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Digitales Filmemachen


Digitales Filmemachen
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Digitales Filmemachen


Digitales Filmemachen
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Author : Dale Newton
language : de
Publisher:
Release Date : 2007

Digitales Filmemachen written by Dale Newton and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Film - Digitale Videotechnik categories.




Digital Film Making Revised Edition


Digital Film Making Revised Edition
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Author : Mike Figgis
language : en
Publisher: Faber & Faber
Release Date : 2014-02-04

Digital Film Making Revised Edition written by Mike Figgis and has been published by Faber & Faber this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-02-04 with Computers categories.


In this indispensable guide to digital film-making, leading film-maker Mike Figgis offers the reader a step-by-step tutorial in how to use digital technology so as to get the best from it. Mike Figgis, with experience from films such as Miss Julie and Leaving Las Vegas - for which he received two Oscar nominations - is an authoritative and insightful guide through the details of film-making. He outlines the equipment and its uses, and provides an authoritative guide to the shooting process - from working with actors to lighting, framing, and camera movement. He further dispenses wisdom on the editing process and the use of sound and music, all the while establishing a sound aesthetic basis for the digital format. This handbook is essential whether your goal is to make no-budget movies, or simply to put your video camera to more use than just holidays and weddings.



Das Digitale Kino


Das Digitale Kino
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Author : Marille Hahne
language : de
Publisher:
Release Date : 2005-01

Das Digitale Kino written by Marille Hahne and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005-01 with categories.


Die Revolution in der Filmproduktion Das Buch stellt gestalterische und technische Probleme und Möglich-keiten der digitalen Filmproduktion im dar. Im Rahmen des Forschungsprojektes "Digitales Kino" an der Hochschule für Gestaltung und Kunst Zürich wurde zusammen mit den Industriepartnern Swiss Effects, Zürich, und Sony Overseas SA erstmalig in der Schweiz ein Kinolangspielfilm auf HD-Format gedreht, der Film Little Girl Blue (Regie: Anna Luif). Der Film wurde digital postproduziert und zusätzlich für die Kinoprojektion ausbelichtet. Einige der wichtigsten im Projekt gewonnen gestalterischen und technischen Erkenntnisse im Hinblick auf das Filmen in High Definition wie auch Anwendungen in einem professionellen digitalen Filmlabor werden in diesem Buch ausführlich vorgestellt. Darüber hinaus geben recherchierte HD-Links FilmemacherInnen aktuelle Informationen für die praktische Arbeit.



Digital Filmmaking


Digital Filmmaking
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Author : Thomas Ohanian
language : en
Publisher: Taylor & Francis
Release Date : 2013-04-03

Digital Filmmaking written by Thomas Ohanian and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-03 with Performing Arts categories.


Digital Filmmaking has been called the bible for professional filmmakers in the digital age. It details all of the procedural, creative, and technical aspects of pre-production, production, and post-production within a digital filmmaking environment. It examines the new digital methods and techniques that are redefining the filmmaking process, and how the evolution into digital filmmaking can be used to achieve greater creative flexibility as well as cost and time savings. The second edition includes updates and new information, including four new chapters that examine key topics like digital television and high definition television,making films using digital video, 24 P and universal mastering, and digital film projection. Digital Filmmaking provides a clear overview of the traditional filmmaking process, then goes on to illuminate the ways in which new methods can accomplish old tasks. It explains vital concepts, including digitization, compression, digital compositing, nonlinear editing, and on-set digital production and relates traditional film production and editing processes to those of digital techniques. Various filmmakers discuss their use of digital techniques to enhance the creative process in the "Industry Viewpoints" sections in each chapter .



Digital Intermediates For Film And Video


Digital Intermediates For Film And Video
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Author : Jack James
language : en
Publisher: Taylor & Francis
Release Date : 2012-08-06

Digital Intermediates For Film And Video written by Jack James and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-06 with Performing Arts categories.


The Digital Intermediate process (DI), or conversion of film to digital bits and then back to film again, has great potential to revolutionize the postproduction process. The skill set to photochemically process a movie and pop it into a canister for the postal service to send around to all of the movie houses and the skill set to digitally master and create a file that is distributed globally via the Internet and satellites are completely different. One of these entirely new processes is that of the digital intermediate. The DI has tremendous advantages, ranging from improved quality (first "print" is as good as the last) to cost savings (no re-mastering) to digital distribution (bits and bytes: no film in canisters). The DI influences everything from on set production to the delivery of content to consumers and everything in between. Digital Intermediates for Film and Video teaches the fundamental concepts and workflow of the digital intermediate process. Covers basics of film first, and then introduces the digital world--including a tutorial on digital images, asset management, online editing, color correction, restoration, film and video output, mastering and quality control. Jack's clear and easy-to-follow explainiation of Hollywood buzz words and components facilitates the spill over to anyone who has a vested interest in the quality and cost of the movie.



Digital Storytelling


Digital Storytelling
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Author : Shilo T. McClean
language : en
Publisher: MIT Press
Release Date : 2008-09-26

Digital Storytelling written by Shilo T. McClean and has been published by MIT Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-09-26 with Performing Arts categories.


How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and students. Computer-generated effects are often blamed for bad Hollywood movies. Yet when a critic complains that "technology swamps storytelling" (in a review of Van Helsing, calling it "an example of everything that is wrong with Hollywood computer-generated effects movies"), it says more about the weakness of the story than the strength of the technology. In Digital Storytelling, Shilo McClean shows how digital visual effects can be a tool of storytelling in film, adding narrative power as do sound, color, and "experimental" camera angles—other innovative film technologies that were once criticized for being distractions from the story. It is time, she says, to rethink the function of digital visual effects. Effects artists say—contrary to the critics—that effects always derive from story. Digital effects are a part of production, not post-production; they are becoming part of the story development process. Digital Storytelling is grounded in filmmaking, the scriptwriting process in particular. McClean considers crucial questions about digital visual effects—whether they undermine classical storytelling structure, if they always call attention to themselves, whether their use is limited to certain genres—and looks at contemporary films (including a chapter-long analysis of Steven Spielberg's use of computer-generated effects) and contemporary film theory to find the answers. McClean argues that to consider digital visual effects as simply contributing the "wow" factor underestimates them. They are, she writes, the legitimate inheritors of film storycraft.



Complete Guide To Film And Digital Production


Complete Guide To Film And Digital Production
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Author : Lorene Wales
language : en
Publisher: CRC Press
Release Date : 2015-07-14

Complete Guide To Film And Digital Production written by Lorene Wales and has been published by CRC Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-14 with Art categories.


Now available in an updated, 2nd edition, The Complete Guide to Film and Digital Production: The People and The Process, 2/e,discusses the entire production process for film and digital media, and provides you with a comprehensive view of production in the field, at live events, for mobile content and for animation. This book covers all aspects of the production process and readers learn the nuts and bolts of film and digital production from pre-production through delivery. This edition will make your production experience more marketable to an ever-expanding and converging industry.



Process Cinema


Process Cinema
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Author : Scott MacKenzie
language : en
Publisher: McGill-Queen's Press - MQUP
Release Date : 2019-07-11

Process Cinema written by Scott MacKenzie and has been published by McGill-Queen's Press - MQUP this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-07-11 with Performing Arts categories.


Handmade films stretch back to cinema's beginnings, yet until now their rich history has been neglected. Process Cinema is the first book to trace the development of handmade and hand-processed film in its historical and contemporary contexts, and from a global perspective. Mapping the genealogy of handmade film, and uncovering confluences, influences, and interstices between various international movements, sites, and practices, Process Cinema positions the resurgence of handmade and process cinema as a counter-practice to the rise of digital filmmaking. This volume brings together a range of renowned academics and artists to examine contemporary artisanal films, DIY labs, and filmmakers typically left out of the avant-garde canon, addressing the convergence between the analog and the digital in contemporary process cinema. Contributors investigate the history of process cinema – unscripted, improvisatory manipulation of the physicality of film – with chapters on pioneering filmmakers such as Len Lye and Marie Menken, while others discuss an international array of collectives devoted to processing films in artist-run labs from South Korea to Finland, Australia to Austria, and Greenland to Morocco, along with historical and contemporary practices in Canada and the United States. Addressing the turn to a new, sustainable creative ecology that is central to handmade films in the twenty-first century, and that defines today's reinvigorated film cultures, Process Cinema features some of the most beautiful handcrafted films and the most forward-thinking filmmakers within a global context.



Editing Digital Film


Editing Digital Film
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Author : Jaime Fowler
language : en
Publisher: Taylor & Francis
Release Date : 2012-11-12

Editing Digital Film written by Jaime Fowler and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-11-12 with Performing Arts categories.


At long last, film and video editors are using the same systems to edit their projects, and Editing Digital Film is the guide to show them how to do it. This concise reference provides video and film editors familiar with the Avid, Media 100, and Final Cut Pro systems with crucial information they will need to edit on all three of these systems. In addition to showing film editors and directors working on DV projects how to edit for this new format, this text also clarifies the NLE process to those familiar with traditional film editing. With its focus on the essentials of integrating nonlinear editing with film, Editing Digital Film is an excellent resource for video editors wishing to edit films, and for film editors wishing to learn how films are integrated into nonlinear systems. With coverage the film cutting process, post production methods, telecine, matchback editing, HDTV, 24P, cutting DV, and all necessary tools to get the job done, this is the perfect guide for those interested in editing digital film.



Between Film Video And The Digital


Between Film Video And The Digital
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Author : Jihoon Kim
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2016-07-14

Between Film Video And The Digital written by Jihoon Kim and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-07-14 with Art categories.


Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving images as an array of impure images shaped by the encounters and negotiations between different media, while also using it to explore various theoretical issues, such as stillness and movement, indexicality, abstraction, materiality, afterlives of the celluloid cinema, archive, memory, apparatus, and the concept of medium as such. Grounding its study in interdisciplinary framework of film studies, media studies, and contemporary art criticism, Between Film, Video, and the Digital offers a fresh insight on the post-media conditions of film and video under the pervasive influences of digital technologies, as well as on the crucial roles of media hybridity in the creative processes of giving birth to the emerging forms of the moving image. Incorporating in-depth readings of recent works by more than thirty artists and filmmakers, including Jim Campbell, Bill Viola, Sam Taylor-Johnson, David Claerbout, Fiona Tan, Takeshi Murata, Jennifer West, Ken Jacobs, Christoph Girardet and Matthias Müller, Hito Steyerl, Lynne Sachs, Harun Farocki, Doug Aitken, Douglas Gordon, Stan Douglas, Candice Breitz, among others, the book is the essential scholarly monograph for understanding how digital technologies simultaneously depend on and differ film previous time-based media, and how this juncture of similarities and differences signals a new regime of the art of the moving image.