Exhibitions That Made Art History Salon To Biennial 1863 1959
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Salon To Biennial Exhibitions That Made Art History Vol 1 1863 1959
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Author : Bruce. Editor Altshuler
language : en
Publisher:
Release Date : 2008
Salon To Biennial Exhibitions That Made Art History Vol 1 1863 1959 written by Bruce. Editor Altshuler and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with categories.
Salon To Biennial
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Author :
language : en
Publisher:
Release Date : 2007
Salon To Biennial written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with categories.
Salon To Biennial Exhibitions That Made Art History Volume 1 1863 1959
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Author : Bruce Altshuler
language : en
Publisher: Phaidon Press
Release Date : 2008-11-12
Salon To Biennial Exhibitions That Made Art History Volume 1 1863 1959 written by Bruce Altshuler and has been published by Phaidon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-11-12 with Art categories.
Exhibitions That Made Art History Salon To Biennial 1863 1959
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Author : Bruce Altshuler
language : en
Publisher:
Release Date : 2008
Exhibitions That Made Art History Salon To Biennial 1863 1959 written by Bruce Altshuler and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Art, Modern categories.
This is the most comprehensive reference book on contemporary art group exhibitions. Coverage includes the development of modern art, shown through all of the most influential group exhibitions in history. This is intended to be a two-volume set, with the second volume intended for publication in 2009. Volume 1 opens with the revolutionary first Salon des Refusés in Paris of 1863 and concludes with the multi-locational international exhibition 'The New American Painting', organized by the Museum of Modern Art, New York, 1958-59. This work includes a wealth of rare documentary material and ephemera, such as installation photographs, publications and reviews of the period. This is an exceptional sourcebook for anyone interested in the history of twentieth-century art, exhibition design or curatorial practice. - Publisher.
Biennials And Beyond
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Author : Bruce Altshuler
language : en
Publisher: Phaidon Press
Release Date : 2013-04-02
Biennials And Beyond written by Bruce Altshuler and has been published by Phaidon Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-02 with Art categories.
Documents significant and pioneering exhibitions that took place between 1962 and 2002.
Volume I
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Author : Bruce Altshuler
language : en
Publisher:
Release Date : 2008
Volume I written by Bruce Altshuler and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with categories.
Biennials And Beyond
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Author : Bruce Altshuler
language : en
Publisher:
Release Date : 2013
Biennials And Beyond written by Bruce Altshuler and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Art categories.
Biennials and Beyond documents 25 of the most significant and pioneering exhibitions that took place between 1962 and 2002. Some shows have been selected for their innovative installation, others for the impact they had on the reception of contemporary art either globally or in a given country, and yet others for the role they played in advancing significant trends in recent art. Together they form an exceptional sourcebook for anyone interested in contemporary art, the history of exhibitions and curatorial practice. Within the past decade, the history of art exhibitions has become an important area of academic and critical inquiry. Exhibitions are hubs of interaction within the art world, the places where artists, dealers, critics, and collectors come together, and where the newest art first comes before the public. Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans and critical texts from the time, as well as an expansive account of recent exhibition history by Bruce Altshuler. Paired with Altshuler's Salon to Biennial: Exhibitions that Made Art History: 1863-1959, Biennials and Beyond outlines a new reading of art history based on canonical exhibitions. The volume surveys such post-war developments as the role of commercial galleries during the 1960s, the influence of museums and corporate groups, artist-run spaces, and the impact of globalization on the art world. Biennials and Beyond will be of great interest to the academic market, for adoption on courses on twentieth-century art at all levels, and it will have significant appeal to galleries, museums, collectors and a general public interested in contemporary art.
The Avant Garde In Exhibition
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Author : Bruce Altshuler
language : en
Publisher:
Release Date : 1998
The Avant Garde In Exhibition written by Bruce Altshuler and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1998 with Art, Modern categories.
"Scholarly, sympathetic, lucid--and filled with fascinating detail--The Avant-Garde in Exhibition is as valuable as a reference as it is exciting as a narrative."--Arthur Danto
Artificial Hells
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Author : Claire Bishop
language : en
Publisher: Verso Books
Release Date : 2012-07-24
Artificial Hells written by Claire Bishop and has been published by Verso Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-07-24 with Art categories.
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
The Art Salon In The Arab Region
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Author : Monique Bellan
language : en
Publisher: Ergon
Release Date : 2019-03
The Art Salon In The Arab Region written by Monique Bellan and has been published by Ergon this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03 with Art categories.
This volume discusses the emergence and role of the art salon in the Arab region in the nineteenth and twentieth centuries, focusing on Algeria, Tunisia, Egypt, Lebanon and Iraq. Institutional forms of exhibiting and teaching art emerged in the Middle East and North Africa in late colonial and early post-colonial contexts. The book examines how the salon had an impact on the formation of taste and on debates on art, and discusses the transfers and cultural interactions between the Middle East, North Africa and Europe. Following the institutional model of the Paris salons, art salons emerged in Algiers, Tunis and Cairo starting in the late 1880s. In Beirut, the salon tradition reached its peak only after independence in the mid-twentieth century. Baghdad never had a formal salon, but alternative spaces and exhibition formats developed in Iraq from the late 1940s onwards. As in Paris, the salons in the region often defined the criteria of artistic production and public taste. The impact of the salon also lay in its ability to convey particular values, attitudes and aspirations. At the same time, the values and attitudes promoted by the salon as well as the salon itself were often subject to debate, which led to the creation of counter-salons or alternative exhibition practices. The art salon helps us to understand changes in the art systems of these countries, including the development of art schools, exhibition spaces and artist societies, and gives insight into the power dynamics at play. It also highlights networks and circulations between the Arab region and Europe.