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Escultura Popular


Escultura Popular
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Escultura Popular


Escultura Popular
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Author : Imelda de León
language : es
Publisher:
Release Date : 1982

Escultura Popular written by Imelda de León and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Folk art categories.




Escultura Popular Brasileira


Escultura Popular Brasileira
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Author : Luiz Saia
language : pt-BR
Publisher:
Release Date : 1944

Escultura Popular Brasileira written by Luiz Saia and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1944 with Folk art categories.




Greek And Roman Sculpture


Greek And Roman Sculpture
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Author : Walter Copland Perry
language : en
Publisher:
Release Date : 1882

Greek And Roman Sculpture written by Walter Copland Perry and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1882 with Sculpture, Greco-Roman categories.




Art And History At The Banco Popular Dominicano Visual Art Collection


Art And History At The Banco Popular Dominicano Visual Art Collection
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Author : Danilo de los Santos
language : en
Publisher:
Release Date : 2013

Art And History At The Banco Popular Dominicano Visual Art Collection written by Danilo de los Santos and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Art, Dominican categories.




Relaciones Formales Entre La Escultura Primitiva Y El Arte Popular En Vila


Relaciones Formales Entre La Escultura Primitiva Y El Arte Popular En Vila
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Author : Elena GONZÁLEZ SÁNCHEZ
language : es
Publisher: Ediciones Universidad de Salamanca
Release Date : 2012-06-01

Relaciones Formales Entre La Escultura Primitiva Y El Arte Popular En Vila written by Elena GONZÁLEZ SÁNCHEZ and has been published by Ediciones Universidad de Salamanca this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-06-01 with Art categories.


The universal and timeless nature of the shape and its duration over time together with the popular design, offers a new approach to the identity and sense of the human being; all of which has been put forward in this thesis from the particular point of view of the city of Avila. The language of the shape, the sculpture, shows itself as an innate and necessary creative process for our nature; Sculpture can stay throughout time as witness and connection among people beyond time and space. This is the bottom line of this thesis that starts from a specific place: Avila, offering some conclusions with universal effects, as it proposes a journey to the feeling, emotion, and reason from the thoughtful meditation that arises with the necessity for the universal creative process. I have chosen two marginal moments with regard to the traditional artistic conception officially accepted, since this may enable us to come closer to the essence of concepts such as identity, survival and creation. We are talking about the original primitivism that starts in the ancient times with the first plastic movements of the human being until the integration of the culture developed in these territories into a wider and more guided context of the roman culture. As an artistic discipline, sculpture allows a different view from the scientific one. Sculpture enables to study elements of remarkable artistic value by its beauty, concretion, poetry, expressiveness of the shape, the purpose and materialization of fate. Aspects that change visibly insipid objects, beyond its historical and testimonial value, into sources of contemplation, knowledge and artistic enjoyment that exceed even the initial functional validity in those cases in which they existed. We are talking about the vitality that we perceive out of its mere presence as artistic elements. We are conditioned by our own cultural attitude when we look at an object. We are heirs of the classicism, but also of an identity less recognized and transmitted, among others, by manifestations like the popular art that arose with the first artistic manifestations and that has been continued until today. It is, therefore, the most extended artistic style in any culture whose creative essence has maintained the same ancient and primitive sense which, step by step, we have forgotten, and which we have resumed in light of the contemporaneity. Three topic paths lead us to study the topic in depth until the final conclusions: Techniques and materials, subject matters and formal aspects. In all of them, we can study the inner essence in depth, which is common either to the primitive and to the popular, as a result of the particular human relations of both moments with reference to the natural surrounding and also to the socio-economic arena, which is characterized by a self-sufficient economy. According to the cultural aspect; the unusual acquisition of materials and elements that we can call «exotic» will provide decorative and symbolic prominence; as compared with the more useful work conditioned by the feasibility of materials and a greater development of its own techniques. These materials are also influenced by a common subject matter which came to produce formal characteristic results, which were passed on from generation to generation and were sought by the author in each new creation. The easiness of techniques like incision or engraving as well as the simplicity and force of some shapes give a faster and deepest assimilation into the formal unconscious. These characteristics determine a formal conception that flows freely between the abstraction and representational art, without achieving high levels of realism and which in some occasions become more prominent in their relations with the materials proposed by conceptions and movements of great plastic vitality of the twentieth century. The concept and the subject matter merge completely to develop a more or less complicated game of various iconic interpretations depending on the case. The vitality of the shape changes over time with each new look, and eventually can cause confusion and impoverishment by the loss of original models. The subject matter assumes the suitability of the shape to its utility either in connection with the functionality of everyday s life, or with the most intangible aspects of the existence from the author’s artistic personality and, by extension, of the community in which he lives, in the same way as we are creating today. From a deeper analysis, we can infer the various values and elements in which authors from different times and places converge, above the conscious level. This idea formulates some very interesting and not so well-known human relations whose testimony lasts throughout the popular art. We are talking about an artistic manifestation that was born from the beginning of time, which brings together concepts and subject matters despite the distortion, already mentioned, due to the loss or transformation of the original code. This isn’t the case with the design of shapes and drawings, which have been passing on in a quite pure formal state, despite the modifications of the individual making or the adaptation according to the moment and its circumstances. A fundamental event is presence of a milestone, elements that will be even adopted to transcend the very best expression as recognized symbols as well as timeless stimulus, though materialized under different advocations. It could be claimed that, although the popular art is quite faithful to the shape and design, it is by far, more faithful to his inner essence, which explains the persistence in the same personality through pieces with different stages of a process of becoming baroque. We can conclude by telling that our creative experience is universal but we need to return to the origins of our current formulations in order to return to our own human nature to understand our creative needs, to appreciate the artistic values and the importance of the creative fact, giving strength to the knowledge and thereby growing as a particular and global community.



Famous Sculpture As Seen And Described By Great Writers


Famous Sculpture As Seen And Described By Great Writers
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Author : Esther Singleton
language : en
Publisher:
Release Date : 1910

Famous Sculpture As Seen And Described By Great Writers written by Esther Singleton and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1910 with Sculpture categories.




Famous Sculpture


Famous Sculpture
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Author : Charles Lester Barstow
language : en
Publisher:
Release Date : 1916

Famous Sculpture written by Charles Lester Barstow and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1916 with Sculpture categories.




Top 40


Top 40
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Author :
language : en
Publisher: University of Iowa Press
Release Date : 2003

Top 40 written by and has been published by University of Iowa Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Art categories.




Greek Roman Sculpture A Popu


Greek Roman Sculpture A Popu
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Author : Walter Copland 1814-1911 Perry
language : en
Publisher: Wentworth Press
Release Date : 2016-08-26

Greek Roman Sculpture A Popu written by Walter Copland 1814-1911 Perry and has been published by Wentworth Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-08-26 with History categories.


This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.



Famous Sculpture As Seen And Described By Great Writers Classic Reprint


Famous Sculpture As Seen And Described By Great Writers Classic Reprint
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Author : Esther Singleton
language : en
Publisher: Forgotten Books
Release Date : 2017-12-16

Famous Sculpture As Seen And Described By Great Writers Classic Reprint written by Esther Singleton and has been published by Forgotten Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017-12-16 with Art categories.


Excerpt from Famous Sculpture as Seen and Described by Great Writers Information to enable the reader to gain a very clear and comprehensive idea of the history and characteristics of the various schools of sculpture from the dawn of history to the. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.