Fibras 09 Arte Textil Contempor Neo
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Fibras 09 Arte Textil Contempor Neo
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Author : Pilar Tobon
language : es
Publisher:
Release Date : 2008
Fibras 09 Arte Textil Contempor Neo written by Pilar Tobon and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with categories.
Fibras 08
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Author :
language : es
Publisher:
Release Date : 2008
Fibras 08 written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with categories.
Fibras 08
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Author : Museo del Traje
language : en
Publisher:
Release Date : 2008
Fibras 08 written by Museo del Traje and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with categories.
Arte Textil Contempor Neo En Chile
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Author : Margarita Alvarado P.
language : es
Publisher:
Release Date : 1996
Arte Textil Contempor Neo En Chile written by Margarita Alvarado P. and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Fiberwork categories.
Espacio Tiempo Y Forma
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Author :
language : es
Publisher:
Release Date : 2012
Espacio Tiempo Y Forma written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Spain categories.
The Precarious
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Author : M. Catherine de Zegher
language : en
Publisher: Wesleyan University Press
Release Date : 1997
The Precarious written by M. Catherine de Zegher and has been published by Wesleyan University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Art categories.
Two works in one. this is an exquisite art book offering the first comprehensive treatment of Vicuna's work in English.
Fray
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Author : Julia Bryan-Wilson
language : en
Publisher: University of Chicago Press
Release Date : 2021-02
Fray written by Julia Bryan-Wilson and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-02 with Art categories.
In 1974, women in a feminist consciousness-raising group in Eugene, Oregon, formed a mock organization called the Ladies Sewing Circle and Terrorist Society. Emblazoning its logo onto t-shirts, the group wryly envisioned female collective textile making as a practice that could upend conventions, threaten state structures, and wreak political havoc. Elaborating on this example as a prehistory to the more recent phenomenon of “craftivism”—the politics and social practices associated with handmaking—Fray explores textiles and their role at the forefront of debates about process, materiality, gender, and race in times of economic upheaval. Closely examining how amateurs and fine artists in the United States and Chile turned to sewing, braiding, knotting, and quilting amid the rise of global manufacturing, Julia Bryan-Wilson argues that textiles unravel the high/low divide and urges us to think flexibly about what the politics of textiles might be. Her case studies from the 1970s through the 1990s—including the improvised costumes of the theater troupe the Cockettes, the braided rag rugs of US artist Harmony Hammond, the thread-based sculptures of Chilean artist Cecilia Vicuña, the small hand-sewn tapestries depicting Pinochet’s torture, and the NAMES Project AIDS Memorial Quilt—are often taken as evidence of the inherently progressive nature of handcrafted textiles. Fray, however, shows that such methods are recruited to often ambivalent ends, leaving textiles very much “in the fray” of debates about feminized labor, protest cultures, and queer identities; the malleability of cloth and fiber means that textiles can be activated, or stretched, in many ideological directions. The first contemporary art history book to discuss both fine art and amateur registers of handmaking at such an expansive scale, Fray unveils crucial insights into how textiles inhabit the broad space between artistic and political poles—high and low, untrained and highly skilled, conformist and disobedient, craft and art.
100 Edici N Sal N Nacional De Artes Visuales 2011
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Author :
language : es
Publisher:
Release Date : 2011
100 Edici N Sal N Nacional De Artes Visuales 2011 written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with Art, Argentine categories.
The Salón Nacional de Artes Visuales, which takes place every year at Palais de Glace, is the most important contest in Argentina in the field of fine arts, covering painting, sculpture, engraving, drawing, photography, ceramics, textile art, and new supports and installations. The first annual painting and sculpture competition and exhibition was held in 1911. Since 1932, the Palais de Glace has been its permanent venue. This commemorative centennial edition of the prestigious competition includes the winners of the Grand Acquisition Prize for each category included: Silvia Carbone (ceramic); Claudia Mazzola (Textile art); Diego Perrota (Drawing); Edgardo Madanes (sculpture); Res (photography); Marcelo Malagamba (Graphic art); Estanislao Florida (New supports and installations); and Fermín Eguía (Painting).
Twenty Centuries Of Mexican Art
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Author : Antonio Castro Leal
language : en
Publisher:
Release Date : 2013-10
Twenty Centuries Of Mexican Art written by Antonio Castro Leal and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-10 with categories.
This is a new release of the original 1940 edition.
When Silk Was Gold
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Author : James C. Y. Watt
language : en
Publisher: Metropolitan Museum of Art
Release Date : 1997
When Silk Was Gold written by James C. Y. Watt and has been published by Metropolitan Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with China categories.
The material presented in this volume significantly extends what has been known to date of Asian textiles produced from the Tang (618-907) through the early Ming period (late 14th-early 15th century), and new documentation gives full recognition to the importance of luxury textiles in the history of Asian art. Costly silks and embroideries were the primary vehicle for the migration of motifs and styles from one part of Asia to another, particularly during the Tang and Mongol (1207-1368) periods. In addition, they provide material evidence of both the cultural and religious ties that linked ethnic groups and the impetus to artistic creativity that was inspired by exposure to foreign goods.