El Cine En Chile 2005 2015
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El Cine En Chile 2005 2015
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Author : Vania Barraza
language : es
Publisher: Cuarto Propio
Release Date :
El Cine En Chile 2005 2015 written by Vania Barraza and has been published by Cuarto Propio this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
En los años ochenta, el crítico y teórico marxista Fredric Jameson afirmaba que tanto el cine como la literatura del "Tercer Mundo" eran, necesariamente, alegóricos. Estas producciones estéticas eran, para Jameson, alegorías nacionales en las que la historia del destino privado e individual daba cuenta siempre de un conflicto colectivo a nivel social o cultural. El cine en Chile (2005 - 2015). Políticas y poéticas del nuevo siglo, de Vania Barraza, parte de esa premisma para cartografiar la producción cinematográfica y crítica chilena a partir del 2005, siguiendo los encendidos debates sobre el Novísimo cine chileno y su (im)politicidad, Barraza analiza un amplio corpus de películas para evidenciar el alcance político de un cine marcadamente introspectivo, en el que todavía se púeden identificar las marcas de la dictadura, principalmente a partir del desmantelamiento de lo colectivo producido por la imposición del modelo económico neoliberal. Según Barraza, el pasado histórico reaparece en estas películas de un modo espectral, como algo no resuelto; de allí que gran parte de las producciones fílmicas del período estén teñidas por el duelo, la melancolía y el uso persistente del fuera de campo. Por ello, el paso del autoritarismo al estado neoliberal tiene una lectura marcadamente psicoanalítica, que no deja fuera las conexiones con lo político y que se habre a la percepción del espacio y las construcciones genéricas, especialmente a partir del sujeto femenino. El análisis de las producciones cinematográficas más recientes apunta a un borramiento de los límites entre la ficción y el documental, y en ese sentido, da cuenta del surgimiento de lo que podríamos llamar un "nuevo realismo" en el cine chileno contemporáneo. Valeria de los Ríos.
El Cine En Chile 2005 2015
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Author : Vania Barraza Toledo
language : es
Publisher:
Release Date : 2018
El Cine En Chile 2005 2015 written by Vania Barraza Toledo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with Motion pictures categories.
Chilean Cinema In The Twenty First Century World
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Author : Carl Fischer
language : en
Publisher: Wayne State University Press
Release Date : 2020-10-20
Chilean Cinema In The Twenty First Century World written by Carl Fischer and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-10-20 with Performing Arts categories.
Intended for scholars, students, and researchers of film and Latin American studies, Chilean Cinema in the Twenty-First-Century World evaluates an active and emergent film movement that has yet to receive sufficient attention in global cinema studies.
A Porous Cinema Cosmopolitanism And Cinephilia In Chilean Art Film 2005 2015
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Author : Ezekiel Edward Trautenberg
language : en
Publisher:
Release Date : 2018
A Porous Cinema Cosmopolitanism And Cinephilia In Chilean Art Film 2005 2015 written by Ezekiel Edward Trautenberg and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018 with categories.
Between 2005 and 2015, a distinctly cosmopolitan form of art cinema flourished in Chile. Alberto Fuguet, Pablo Larrai n, Alicia Scherson, and Sebastii n Silva, who released their first feature-length films between 2005 and 2007, are markedly cosmopolitan filmmakers who exemplify this strain of cinema. Four films by these filmmakers--Fuguet's Se arrienda (2005), Larrai n's Tony Manero (2008), Scherson's Il Futuro (2013), and Silva's Nasty Baby (2015)--are emblematic of the cosmopolitan and porous qualities of early-21st-century Chilean art cinema. The defining features of these four films are the cosmopolitan profiles of their filmmakers; their creators' use of transnational strategies of production, distribution, and exhibition; their circulation at film festivals; their affiliation with the genre of art cinema; and their depiction of cinephilia and filmmaking as quintessentially cosmopolitan practices. The release of these Chilean productions and co-productions coincides with the beginning of the post-Transition to Democracy period as well as the expansion and maturation of the country's film industry. From 2005 through 2015, the number of new Chilean productions and co-productions released in local theaters increased significantly over the preceding Transition to Democracy period (1988-2005). Many of these films were exhibited at some of the world's most prestigious film festivals, including Berlin, Cannes, and Venice. This decade-long series of success at film festivals culminated at the 2015 Berlin International Film Festival, where Larrai n's El club and Silva's Nasty Baby won the Silver Bear Grand Jury Prize and Teddy Award, respectively. Notwithstanding its accumulation of awards and prestige at film festivals, contemporary Chilean art cinema has received limited attention from scholars, especially outside of Chile. This dissertation contributes to the conversation about Chile's art cinema and film industry in the early-21st century. This dissertation is divided into two parts. In the first two chapters, I focus on the structural factors shaping the development of this cinema between 2005 and 2015. In the first chapter, I analyze Chile's film industry with a focus on production output, audiences, legislation, and organizations involved in the production, distribution, and exhibition of Chilean cinema. In the second chapter, I examine film festivals' multifaceted roles as exhibitors, curators, producers, and distributors of Chilean art film. The second half of the dissertation, chapters three through six, offers close analyses of Se arrienda, Tony Manero, Il Futuro, and Nasty Baby and their representation of cosmopolitanism through the interrelated practices of cinephilia and filmmaking.
Remaking Home
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Author : Paul R. Merchant
language : en
Publisher: University of Pittsburgh Press
Release Date : 2022-01-11
Remaking Home written by Paul R. Merchant and has been published by University of Pittsburgh Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-01-11 with Performing Arts categories.
Houses, in the Argentine and Chilean films of the early twenty-first century, provide much more than a backdrop to on-screen drama. Nor are they simply refuges from political turmoil or spaces of oppression. Remaking Home argues that domestic spaces are instead the medium through which new, fragile common identities are constructed. The varied documentary and fiction films analyzed here, which include an early work by Oscar winner Sebastián Lelio, use the domestic sphere as a laboratory in which to experiment with narrative, audiovisual techniques, and social configurations. Where previous scholarship has focused on the social fragmentation and political disillusionment visible in contemporary film, Remaking Home argues that in order to understand the political agency of contemporary cinema, it is necessary to move beyond deconstructive critical approaches to Latin American culture. In doing so, it expands the theoretical scope of studies in Latin American cinema by finding new points of contact between the cultural critique of Nelly Richard, the work of Bruno Latour, and theories of new materialism.
Young People In Complex And Unequal Societies
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Author :
language : en
Publisher: BRILL
Release Date : 2022-05-02
Young People In Complex And Unequal Societies written by and has been published by BRILL this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-05-02 with Business & Economics categories.
Youth studies in Latin America and Spain face numerous challenges. This book delves into youth experiences in the 21st century, shaped by complex and pressing issues: the surge of youth cultures and groups, visual images of youth throughout time, and fragmented youth experiences in radically unequal societies. It analyzes young people as precarious natives in global capitalism and labor uncertainty, juvenicide, feminist discourse, social networks, intimacy and sexual affection among young people in a context of growing claims of gender equality. Also included are rural and indigenous youth as political actors, the actions of young political activists within government administrations, the experience of youth migration and empowerment, and young people dealing with the digital world. How have youth studies approached these issues in Latin America and Spain? Which were the main developments and transformations in this research field over the past years? Where is it heading? Contributors are: Jorge Benedicto, Maritza Urteaga, Dolores Rocca, José Antonio Pérez Islas, Juan Carlos Revilla, Mariano Urraco, Almudena Moreno, Óscar Aguilera, Marcela Saá, Rafael Merino, Ana Miranda, Carles Feixa, Gonzalo Saraví, Antonio Santos-Ortega, David Muñoz-Rodríguez, Arantxa Grau-Muñoz, José Manuel Valenzuela, Silvia Elizalde, Mónica Figueras, Mittzy Arciniega, Nele Hansen, Tanja Strecker, Elisa G. de Castro, Melina Vázquez, René Unda, Daniel Llanos, Sonia Páez de la Torre, Pere Soler, Daniel Calderón, and Stribor Kuric.
Human Rights And Transitional Justice In Chile
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Author : Hugo Rojas
language : en
Publisher: Springer Nature
Release Date : 2021-10-25
Human Rights And Transitional Justice In Chile written by Hugo Rojas and has been published by Springer Nature this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-10-25 with Law categories.
This book offers a synthesis of the main achievements and pending challenges during the thirty years of transitional justice in Chile after Augusto Pinochet’s dictatorship. The Chilean experience provides useful comparative perspectives for researchers, students and human rights activists engaged in transitional justice processes around the world. The first chapter explains the theoretical foundations of human rights and transitional justice. The second chapter discusses the main historical milestones in Chile’s recent history which have defined the course of the process of transitional justice. The following chapters provide an overview of the key elements of transitional justice in Chile: truth, reparations, memory, justice, and guarantees of non-repetition.
Rethinking Testimonial Cinema In Postdictatorship Argentina
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Author : Verónica Garibotto
language : en
Publisher: Indiana University Press
Release Date : 2019-01-07
Rethinking Testimonial Cinema In Postdictatorship Argentina written by Verónica Garibotto and has been published by Indiana University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-07 with History categories.
For roughly two decades after the collapse of the military regime in 1983, testimonial narrative was viewed and received as a privileged genre in Argentina. Today, however, academics and public intellectuals are experiencing "memory fatigue," a backlash against the concepts of memory and trauma, just as memory and testimonial films have reached the center of Argentinian public discourse. In Rethinking Testimonial Cinema in Postdictatorship Argentina, Verónica Garibotto looks at the causes for this reticence and argues that, rather than discarding memory texts for their repetitive excess, it is necessary to acknowledge them and their exhaustion as discourses of the present. By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony, and the ideological uses of documentary and fiction. She argues that recurrent concepts—such as trauma, mourning, memory, and subalternity—miss how testimonial films have changed over time, shifting from subaltern narratives to official, hegemonic, and iconic accounts. Her work highlights the urgent need to continue to study these types of narratives, particularly at a time when military dictatorships have become entrenched in Latin America and memory narratives proliferate worldwide. Although Argentina is Garibotto's focus, her theory can be adapted to other contexts in which narratives about recent political conflicts have shifted from alternative versions of history to official, hegemonic accounts—such as in Spanish, Chilean, Uruguayan, Brazilian, South African, and Holocaust testimonies. Garibotto's study of testimonial cinema moves us to pursue a broader ideological analysis of the links between film and historical representation.
Children On The Threshold In Contemporary Latin American Cinema
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Author : Rachel Randall
language : en
Publisher: Lexington Books
Release Date : 2017-10-10
Children On The Threshold In Contemporary Latin American Cinema written by Rachel Randall and has been published by Lexington Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-10-10 with History categories.
This book contends that child characters have taken on a critical representational role within Latin American cinema because of their position on the threshold between “nature” and “culture,” which converts them into a focus of, and a limit to, state or colonial biopower.
Invisibilities Of Political Torture
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Author : Berenike Jung
language : en
Publisher: Edinburgh University Press
Release Date : 2020-07-06
Invisibilities Of Political Torture written by Berenike Jung and has been published by Edinburgh University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-07-06 with Electronic books categories.
Examines the ways in which moving images can help us better understand factual political tortureExamines role of images and film in (mis)understanding of tortureOffers synergised knowledge through comparative angle, exploring differences and continuities of torture cases which were documented to vastly different extentsIncludes key popular movies, independent films as well as serial televisionCombines serious film analysis with ethical-political questions and historically and theoretically informed researchExpands on the latest developments of comparative media scholarship, and integrates the nostalgic, material and affective "e;turn."e; Academic work on the subject of torture tends to mirror public debates on its presumed utility, to focus on its historically 'correct' representation or on profilmic structures of identification. This book moves beyond these ideologically charged questions to explore how contemporary films have responded to a growing popular distrust in visual evidence when referencing factual cases of torture. Two cases studies - the United States around 2004 and Chile from 1973 until the end of the dictatorship - provide either an abundance or lack of such visual evidence. Drawing on films and television series such as Zero Dark Thirty (2012), NO (2012), Homeland (2011-) and Los 80 (2008-14), amongst many others, this book analyses the visible components of torture but also its invisibilities. By casting a wider net on the definition of torture, the author promotes a radical, theoretical reframing of our concept of torture and suggests that audiovisual products can help broaden our comprehension of torture as an event which includes collective and emotional dimensions and long-term social effects.
