Ernst Kurths Grundlagen Des Linearen Kontrapunkts
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Ernst Kurth Selected Writings
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Author : Ernst Kurth
language : en
Publisher: Cambridge University Press
Release Date : 2006-11-02
Ernst Kurth Selected Writings written by Ernst Kurth and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006-11-02 with Music categories.
This book provides a selection of annotated translations from Ernst Kurth's three best-known publications: Grundlagen des linearen Kontrapunkts (1917), Romantische Harmonik und ihre Krise in Wagners 'Tristan' (1920), and Bruckner (1925). Kurth's contemporaries considered these books to be pioneering studies in the music of J. S. Bach, Wagner and Bruckner. Professor Rothfarb's extensive introductory essay discusses the intellectual and socio-cultural environment in which Kurth was writing, referring to aspects of the early twentieth-century cultural renewal movements and to intellectual developments of the day in phenomenology, aesthetics and psychology. By reading Kurth against the cultural-intellectual background provided in the essay and commentaries, today's music historians and theorists can round out their picture of music theory in the early twentieth century.
Grundlagen Des Linearen Kontrapunkts
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Author : Ernst Kurth
language : en
Publisher: Scholar's Choice
Release Date : 2015-02-08
Grundlagen Des Linearen Kontrapunkts written by Ernst Kurth and has been published by Scholar's Choice this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-02-08 with categories.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ernst Kurths Grundlagen Des Linearen Kontrapunkts
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Author : Luitgard Schader
language : de
Publisher: Springer-Verlag
Release Date : 2016-12-12
Ernst Kurths Grundlagen Des Linearen Kontrapunkts written by Luitgard Schader and has been published by Springer-Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-12 with Music categories.
Im Jahre 1917 veröffentlichte der Berner Privatdozent Ernst Kurth eine umfangreiche Monographie mit dem Titel "Grundlagen des linearen Kontrapunkts". Mit diesem Werk beabsichtigte er, die primär an harmonischen Verläufen orientierte Werkanalyse durch eine gezielte Interpretation melodischer Zusammenhänge zu bereichern. Obgleich das Buch während des Ersten Weltkrieges erschien, stieß es in Fachkreisen auf große Verbreitung und gelangte innerhalb von nur zehn Jahren zur dritten Auflage. Dabei wurde die ausdrücklich zur Bach-Interpretation entwickelte Terminologie des Linearen Kontrapunkts von vielen Musikwissenschaftlern aufgegriffen und gegen Kurths Willen zur Analyse zeitgenössischer Werke herangezogen. Paul Bekker vermutete gar, Kurths Theorie werde den künftigen Kompositionsstil beeinflussen, was Ernst Krenek, einer der betroffenen Komponisten, später mit großem zeitlichen Abstand bestätigt. Eine derart vielfältige Rezeption des Linearen Kontrapunkts führt zu der Vermutung, dass Kurths Bach-Interpretation geisteswissenschaftliche Grundzüge aufweist, die zu Beginn der 20er Jahre in Musikerkreisen eine gewisse Allgemeingültigkeit besassen.
Ernst Kurth Selected Writings
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Author : Ernst Kurth
language : en
Publisher: Cambridge University Press
Release Date : 1991-07-26
Ernst Kurth Selected Writings written by Ernst Kurth and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991-07-26 with Music categories.
This book provides a selection of annotated translations from Ernst Kurth's three best-known publications: Grundlagen des linearen Kontrapunkts (1917), Romantische Harmonik und ihre Krise in Wagners 'Tristan' (1920), and Bruckner (1925). Kurth's contemporaries considered these books to be pioneering studies in the music of J. S. Bach, Wagner and Bruckner. Professor Rothfarb's extensive introductory essay discusses the intellectual and socio-cultural environment in which Kurth was writing, referring to aspects of the early twentieth-century cultural renewal movements and to intellectual developments of the day in phenomenology, aesthetics and psychology. By reading Kurth against the cultural-intellectual background provided in the essay and commentaries, today's music historians and theorists can round out their picture of music theory in the early twentieth century.
Grundlagen Des Linearen Kontrapunkts Einf Hrung In Stil Und Technik Von Bach S Melodischer Polyphonie
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Author : Ernst Kurth
language : de
Publisher:
Release Date : 1917
Grundlagen Des Linearen Kontrapunkts Einf Hrung In Stil Und Technik Von Bach S Melodischer Polyphonie written by Ernst Kurth and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1917 with categories.
Grundlagen Des Linearen Kontrapunkts
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Author : Ernst Kurth
language : en
Publisher: Nabu Press
Release Date : 2014-03-13
Grundlagen Des Linearen Kontrapunkts written by Ernst Kurth and has been published by Nabu Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-03-13 with categories.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Ernst Kurth As Theorist And Analyst
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Author : Lee A. Rothfarb
language : en
Publisher: University of Pennsylvania Press
Release Date : 2016-11-11
Ernst Kurth As Theorist And Analyst written by Lee A. Rothfarb and has been published by University of Pennsylvania Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-11-11 with Music categories.
Ernst Kurth as Theorist and Analyst is the first book length study devoted to the writings of one of this century's most important music theorists. In contrast to previous discussions, Lee A. Rothfarb's study explains Kurth's theories in light of his analyses of specific musical examples. Unlike many of his contemporaries, Kurth approached music primarily from a cognitive rather than a purely technical viewpoint. In a unique kind of experiential analysis, he examined the psychological foundations of counterpoint, harmony, and form, and considered the affective, as opposed to solely structural or syntactic, effects of melody, chord, interval, and tone. The introduction provides a biographical sketch of Kurth, based on archival research and personal interview with his widow, son, and many of his doctoral students. Rothfarb also discusses the intellectual currents of the late nineteenth and early twentieth centuries, both musical and nonmusical, which shaped Kurth's outlook. Eight chapters summarize the main ideas of Grundlagen des linearen Kontrapunkts and Romantische Harmonik and show the directions Kurth took in his later works, Bruckner and Musikpsychologie. A final chapter identified his influence on several of his well-known contemporaries. Ernst Kurth as Theorist and Analyst will interest music theorists, musicologists, and advanced students of music theory.
Grundlagen Des Linearen Kontrapunkts
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Author : Ernst Kurth
language : de
Publisher:
Release Date : 1917
Grundlagen Des Linearen Kontrapunkts written by Ernst Kurth and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1917 with categories.
Grundlagen Des Linearen Kontrapunkts
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Author : Ernst Kurth
language : de
Publisher:
Release Date : 1917
Grundlagen Des Linearen Kontrapunkts written by Ernst Kurth and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1917 with categories.
Music Criticism And The Challenge Of History
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Author : Kevin Karnes
language : en
Publisher: Oxford University Press
Release Date : 2008-08-22
Music Criticism And The Challenge Of History written by Kevin Karnes and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-08-22 with Music categories.
More than a century after Guido Adler's appointment to the first chair in musicology at the University of Vienna, Music, Criticism, and the Challenge of History provides a first look at the discipline in this earliest period, and at the ideological dilemmas and methodological anxieties that characterized it upon its institutionalization. Author Kevin Karnes contends that some of the most vital questions surrounding musicology's disciplinary identities today-the relationship between musicology and criticism, the role of the subject in analysis and the narration of history, and the responsibilities of the scholar to the listening public-originate in these conflicted and largely forgotten beginnings. Karnes lays bare the nature of music study in the late nineteenth century through insightful readings of long-overlooked contributions by three of musicology's foremost pioneers-Adler, Eduard Hanslick, and Heinrich Schenker. Shaped as much by the skeptical pronouncements of the likes of Nietzsche and Wagner as it was by progressivist ideologies of scientific positivism, the new discipline comprised an array of oft-contested and intensely personal visions of music study, its value, and its future. Karnes introduces readers to a Hanslick who rejected the call of positivist scholarship and dedicated himself to penning an avowedly subjective history of Viennese musical life. He argues that Schenker's analytical experiments had roots in a Wagner-inspired search for a critical alternative to Adler's style-obsessed scholarship. And he illuminates Adler's determined response to Nietzsche's warnings about the vitality of artistic and cultural life in an increasingly scientific age. Through sophisticated and meticulous presentation, Music, Criticism, and the Challenge of History demonstrates that the new discipline of musicology was inextricably tied in with the cultural discourse of its time.