, mit welchen Inhalten, Zielen und Methoden? Aus welchem Grund stieg die Band abseits klassisch-wirtschaftlicher Strukturen in krzester Zeit zu einer der bekanntesten westdeutschen Gruppen auf - ohne Plattenlabel oder Vermarktungsstrategie? Woher stammte berhaupt die Idee oder der Glaube daran, mit Musik Politik machen zu k”nnen? Politik fr oder gegen welche politischen, gesellschaftlichen oder kulturellen Ansichten und Gruppen - und vor allem weshalb? Diese Fragen werden im vorliegenden Buch beleuchtet und letztendlich beantwortet.
Die Band Ton Steine Scherben Subpolitiker Einer Gegenkultur
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Author : Florian Kreier
language : de
Publisher: GRIN Verlag
Release Date : 2012
Die Band Ton Steine Scherben Subpolitiker Einer Gegenkultur written by Florian Kreier and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Social Science categories.
Magisterarbeit aus dem Jahr 2011 im Fachbereich Soziologie - Medien, Kunst, Musik, Note: 1,7, Ludwig-Maximilians-Universität München (Geschwister Scholl Institut), Sprache: Deutsch, Abstract: Wie konnte die politische Arbeit von TON STEINE SCHERBEN aussehen? Wieso verbreiteten sich ihre radikalen, schlagwortartigen Parolen blitzartig durch den deutschsprachigen Raum? Wie traten sie wofür ein, mit welchen Inhalten, Zielen und Methoden? Aus welchem Grund stieg die Band abseits klassisch-wirtschaftlicher Strukturen in kürzester Zeit zu einer der bekanntesten westdeutschen Gruppen auf - ohne Plattenlabel oder Vermarktungsstrategie? Woher stammte überhaupt die Idee oder der Glaube daran, mit Musik Politik machen zu können? Politik für oder gegen welche politischen, gesellschaftlichen oder kulturellen Ansichten und Gruppen - und vor allem weshalb? Diese Fragen sollen in der vorliegenden Arbeit beantwortet werden. Eine grundlegende These ist dabei, dass Ton Steine Scherben maßgeblich von den Ansichten, Formen und Auswirkungen der 68-Kulturrevolution beeinflusst waren. In einem theoretischen Teil werden dazu verschiedene Theorie- und Analysemodelle der Bereiche Kultur, Sub- und Gegenkultur betrachtet, um Ton Steine Scherben und ihr Verhältnis zur gegenkulturellen 68-Bewegung gesellschaftlich, sozial und kulturell einordnen zu können. Der von Ulrich Beck entwickelte Begriff der Subpolitik soll anschließend eine politische Analyse des Phänomens in Ausrichtung, Wirkung und historischem Zusammenhang ermöglichen. Daraufhin wird zuerst das historische Setting betrachtet, in dem die gegenkulturelle Bewegung als Subkultur und daraufhin die Gegenkultur entstanden. Weiter werden die Hauptaspekte und -komponenten der gegenkulturellen Bewegung sowie der Gegenkultur ausgeführt und anschließend analysiert. Auf Grundlage dessen wird die Entstehung, Entwicklung und Ausrichtung von Ton Steine Scherben dargelegt und nach gegenkulturellen Aspekten analysiert - im Anschluss auch die Gründe für
German Pop Music
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Author : Uwe Schütte
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2017-01-11
German Pop Music written by Uwe Schütte and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-11 with Literary Criticism categories.
The development of German pop music represents a fascinating cultural mirror to the history of post-war Germany, reflecting sociological changes and political developments. While film studies is an already established discipline, German pop music is currently emerging as a new and exciting field of academic study. This pioneering companion is the first volume to provide a comprehensive overview of the subject, charting the development of German pop music from the post-war period 'Schlager' to the present 'Diskursrock'. Written by acknowledged experts from Germany, the UK and the US, the various chapters provide overviews of pertinent genres as well as focusing on major bands such as CAN, Kraftwerk or Rammstein. While these acts have shaped the international profile of German pop music, the volume also undertakes in-depth examinations of the specific German contributions to genres such as punk, industrial, rap and techno. The survey is concluded by an interview with the leading German pop theorist Diedrich Diederichsen. The volume constitutes an indispensible companion for any student, teacher and scholar in the area of German studies interested in contemporary popular culture.
Edinburgh German Yearbook 13
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Author : Siobhán Donovan
language : en
Publisher: Boydell & Brewer
Release Date : 2022
Edinburgh German Yearbook 13 written by Siobhán Donovan and has been published by Boydell & Brewer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Germany categories.
Volume 13 deals with the interaction of music and politics, considering a broad range of genres, authors, composers, and artists in Germany since the nineteenth century. A particularly iconic image of German Reunification is that of Mstislav Rostropovich playing from J. S. Bach's cello suites in front of the Berlin Wall on November 11, 1989. Thirty years on, it is timely to reconsider the cross-fertilization of music and politics within the German-speaking context. Frequently employed as a motivational force, a propaganda tool, or even a weapon, music can imbue a sense of identity and belonging, triggering both comforting and disturbing memories. Playing a key role in the formation of Heimat and "Germanness," it serves ideological, nationalistic, and propagandistic purposes conveying political messages and swaying public opinion. This volume brings together essays by historians, literary scholars, and musicologists on topics concerning the increasing politicization of music, especially since the nineteenth century. They cover a broad spectrum of genres, musicians, and thinkers, discussing the interplay of music and politics in "classical" and popular music: from the rediscovery and repurposing of Martin Luther in nineteenth-century Germany to the exploitation of music during the Third Reich, from the performative politics of German punk and pop music to the influence of the events of 1988/89 on operatic productions in the former GDR - up to the relevance of Ernst Bloch in our contemporary post-truth society.
German Pop Music
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Author : Uwe Schütte
language : en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2017-01-11
German Pop Music written by Uwe Schütte and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-01-11 with Literary Criticism categories.
The development of German pop music represents a fascinating cultural mirror to the history of post-war Germany, reflecting sociological changes and political developments. While film studies is an already established discipline, German pop music is currently emerging as a new and exciting field of academic study. This pioneering companion is the first volume to provide a comprehensive overview of the subject, charting the development of German pop music from the post-war period 'Schlager' to the present 'Diskursrock'. Written by acknowledged experts from Germany, the UK and the US, the various chapters provide overviews of pertinent genres as well as focusing on major bands such as CAN, Kraftwerk or Rammstein. While these acts have shaped the international profile of German pop music, the volume also undertakes in-depth examinations of the specific German contributions to genres such as punk, industrial, rap and techno. The survey is concluded by an interview with the leading German pop theorist Diedrich Diederichsen. The volume constitutes an indispensible companion for any student, teacher and scholar in the area of German studies interested in contemporary popular culture.
Kraftwerk
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Author : Uwe Schütte
language : en
Publisher: Penguin UK
Release Date : 2020-02-27
Kraftwerk written by Uwe Schütte and has been published by Penguin UK this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-02-27 with Music categories.
The story of the phenomenon that is Kraftwerk, and how they revolutionised our cultural landscape 'We are not artists nor musicians. We are workers.' Ignoring nearly all rock traditions, expermenting in near-total secrecy in their Düsseldorf studio, Kraftwerk fused sound and technology, graphic design and performance, modernist Bauhaus aesthetics and Rhineland industrialisation - even human and machine - to change the course of modern music. This is the story of Kraftwerk the cultural phenomenon, who turned electronic music into avant-garde concept art and created the soundtrack to our digital age.
The Crack In The Cosmic Egg
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Author : Steve Freeman
language : en
Publisher:
Release Date : 1996
The Crack In The Cosmic Egg written by Steve Freeman and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Electronic music categories.
Kraftwerk I Was A Robot
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Author : Wolfgang Flür
language : en
Publisher: Omnibus Press
Release Date : 2017-05-15
Kraftwerk I Was A Robot written by Wolfgang Flür and has been published by Omnibus Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-05-15 with Biography & Autobiography categories.
Wolfgang Flür was vital cog in the Kraftwerk machine, galvanising the group’s electric drum sound throughout the 1970’s and propelling the rhythmic backbone of iconic albums such as Autobahn and Electric Café. I Was A Robot is a detailed, evocative account, written in Flür’s no-nonsense style. It takes us from his youth into the band’s formation and touring of their influential works, laying bare the acrimonious break-up and court cases that later followed. This book is the final word on Kraftwerk, their continued influence and what it felt like to be a Man-Machine. ”This is a first-hand account of human life inside the robot factory. A world that I could barely have imagined as a 16-year-old Kraftwerk fan stranded in a suburb on the wrong side of the river from Liverpool. A window into a world that I could never have imagined.” Andy McCluskey, OMD ”Kraftwerk is a myth. Wolfgang is for real. Thus handsome elder statesman of Electronic Music gives a lot of useful inside information about the Men-Machines.” Rudi Esch, ELECRI_CITY
Kraftwerk Publikation
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Author : David Buckley
language : en
Publisher: Omnibus Press
Release Date : 2015-06-13
Kraftwerk Publikation written by David Buckley and has been published by Omnibus Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-06-13 with Music categories.
Updated to include details of the group's recent concerts under the direction of Ralf Hutter. David Buckley examines the cult enigma that is Kraftwerk, including their beginnings in the avant-garde musical terrain of late-Sixties Germany and their Anglo-American breakthrough with Autobahn in 1975, as well as their astonishingly prescient work, which drew the musical template for techno, ambient, dance and all manner of electronic pop.Includes an interview with former member Wolfgang Flur.The inner workings of this most secretive of bands are revealed through interviews with friends and close associates, whilst the story of their incredible impact on modern music is traced up to the present day using interviews with a host of musicians, from original electro pioneers such as Gary Numan, the Human League, OMD and John Foxx, to contemporary acts still in awe of the original Man Machines.
Krautrock
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Author : Nikolaos Kotsopoulos
language : en
Publisher: Black Dog Pub Limited
Release Date : 2009
Krautrock written by Nikolaos Kotsopoulos and has been published by Black Dog Pub Limited this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Music categories.
Krautrock: Cosmic Rock and its Legacy charts the history of this influential music genre, from its roots in free jazz, psychedelia and the music of Karlheinz Stockhausen, to the groundbreaking experiments of Faust, Kraftwerk and Can. The late 1960s in West Germany was a period of profound breakthroughs, upheavals and reversals. Out of this climate, a music scene exploded that would forever change the face of western rock; at times anarchic, at others mystical, magickal, or utopian, it pushed rock beyond any known limits. Illustrated with concert photos, posters, record cover art and other rare visual material, and also including essays by Michel Faber, Erik Davis, David Stubbs, Ken Hollings and testimonials from Gavin Russom (Delia and Gavin/Black Meteoric Star), Plastic Crimewave, Stephen Thrower (Coil/Cyclobe), and Ann Shenton (Add N to (X)) this is an essential compendium to a music whose spirit and ideas still vibrate through contemporary culture today.