El Drama De Todos
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El Drama De Todos
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Author : Enrique Crosa
language : es
Publisher:
Release Date : 1921
El Drama De Todos written by Enrique Crosa and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1921 with categories.
La Casa De Todos
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Author : Pedro de Répide
language : es
Publisher:
Release Date : 1918
La Casa De Todos written by Pedro de Répide and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1918 with categories.
La Casa De Todos
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Author : Pedro de Répide
language : es
Publisher:
Release Date : 1909
La Casa De Todos written by Pedro de Répide and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1909 with Appalachian Region categories.
El Drama De La Bretana
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Author :
language : es
Publisher: Editorial Kier
Release Date :
El Drama De La Bretana written by and has been published by Editorial Kier this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.
El Pan De Todos
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Author : Alfonso Sastre
language : es
Publisher:
Release Date : 1966
El Pan De Todos written by Alfonso Sastre and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1966 with categories.
El Crimen De Todos
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Author : Federico Oliver
language : es
Publisher:
Release Date : 1919
El Crimen De Todos written by Federico Oliver and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1919 with categories.
Dramas De Familia
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Author : Mariana de Althaus
language : es
Publisher: DEBOLS!LLO
Release Date : 2015-11-15
Dramas De Familia written by Mariana de Althaus and has been published by DEBOLS!LLO this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-11-15 with Drama categories.
"Todas mis obras parten de una incomodidad, un desacuerdo con la realidad, o una pregunta angustiante" Si la familia es el átomo de la materia social, y sus miembros, las partículas que lo conforman, en el teatro de Mariana de Althaus,su núcleo es altamente combustible: sufre fusión y fisión. En Ruido , sus componentes se unen hasta la claustrofobia y la locura;en El lenguaje de las sirenas se dispersan en espacios abiertos por la fuerza de ideas y creencias distintas. Pero también ocurre,como en El Sistema Solar , que orbitan en un orden conflictivo y precario, y a pesar de sus tensiones se mantienen en delicado equilibrio.Las asfixias de la maternidad, la ausencia física o emocional del padre, la incomprensión y la decepción, pero también la lealtad y el amor, están presentes en Dramas de familia, que incluye una nota preliminar y recoge tres de los mejores textos de Mariana de Althaus, protagonista, sin duda, de la escena teatral peruana, y creadora de una dramaturgia en la que el absurdo y el humor son claves para conmover y remecer al espectador o al lector, traspasando las paredes de un hogar cualquiera para cuestionar los fundamentos de esa convivencia mayor que nos concierne a todos. Si la familia es el átomo de la materia social, y sus miembros, las partículas que lo conforman, en el teatro de Mariana de Althaus, su núcleo es altamente combustible: sufre fusión y fisión. En Ruido,sus componentes se unen hasta la claustrofobia y la locura; en El lenguaje de las sirenas se dispersan en espacios abiertos por lafuerza de ideas y creencias distintas. Pero también ocurre, como en El Sistema Solar , que orbitan en un orden conflictivo y precario, y a pesar de sus tensiones se mantienen en delicado equilibrio. Las asfixias de la maternidad, la ausencia física o emocional del padre, la incomprensión y la decepción, pero también la lealtad y el amor, están presentes en Dramas de familia, que incluye unanota preliminar y recoge tres de los mejores textos de Mariana de Althaus, protagonista, sin duda, de la escena teatral peruana, ycreadora de una dramaturgia en la que el absurdo y el humor son claves para conmover y remecer al espectador o al lector, traspasandolas paredes de un hogar cualquiera para cuestionar los fundamentos de esa convivencia mayor que nos concierne a todos. Si la familia es el átomo de la materia social, y sus miembros, las partículas que lo conforman, en el teatro de Mariana de Althaus, su núcleo es altamente combustible: sufre fusión y fisión. En Ruido , sus componentes se unen hasta la claustrofobia y la locura; en El lenguaje de las sirenas se dispersan en espacios abiertos por la fuerza de ideas y creencias distintas. Pero también ocurre, como enElSistema Solar , que orbitan en un orden conflictivo y precario, y a pesar de sus tensiones se mantienen en delicado equilibrio. Lasasfixias de la maternidad, la ausencia física o emocional del padre, la incomprensión y la decepción, pero también la lealtad y elamor, están presentes en Dramas de familia, que incluye una nota preliminar y recoge tres de los mejores textos de Mariana de Althaus, protagonista, sin duda, de la escena teatral peruana, y creadora de una dramaturgia en la que el absurdo y el humor son claves para conmover y remecer al espectador o al lector, traspasando las paredes de un hogar cualquiera para cuestionar los fundamentos de esa convivencia mayor que nos concierne a todos. Si la familia es el átomo de la materia social, y sus miembros, las partículas quelo conforman, en el teatro de Mariana de Althaus, su núcleo es altamente combustible: sufre fusión y fisión. En Ruido , sus componentes se unen hasta la claustrofobia y la locura; en El lenguaje de las sirenas se dispersan en espacios abiertos por la fuerza de ideas y creencias distintas. Pero también ocurre, como en El Sistema Solar , que orbitan en un orden conflictivo y precario, y a pesar de sus tensiones se mantienen en delicado equilibrio.
The Pirandellian Mode In Spanish Literature From Cervantes To Sastre
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Author : Wilma Newberry
language : en
Publisher: State University of New York Press
Release Date : 1973-06-30
The Pirandellian Mode In Spanish Literature From Cervantes To Sastre written by Wilma Newberry and has been published by State University of New York Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1973-06-30 with Biography & Autobiography categories.
This volume is a vision of Spanish literature seen through Pirandellian eyes. Those themes and techniques which Pirandello stamped with his name have actually characterized a segment of Spanish writing from the time of Cervantes. Professor Newberry first examines those writers who preceded Pirandello or could not have felt his influence and then those who acknowledged the Italian's mastery or who wrote in the ambience he created. She emphasizes how old are the Spanish themes that illusion and reality intermingle, that life is fiction and fiction life, that madness is often saner or preferable to sanity. Meticulously she chronicles the Spaniards' use of techniques associated with these themes—the play-within-a-play, the theater that mingles fiction and life, the breakdown of barriers between audience and stage, the autonomous character. Beginning with Cervantes's Don Quijote, where madness and sanity change the very nature of reality and illusion, she moves forward to Calderón's El gran teatro del mundo and other relevant works between Lope de Vega and Galdós. The author devotes a special chapter to the género chico and particularly the sainetes of Ramón de la Cruz, for these works kept Pirandellian concepts alive during the somewhat infertile eighteenth century. After examining Echegaray, whose romantic works she shows to be only part of his contribution, Professor Newberry turns to Ramón, whom she skillfully links to the cubist school of painting. There follows an extended discussion of Unamuno, particularly his novel Niebla with its famous autonomous character, Augusto Pérez. The second part of this book deals with those authors aware of Pirandello and his work. Professor Newberry begins with Azorín, whose enthusiasm for and understanding of Pirandello and the tendencies associated with him are greater than those of any other Spanish writer. Her brief examination of the Machado brothers shows how they have taken Pirandello's investigation into being and seeming and translated it into their own terms. Because his most popular work is not Pirandellian, few people have ever observed Pirandellian aspects in García Lorca's writing, but El Público and other works certainly contribute to this book. Casona, on the other hand, is enveloped by what Azorín described as the Pirandellian mist, although Casona's treatment of how reality and illusion intermingle is uniquely his own. Not limiting herself to discussing Grau's El señor de Pigmalion, a play often considered in relation to Pirandello, Professor Newberry brings up three other works that clearly indicate Grau's involvement in these themes and techniques. Indeed, one of his plays even incorporates a character Pirandello rejected, and rarely have Spanish playwrights broken down the barriers between stage and audience so completely as Grau does in Tabarín. Luca de Tena is shown to raise most Pirandellian problems in his plays, but unlike the Italian he systemically rules in favor of life, his conflicts are lighter, and their resolution is happier. Pedro Salinas, the last author Professor Newberry considers at length, is rarely studied as a playwright, but his plays show the characteristic imprint of Pirandello—fiction and reality are confused, there are problems of identity, he uses the autonomous character. Nonetheless, Salinas's basic view of life is diametrically opposed to Pirandello's, for he is filled with love, joy, optimism, and faith in the possibility of clarifying reality. Finally, the author looks at the Arte Nuevo group, particularly Sastre and Palacio, and she also considers Sotelo, who, like the other two, was influenced not only by Pirandello, but also by Thornton Wilder. Professor Newberry provides a consistently interesting picture of how Spanish literature has always shown great interest in those themes and techniques we have come to call Pirandellian and how it has given them a stamp uniquely its own. In an appendix the author includes a brief discussion of the Spanish works found in Pirandello's study.
El Drama De La Vida
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Author : Fernando Margüello Moratinos
language : es
Publisher:
Release Date : 1893
El Drama De La Vida written by Fernando Margüello Moratinos and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1893 with categories.
Drama
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Author : Charlyn Wessels
language : en
Publisher: Oxford
Release Date : 1987
Drama written by Charlyn Wessels and has been published by Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Education categories.
This series gives teachers, trainers, and trainee teachers practical guidance in key aspects of language teaching. Each book includes an introduction and up to 100 classroom ideas, materials, and techniques. The activities are clearly presented, and offer teachers all the information they need about appropriate level, time, preparation, materials, variations, and follow-up activities.