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Author by : Judith E. Stein Languange Used : en Release Date : 2016-07-12 Publisher by : Farrar, Straus and Giroux ISBN : 9780374715205 File Size : 49,8 Mb Total Download : 388
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled
Author by : Judith E. Stein Languange Used : en Release Date : 2017-07-25 Publisher by : Farrar, Straus and Giroux ISBN : 0374536996 File Size : 47,8 Mb Total Download : 598
The art dealer and tastemaker of abstract expressionism, pop art, and minimalism who transformed modern art A man with a preternatural ability to find emerging artists, Richard Bellamy was one of the first advocates of pop art, minimalism, and conceptual art. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, this witty, poetry-loving art aficionado became a legend of the avant-garde, showing the work of artists such as Mark di Suvero, Claes Oldenburg, James Rosenquist, Donald Judd, and others. Born to an American father and a Chinese mother in a Cincinnati suburb, B
Author by : Jenny Diski Languange Used : en Release Date : 2010-07-09 Publisher by : Profile Books ISBN : 9781847652508 File Size : 41,6 Mb Total Download : 709
Many books have been written on the Sixties: tributes to music and fashion, sex, drugs and revolution. In The Sixties, Jenny Diski breaks the mould, wryly dismantling the big ideas that dominated the era - liberation, permissiveness and self-invention - to consider what she and her generation were really up to. Was it rude to refuse to have sex with someone? Did they take drugs to get by, or to see the world differently? How responsible were they for the self-interest and greed of the Eighties? With characteristic wit and verve, Diski takes an incisive look at the radical beliefs to which her