Ferdinand S Adventure And Other Stories
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Ferdinand S Adventure And Other Stories
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Author : Edward Hugessen Knatchbull-Hugessen Baron Brabourne
language : en
Publisher:
Release Date : 1883
Ferdinand S Adventure And Other Stories written by Edward Hugessen Knatchbull-Hugessen Baron Brabourne and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1883 with Children's stories categories.
Ferdinand S Adventure And Other Stories
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Author : Edward Hugessen Knatchbull- Hugessen (1s
language : en
Publisher: Wentworth Press
Release Date : 2019-04-12
Ferdinand S Adventure And Other Stories written by Edward Hugessen Knatchbull- Hugessen (1s and has been published by Wentworth Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-04-12 with categories.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Ferdinand S Adventure And Other Stories 1883
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Author : Lord Brabourne
language : en
Publisher:
Release Date : 2008-08-01
Ferdinand S Adventure And Other Stories 1883 written by Lord Brabourne and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-08-01 with categories.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Ferdinand S Adventure And Other Stories With Illustrations By E Griset
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Author : Edward Hugessen Knatchbull HUGESSEN (Baron Brabourne.)
language : en
Publisher:
Release Date : 1883
Ferdinand S Adventure And Other Stories With Illustrations By E Griset written by Edward Hugessen Knatchbull HUGESSEN (Baron Brabourne.) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1883 with categories.
Ferdinand With The Extra Toes
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Author : Katie Maskey
language : en
Publisher: Green Clover Books
Release Date : 2020-11-17
Ferdinand With The Extra Toes written by Katie Maskey and has been published by Green Clover Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-17 with categories.
Meet the cat with eight extra toes! Ferdinand is a shy but curious cat who learns that his differences are what truly make him special. Through his adventures, everyone around him is able to learn and appreciate his unique qualities too! "Ferdinand with the Extra Toes is a story we can all relate to at some points in our lives. We all need to learn from this special kitty and accept those around us, no matter what differences they may have." -Kim Strawbridge-Foerster
The Adventures Of Ferdinand Count Fathom
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Author : TOBIAS SMOLLETT
language : en
Publisher: BEYOND BOOKS HUB
Release Date : 2023-06-16
The Adventures Of Ferdinand Count Fathom written by TOBIAS SMOLLETT and has been published by BEYOND BOOKS HUB this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-06-16 with Biography & Autobiography categories.
The Adventures of Ferdinand Count Fathom, Smollett’s third novel, was given to the world in 1753. Lady Mary Wortley Montagu, writing to her daughter, the Countess of Bute, over a year later [January 1st, 1755], remarked that “my friend Smollett . . . has certainly a talent for invention, though I think it flags a little in his last work.” Lady Mary was both right and wrong. The inventive power which we commonly think of as Smollett’s was the ability to work over his own experience into realistic fiction. Of this, Ferdinand Count Fathom shows comparatively little. It shows relatively little, too, of Smollett’s vigorous personality, which in his earlier works was present to give life and interest to almost every chapter, were it to describe a street brawl, a ludicrous situation, a whimsical character, or with venomous prejudice to gibbet some enemy. This individuality — the peculiar spirit of the author which can be felt rather than described — is present in the dedication of Fathom to Doctor — — — , who is no other than Smollett himself, and a candid revelation of his character, by the way, this dedication contains. It is present, too, in the opening chapters, which show, likewise, in the picture of Fathom’s mother, something of the author’s peculiar “talent for invention.” Subsequently, however, there is no denying that the Smollett invention and the Smollett spirit both flag. And yet, in a way, Fathom displays more invention than any of the author’s novels; it is based far less than any other on personal experience. Unfortunately such thorough-going invention was not suited to Smollett’s genius. The result is, that while uninteresting as a novel of contemporary manners, Fathom has an interest of its own in that it reveals a new side of its author. We think of Smollett, generally, as a rambling storyteller, a rational, unromantic man of the world, who fills his pages with his own oddly-metamorphosed acquaintances and experiences. The Smollett of Count Fathom, on the contrary, is rather a forerunner of the romantic school, who has created a tolerably organic tale of adventure out of his own brain. Though this is notably less readable than the author’s earlier works, still the wonder is that when the man is so far “off his beat,” he should yet know so well how to meet the strange conditions which confront him. To one whose idea of Smollett’s genius is formed entirely by Random and Pickle and Humphry Clinker, Ferdinand Count Fathom will offer many surprises. The first of these is the comparative lifelessness of the book. True, here again are action and incident galore, but generally unaccompanied by that rough Georgian hurly-burly, common in Smollett, which is so interesting to contemplate from a comfortable distance, and which goes so far towards making his fiction seem real. Nor are the characters, for the most part, life-like enough to be interesting. There is an apparent exception, to be sure, in the hero’s mother, already mentioned, the hardened camp-follower, whom we confidently expect to become vitalised after the savage fashion of Smollett’s characters. But, alas! we have no chance to learn the lady’s style of conversation, for the few words that come from her lips are but partially characteristic; we have only too little chance to learn her manners and customs. In the fourth chapter, while she is making sure with her dagger that all those on the field of battle whom she wishes to rifle are really dead, an officer of the hussars, who has been watching her lucrative progress, unfeelingly puts a brace of bullets into the lady’s brain, just as she raises her hand to smite him to the heart. Perhaps it is as well that she is thus removed before our disappointment at the non-fulfilment of her promise becomes poignant. So far as we may judge from the other personages of Count Fathom, even this interesting Amazon would sooner or later have turned into a wooden figure, with a label giving the necessary information as to her character. Such certainly is her son, Fathom, the hero of the book. Because he is placarded, “Shrewd villain of monstrous inhumanity,” we are fain to accept him for what his creator intended; but seldom in word or deed is he a convincingly real villain. His friend and foil, the noble young Count de Melvil, is no more alive than he; and equally wooden are Joshua, the high-minded, saint-like Jew, and that tedious, foolish Don Diego. Neither is the heroine alive, the peerless Monimia, but then, in her case, want of vitality is not surprising; the presence of it would amaze us. If she were a woman throbbing with life, she would be different from Smollett’s other heroines. The “second lady” of the melodrama, Mademoiselle de Melvil, though by no means vivified, is yet more real than her sister-in-law. The fact that they are mostly inanimate figures is not the only surprise given us by the personages of Count Fathom. It is a surprise to find few of them strikingly whimsical; it is a surprise to find them in some cases far more distinctly conceived than any of the people in Roderick Random or Peregrine Pickle. In the second of these, we saw Smollett beginning to understand the use of incident to indicate consistent development of character. In Count Fathom, he seems fully to understand this principle of art, though he has not learned to apply it successfully. And so, in spite of an excellent conception, Fathom, as I have said, is unreal. After all his villainies, which he perpetrates without any apparent qualms of conscience, it is incredible that he should honestly repent of his crimes. We are much inclined to doubt when we read that “his vice and ambition was now quite mortified within him,” the subsequent testimony of Matthew Bramble, Esq., in Humphry Clinker, to the contrary, notwithstanding. Yet Fathom up to this point is consistently drawn, and drawn for a purpose: — to show that cold-blooded roguery, though successful for a while, will come to grief in the end. To heighten the effect of his scoundrel, Smollett develops parallel with him the virtuous Count de Melvil. The author’s scheme of thus using one character as the foil of another, though not conspicuous for its originality, shows a decided advance in the theory of constructive technique. Only, as I have said, Smollett’s execution is now defective. “But,” one will naturally ask, “if Fathom lacks the amusing, and not infrequently stimulating, hurly-burly of Smollett’s former novels; if its characters, though well-conceived, are seldom divertingly fantastic and never thoroughly animate; what makes the book interesting?” The surprise will be greater than ever when the answer is given that, to a large extent, the plot makes Fathom interesting. Yes, Smollett, hitherto indifferent to structure, has here written a story in which the plot itself, often clumsy though it may be, engages a reader’s attention. One actually wants to know whether the young Count is ever going to receive consolation for his sorrows and inflict justice on his basely ungrateful pensioner. And when, finally, all turns out as it should, one is amazed to find how many of the people in the book have helped towards the designed conclusion. Not all of them, indeed, nor all of the adventures, are indispensable, but it is manifest at the end that much, which, for the time, most readers think irrelevant — such as Don Diego’s history — is, after all, essential. It has already been said that in Count Fathom Smollett appears to some extent as a romanticist, and this is another fact which lends interest to the book. That he had a powerful imagination is not a surprise. Any one versed in Smollett has already seen it in the remarkable situations which he has put before us in his earlier works. These do not indicate, however, that Smollett possessed the imagination which could excite romantic interest; for in Roderick Random and in Peregrine Pickle, the wonderful situations serve chiefly to amuse. In Fathom, however, there are some designed to excite horror; and one, at least, is eminently successful. The hero’s night in the wood between Bar-le-duc and Chalons was no doubt more blood-curdling to our eighteenth-century ancestors than it is to us, who have become acquainted with scores of similar situations in the small number of exciting romances which belong to literature, and in the greater number which do not. Still, even to-day, a reader, with his taste jaded by trashy novels, will be conscious of Smollett’s power, and of several thrills, likewise, as he reads about Fathom’s experience in the loft in which the beldame locks him to pass the night. This situation is melodramatic rather than romantic, as the word is used technically in application to eighteenth and nineteenth-century literature. There is no little in Fathom, however, which is genuinely romantic in the latter sense. Such is the imprisonment of the Countess in the castle-tower, whence she waves her handkerchief to the young Count, her son and would-be rescuer. And especially so is the scene in the church, when Renaldo (the very name is romantic) visits at midnight the supposed grave of his lady-love. While he was waiting for the sexton to open the door, his “soul . . . was wound up to the highest pitch of enthusiastic sorrow. The uncommon darkness, . . . the solemn silence, and lonely situation of the place, conspired with the occasion of his coming, and the dismal images of his fancy, to produce a real rapture of gloomy expectation, which the whole world could not have persuaded him to disappoint. The clock struck twelve, the owl screeched from the ruined battlement, the door was opened by the sexton, who, by the light of a glimmering taper, conducted the despairing lover to a dreary aisle, and stamped upon the ground with his foot, saying, ‘Here the young lady lies interred.’” We have here such an amount of the usual romantic machinery of the “grave-yard” school of poets — that school of which Professor W. L. Phelps calls Young, in his Night Thoughts, the most “conspicuous exemplar” — that one is at first inclined to think Smollett poking fun at it. The context, however, seems to prove that he was perfectly serious. It is interesting, then, as well as surprising, to find traces of the romantic spirit in his fiction over ten years before Walpole’s Castle of Otranto. It is also interesting to find so much melodramatic feeling in him, because it makes stronger the connection between him and his nineteenth-century disciple, Dickens. From all that I have said, it must not be thought that the usual Smollett is always, or almost always, absent from Count Fathom. I have spoken of the dedication and of the opening chapters as what we might expect from his pen. There are, besides, true Smollett strokes in the scenes in the prison from which Melvil rescues Fathom, and there is a good deal of the satirical Smollett fun in the description of Fathom’s ups and downs, first as the petted beau, and then as the fashionable doctor. In chronicling the latter meteoric career, Smollett had already observed the peculiarity of his countrymen which Thackeray was fond of harping on in the next century — “the maxim which universally prevails among the English people . . . to overlook, . . . on their return to the metropolis, all the connexions they may have chanced to acquire during their residence at any of the medical wells. And this social disposition is so scrupulously maintained, that two persons who live in the most intimate correspondence at Bath or Tunbridge, shall, in four-and-twenty hours . . . meet in St. James’s Park, without betraying the least token of recognition.” And good, too, is the way in which, as Dr. Fathom goes rapidly down the social hill, he makes excuses for his declining splendour. His chariot was overturned “with a hideous crash” at such danger to himself, “that he did not believe he should ever hazard himself again in any sort of wheel carriage.” He turned off his men for maids, because “men servants are generally impudent, lazy, debauched, or dishonest.” To avoid the din of the street, he shifted his lodgings into a quiet, obscure court. And so forth and so on, in the true Smollett vein. But, after all, such of the old sparks are struck only occasionally. Apart from its plot, which not a few nineteenth-century writers of detective-stories might have improved, The Adventures of Ferdinand Count Fathom is less interesting for itself than any other piece of fiction from Smollett’s pen. For a student of Smollett, however, it is highly interesting as showing the author’s romantic, melodramatic tendencies, and the growth of his constructive technique...FROM THE BOOKS.
The Dwarf S Chamber And Other Stories
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Author : Fergus Hume
language : en
Publisher:
Release Date : 1896
The Dwarf S Chamber And Other Stories written by Fergus Hume and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1896 with English fiction categories.
Ferdinand S Gold
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Author : Sheldon Charles
language : en
Publisher: Valkyrie Spirit Publishing
Release Date : 2020-08-01
Ferdinand S Gold written by Sheldon Charles and has been published by Valkyrie Spirit Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-08-01 with Fiction categories.
As the son of a disgraced army deserter, Dex Kevan has struggled to escape the dark shadow of his father’s past and his own bad attitude. An air cargo specialist for the US Air Force he spends his days counting crates, filling out paperwork, and trying to hold onto his girlfriend as his career prospects crumble. It’s 1986, and the Philippines is undergoing the ouster of kleptocrat Ferdinand Marcos. While Dex quietly continues his work at the Andersen Air Force Base, Guam, he’s oblivious of the maelstrom taking place across the sea. When an unexpected flight arrives carrying a weary flight crew and a colossal secret –a cache of stolen gold bars – a series of events finds Dex and his associates embroiled in a plot that puts a bullseye on their backs. Tempted by the wealth and a future full of riches blinding them, the four Airmen commit to sneaking a portion of the treasure off the plane. Unknown to them, the plunder belongs to Col. Talan Madulás, the head of a secret death squad. But the conspirators fail to consider what kind of person would steal and then smuggle such a treasure, and what lengths might they go to, to get it back. Madulás’ bloody reign is over, his president fleeing. When his gold nest egg is stolen, he doesn’t hesitate to step back into his dark skills to hunt down the thieves. Based on an incredible true story, Dex Kevan and his fellow thieves will learn that a man’s thirst for revenge can be just as dangerous as his greed and that no amount of wealth is worth an early grave.
Ferdinand Fox And The Hedgehog
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Author : Karen Inglis
language : en
Publisher:
Release Date : 2018-02-02
Ferdinand Fox And The Hedgehog written by Karen Inglis and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-02-02 with Juvenile Fiction categories.
A gentle rhyming story for ages 3-5+ with fun colour photos and facts about foxes and hedgehogs! When Ferdinand Fox meets Edmond the baby hedgehog playing out one night, little Ed shrieks and curls into a tight prickly ball. He thinks the fox will eat him! But Ed soon realises that he is safe, and has just met a very special fox...
The Speaker
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Author :
language : en
Publisher:
Release Date : 1895
The Speaker written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1895 with categories.