Digital Cinema In The Philippines 1999 2009
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Digital Cinema In The Philippines 1999 2009
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Author : Eloisa May P. Hernandez
language : en
Publisher:
Release Date : 2014
Digital Cinema In The Philippines 1999 2009 written by Eloisa May P. Hernandez and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Digital cinematography categories.
Digital Cinema In The Philippines 1999 2009
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Author : Eloisa May P. Hernandez
language : en
Publisher:
Release Date : 2014
Digital Cinema In The Philippines 1999 2009 written by Eloisa May P. Hernandez and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014 with Communication categories.
Philippine Cinema And The Cultural Economy Of Distribution
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Author : Michael Kho Lim
language : en
Publisher: Springer
Release Date : 2018-12-18
Philippine Cinema And The Cultural Economy Of Distribution written by Michael Kho Lim and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-12-18 with Performing Arts categories.
This book explores the complex interplay of culture and economics in the context of Philippine cinema. It delves into the tension, interaction, and shifting movements between mainstream and independent filmmaking, examines the film distribution and exhibition systems, and investigates how existing business practices affect the sustainability of the independent sector. This book addresses the lack or absence of Asian representation in film distribution literature by supplying the much-needed Asian context and case study. It also advances the discourse of film distribution economy by expounding on the formal and semi-formal film distribution practices in a developing Asian country like the Philippines, where the thriving piracy culture is considered as ‘normal,’ and which is commonly depicted and discussed in existing literature. As such, this will be the first book that looks into the specifics of the Philippine film distribution and exhibition system and provides a historical grounding of its practices.
The Global Auteur
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Author : Seung-hoon Jeong
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2016-06-16
The Global Auteur written by Seung-hoon Jeong and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-06-16 with Performing Arts categories.
Once heralded and defined by the likes of François Truffaut and Andrew Sarris as a romantic figure of aesthetic individualism, the auteur is reinvestigated here through a novel approach. Bringing established as well as emergent figures of world art cinema to the fore, The Global Auteur shows how politics and philosophy are present in the works of these important filmmakers. They can be still seen leading a fight that their glorious predecessors seemed to have abandoned in the face of global capitalism and the market economy. Yet, as the contributors show, a new world calls for a new cinema, and thus for new auteurs. Covering a range of global auteurs such as Lars von Trier, Lav Diaz, Lee Chang-dong and Abderrahmane Sissako, The Global Auteur provides a much-needed reassessment of the film auteur for the global age.
Divide By Two
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Author : Luis V. Teodoro
language : en
Publisher:
Release Date : 2016
Divide By Two written by Luis V. Teodoro and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Journalism categories.
The Archival Afterlives Of Philippine Cinema
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Author : Bliss Cua Lim
language : en
Publisher: Duke University Press
Release Date : 2024-01-05
The Archival Afterlives Of Philippine Cinema written by Bliss Cua Lim and has been published by Duke University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-01-05 with Performing Arts categories.
Drawing on cultural policy, queer and feminist theory, materialist media studies, and postcolonial historiography, Bliss Cua Lim analyzes the crisis-ridden history of Philippine film archiving—a history of lost films, limited access, and collapsed archives. Rather than denigrate underfunded Philippine audiovisual archives in contrast to institutions in the global North, The Archival Afterlives of Philippine Cinema shows how archival practices of making do can inspire alternative theoretical and historical approaches to cinema. Lim examines formal state and corporate archives, analyzing restorations of the last nitrate film and a star-studded lesbian classic as well as archiving under the Marcos dictatorship. She also foregrounds informal archival efforts: a cinephilic video store specializing in vintage Tagalog classics; a microcuratorial initiative for experimental films; and guerilla screenings for rural Visayan audiences. Throughout, Lim centers the improvisational creativity of audiovisual archivists, collectors, advocates, and amateurs who embrace imperfect access in the face of inhospitable conditions.
Press Freedom Under Siege
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Author : Ma. Ceres P. Doyo
language : en
Publisher:
Release Date : 2019
Press Freedom Under Siege written by Ma. Ceres P. Doyo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with Censorship categories.
Quando Le Onde Se Ne Vanno
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Author : Lav Diaz
language : it
Publisher: Il Saggiatore
Release Date : 2024-03-08
Quando Le Onde Se Ne Vanno written by Lav Diaz and has been published by Il Saggiatore this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-03-08 with Performing Arts categories.
C’è un regista che è da anni oggetto di un culto sotterraneo: i suoi estimatori si nascondono ovunque, come i custodi di una liturgia segreta. Nonostante abbia vinto il festival di Locarno e il Leone d’oro a Venezia, le sue opere, a causa del loro chilometrico minutaggio, vengono proiettate in poche sale; questo però non scoraggia i suoi amanti, che le cercano ossessivamente, come ap puntamenti con qualcosa di più vasto della loro stessa esperienza. È un cineasta filippino, si chiama Lav Diaz e con i suoi film è riuscito a raccontare il tempo che si fa materia. Il suo cinema è considerato una forma di me ditazione: uno spazio in cui il tempo della realtà e il tempo del racconto coincidono, saldandosi per l’intera durata di ogni fotogramma. Così, in uno dei suoi film più emblematici, Evolution of a Filipino Family, la sequenza in cui un personaggio muore dissanguato in una Manila deserta dura 21 minuti; l’intero film, 654 minuti. From What is Before ne dura 338. A Tale of Filipino Violence, invece, 416. Tempo, rappresentazione, realtà: quella di Lav Diaz è una sorta di trasformazione alchemica di questi tre elementi. Un uomo muore per finta e chi lo guarda sullo schermo si trova a soffrire veramente, senza più filtri a separare i due eventi. Il dolore del singolo si trasforma nel dolore del popolo filippino e così in quello dell’umanità intera. Quando le onde se ne vanno è una bussola per orientarsi nello sconfinato atlante della filmografia di Lav Diaz: otto interviste nell’arco di undici anni che mettono in fila le sue opere e il suo pensiero attorno ad arte e storia, nouvelle vague e tradizione asiatica, i traumi di una collettività e la violenza dell’esistere. Un invito a immergersi nell’immaginario di questo maestro contemporaneo, capace di un interpretare come nessun altro le contraddizioni che agitano la nostra anima e la nostra epoca.
A Dictionary Of Film Studies
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Author : Annette Kuhn
language : en
Publisher: OUP Oxford
Release Date : 2012-06-21
A Dictionary Of Film Studies written by Annette Kuhn and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06-21 with Performing Arts categories.
Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.
Malaysian Cinema In The New Millennium
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Author : Adrian Yuen Beng Lee
language : en
Publisher: Hong Kong University Press
Release Date : 2022-11-07
Malaysian Cinema In The New Millennium written by Adrian Yuen Beng Lee and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-11-07 with History categories.
Malaysian Cinema in the New Millennium offers a new approach to the study of multiculturalism in cinema by analysing how a new wave of filmmakers champion cultural diversity using cosmopolitan themes. Adrian Lee offers a new inquiry of Malaysian cinema that examines how the ‘Malaysian Digital Indies’ (MDI) have in recent years repositioned Malaysian cinema within the global arena. The book shines a new light on how politics and socioeconomics have influenced new forms and genres of the post-2000s generation of filmmakers, and provides a clear picture of the interactions between commercial cinema and politics and socioeconomics in the first two decades of the new millennium. It also assesses how the MDI movement was successful in creating a transnational cinema by displacing and deterritorialising itself from the context of the national, and illustrates how MDI functions as a site for questioning and proposing a new national identity in the era of advanced global capitalism and new Islamisation. Covering all these interrelated topics, Lee’s book is a pioneering and comprehensive work in the study of Malaysian cinema in the recent decades. ‘Lee is well versed in theories of transnational and postcolonial studies and provides detailed and knowledgeable information about this period of filmmaking in Malaysia. I believe this book will make a valuable contribution to the studies of film in Southeast Asia.’ —Olivia Khoo, Monash University, Australia ‘The author comprehensively discusses the rise of Malaysian Digital Indies (MDI) in post-2000 Malaysia, the revival of form and aesthetics in comparison to mainstream films, the MDI’s emergence in the Malaysian context, and finally the MDI’s incorporation into the mainstream films.’ —Nunna Prasad, Abu Dhabi University, United Arab Emirates