Documenta 11 Set
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Documenta 11 Set
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Author : Hatje Cantz Verlag GmbH & Co KG
language : en
Publisher:
Release Date : 2003-06
Documenta 11 Set written by Hatje Cantz Verlag GmbH & Co KG and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003-06 with categories.
Documenta 11 Platform 5 Exhibition
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Author : Documenta (11, 2002, Kassel)
language : de
Publisher:
Release Date : 2002
Documenta 11 Platform 5 Exhibition written by Documenta (11, 2002, Kassel) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with categories.
Documenta 11 As Examplar For Transcultural Curating
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Author : Leone Anette Van Niekerk
language : en
Publisher:
Release Date : 2005
Documenta 11 As Examplar For Transcultural Curating written by Leone Anette Van Niekerk and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with categories.
This study investigates to what extent the curatorial project of Documenta 11 offered an operative cultural concept beyond multiculturality by favouring a transcultural approach to difference in the global sphere. It questions whether the central strategy employed of postcoloniality as tactical manoeuvre to expand both the public and aesthetic spheres in order to create the conditions for an ethical engagement with difference could facilitate a workable exemplar for showing art from different production sites, yet resist levelling of differences for an ever-expanding global art market. Proceeding from the postcolonial institutional critique envisioned by the artistic director, Okwui Enwezor, this study engages critically with the notion of opening-out Documenta in terms of inclusivity and equality of representation. It is argued that while the proposed postcolonial reinvigoration of overlapping public spheres held the promise of heterogeneous participation and minimised the formation of hegemonies, the expansion-project of Documenta 11 could on another level be interpreted to function as a globalising instrument usurping previously unexplored territories and discover marketable others' for a neocolonial cultural marketplace. Documenta 11 set out to subvert the expansionism of a global art market by constructing the global as postcolonial space in which proximity became the ethical space of engagement. It is the contention of this study that by emphasising the production of locality, the five Platforms localised the global discourse and expressly addressed how inclusivity and pluralism could be approached against the disparities created by globalisation processes. Historically, for artists from the South denial of proximity and coevalness based on colonial conceptions of space and time had meant exclusion from the canon and, where modernist notions persist, being labelled as deficient. In order to breach gaps, de-hegemonise cultural coding and aid transcultural translation, Documenta 11 located its project in its entirety in Homi K. Bhabha's in-between space, in the gap, as it were. This orientation towards the gap is examined in terms of homelessness, displacement and nomadic subjectivity that impact the archiving logic of Documenta to become anarchival: memory production turned into counter-memory and the work of remembrance was shaped as counter-memorials. Criticised for a skewed commitment to social engagement, rather than aesthetics, the exhibition of Documenta 11 was nonetheless informed by a threshold aesthetic. Different kinds of oppositionality employed by artists, and adversarial approaches reinvigorated by Situationist and Third Cinema strategies put forward by the curators, are evaluated in this regard. An agonistic positioning is explored as, firstly, a counter-localisation to multiculturalism in a transcultural exhibition and, secondly, to resist assimilation and co-optation. It is argued that the embrace of the threshold, of thirdness and littoral curating by Documenta 11 could be considered an exemplar of a global trickster positioning aiming for an expansion of critical visual strategies. The contention of this study is that, having set out to grapple with the construction of multiple public spheres and the space of the transnational exhibition as a creole location, this Documenta at the very least opened up discursive spaces that could expand artistic discourses. At best, Documenta 11 uncovered routes by which difference in the transcultural field could be (re)negotiated.
Documenta 11 Platform 5
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Author :
language : en
Publisher:
Release Date : 2002
Documenta 11 Platform 5 written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with categories.
The Next Documenta Should Be Curated By An Artist
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Author : Jens Hoffmann
language : en
Publisher: Spotlight Poets
Release Date : 2004
The Next Documenta Should Be Curated By An Artist written by Jens Hoffmann and has been published by Spotlight Poets this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Art categories.
Caribs Leap
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Author : Steve McQueen
language : en
Publisher:
Release Date : 2002
Caribs Leap written by Steve McQueen and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Documentary films categories.
Bandung Global History And International Law
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Author : Luis Eslava
language : en
Publisher: Cambridge University Press
Release Date : 2017-11-30
Bandung Global History And International Law written by Luis Eslava and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-11-30 with Law categories.
"In 1955 a conference was held in Bandung, Indonesia that was attended by representatives from twenty-nine developing nations. Against the backdrop of crumbling European colonies, Asian and African leaders forged a new alliance and established anti-imperial principles for a new world order. The conference captured the popular imagination across the Global South. Bandung's larger significance as counterpoint to the dominant world order was both an act of collective imagination and a practical political project for decolonization that inspired a range of social movements, diplomatic efforts, institutional experiments and heterodox visions of the history and future of the world. This book explores what the spirit of Bandung has meant to people across the world over the past decades and what it means today. Experts from a wide range of fields show how, despite the complicated legacy of the conference, international law was never the same after Bandung"--
Documenta 11 Platform 5
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Author : Christian Rattemeyer
language : en
Publisher:
Release Date : 2002
Documenta 11 Platform 5 written by Christian Rattemeyer and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with categories.
Making Art Global
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Author : Rachel Weiss
language : en
Publisher:
Release Date : 2011
Making Art Global written by Rachel Weiss and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Art and globalization categories.
"The third edition of the Bienal de La Habana, which took place in 1989, extended the global territory of contemporary art and redegined the biennial model. This book examines the project in its historical and international contexts ... Making art global (part 2) will focus on the Paris exhibition 'Magiciens de la Terre' of 1989."--P. [4] of cover.
Peripheral Insider
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Author : Khaled D. Ramadan
language : en
Publisher: Museum Tusculanum Press
Release Date : 2007
Peripheral Insider written by Khaled D. Ramadan and has been published by Museum Tusculanum Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.
With increased mobility and transnational interaction worldwide, internationalism in contemporary visual art is no longer exclusively a western issue. Contemporary visual art includes works by expatriate artists who have settled in the west, as well as artists outside the west reflecting on everyday events in a globalized world. Peripheral Insider examines the conditions of expatriate artists from various angles: the historical and colonial roots of the issue, positions among theorists dealing with expatriate artists in the west, the role of established art institutions, and examples of recent developments in the field. Peripheral Insider argues that expatriate art or internationalism in visual art is a phenomenon with a specific history, closely related to colonial and post-colonial experiences. The contributors elucidate the book's main theme on various theoretical levels and set forth their analyses of a number of issues relevant to new interpretations of "the post-colonial agenda."