Filmmusik Sound Design
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The Palgrave Handbook Of Sound Design And Music In Screen Media
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Author : Liz Greene
language : en
Publisher: Springer
Release Date : 2016-12-14
The Palgrave Handbook Of Sound Design And Music In Screen Media written by Liz Greene and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-14 with Performing Arts categories.
This book bridges the existing gap between film sound and film music studies by bringing together scholars from both disciplines who challenge the constraints of their subject areas by thinking about integrated approaches to the soundtrack. As the boundaries between scoring and sound design in contemporary cinema have become increasingly blurred, both film music and film sound studies have responded by expanding their range of topics and the scope of their analysis beyond those traditionally addressed. The running theme of the book is the disintegration of boundaries, which permeates discussions about industry, labour, technology, aesthetics and audiovisual spectatorship. The collaborative nature of screen media is addressed not only in scholarly chapters but also through interviews with key practitioners that include sound recordists, sound designers, composers, orchestrators and music supervisors who honed their skills on films, TV programmes, video games, commercials and music videos.
Filmmusik Sound Design
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Author : Guido Heldt
language : de
Publisher: edition text + kritik
Release Date : 2023-11-27
Filmmusik Sound Design written by Guido Heldt and has been published by edition text + kritik this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-11-27 with Art categories.
Der Band "Sound Design" widmet sich dem Thema Klang und Geräusch im Film aus einer musik- und medienwissenschaftlichen Perspektive und fokussiert die Schnittstellen und Überschneidungen der Ton-Ebenen. Im Mittelpunkt stehen die narrativen und ästhetischen Möglichkeiten der Kontrolle, Verzahnung und Grenzverwischung von Geräuschen, Musik und Sprache im Film. Wie auch die Kunstmusik im Laufe ihrer Entwicklung die Liaison mit dem ihr vermeintlich Entgegengesetzten – dem nicht-musikalischen Geräusch – suchte, verknüpften sich Geräusche auf neue Weisen mit Dialogen und Musik als den anderen beiden Ebenen der Tonspur. Am Beispiel des Sounds im Stummfilm, des musikalisierten Geräuschs im animierten Film, der Schnittstelle von Musik und Klang und dem Meta-Storytelling durch Sound untersuchen die vier Beiträge des Bandes, wo die Filmmusik anfängt und das Sound Design aufhört. Oder ist eine solche Grenzziehung längst überholt? Mit Beiträgen von Julia Heimerdinger, Saskia Jaszoltowski, Jörg Lensing und Claus Tieber.
Sound Design Is The New Score
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Author : Danijela Kulezic-Wilson
language : en
Publisher: Oxford University Press
Release Date : 2019-11-01
Sound Design Is The New Score written by Danijela Kulezic-Wilson and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-11-01 with Music categories.
The practice of blurring the line between score and sound design has transformed contemporary film soundscape by challenging not only the long-established hierarchical relationships between dialogue, music, and sound effects, but also the modes of perception shaped by classical soundtrack practices. The methods of this new trend rely on the language of contemporary popular and art music, producing soundtracks in which it is difficult to tell the difference between score and ambient sound, where pieces of electroacoustic music are merged with diegetic sound, sound effects are absorbed into the score or treated as music, and diegetic sound is treated as musique concrète. In Sound Design is the New Score, Kulezic-Wilson explores theoretical, aesthetic, and sensuous dimensions of this new trend, providing a multifaceted portrait of a practice which recognizes the interconnectedness of all soundtrack elements and emphasizes their inherent musicality. The aesthetic concerns of this practice are illuminated through the concept of the aesthetics of reticence which rejects classical narrative and scoring conventions and uses integrated soundtrack strategies to create the space for mystery in art and for individuality in the cinematic experience. The book's emphasis on sensuous and musical aspects of this practice, informed by the feminist discourse on the erotics of art, challenges popular notions about sensory cinema, demonstrating that the sensuousness of film form and its soundscapes is more sophisticated than simply being the result of excessive sensory stimulation facilitated by the use of digital technology or the "intensified" aesthetics it inspires. The discussion is supported by a wide range of case studies from American Independent, Asian, Australian, and European cinemas, including films by Shane Carruth, Claire Denis, Hou Hsiao-Hsien, Harmony Korine, David Michôd, Gus Van Sant, and Peter Strickland.
Sound For Moving Pictures
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Author : Neil Hillman
language : en
Publisher: CRC Press
Release Date : 2021-04-26
Sound For Moving Pictures written by Neil Hillman and has been published by CRC Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-04-26 with Music categories.
Sound for Moving Pictures presents a new and original sound design theory called the Four Sound Areas framework, offering a conceptual template for constructing, deconstructing and communicating all types of motion picture soundtracks; and a way for academics and practitioners to better understand and utilize the deeper, emotive capabilities available to all filmmakers through the thoughtful use of sound design. The Four Sound Areas framework presents a novel approach to sound design that enables the reader to more fully appreciate audience emotions and audience engagement, and provides a flexible, practical model that will allow professionals to more easily create and communicate soundtracks with greater emotional significance and meaning. Of obvious benefit to sound specialists, as well as motion picture professionals such as film producers, directors and picture editors, Sound for Moving Pictures also provides valuable insight for others interested in the subject; such as those involved with teaching soundtrack analysis, or those researching the wider topics of film studies and screen writing.
Designing Sound For Animation
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Author : Robin Beauchamp
language : en
Publisher: Taylor & Francis
Release Date : 2014-06-20
Designing Sound For Animation written by Robin Beauchamp and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-20 with Art categories.
This nuts-and-bolts guide to sound design for animated films explains audio software, free downloads, how sound works, the power of sound when wielded by an animation filmmaker, and provides varieties of examples for how to use sound to enliven your films with professional sound. Sound-savvy animators save precious resources (time and money) by using sound for effects they don't necessarily have time to create. For example, the sound of a crow flying gives viewers a sense of the crow without the crow. Where there's a macabre element or scene in an animated film, this book explains why you should choose a low frequency sound for it-low frequencies are scary, because the ear can't decipher their origin or direction! On the DVD: three 5-minute animations; sample sound clips, jump cuts and video streams; plus motion graphics with which to practice sound-applications explained in this book.
Sound Design
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Author : David Sonnenschein
language : en
Publisher:
Release Date : 2001
Sound Design written by David Sonnenschein and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Performing Arts categories.
Focusing on the importance of the soundtrack, this practical guide uses exercises and a clear text to teach the fundamentals of story creation, character development and sound creation in motion picture production.
Soundtrack Pro
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Author : Mary Plummer
language : en
Publisher: Peachpit Press
Release Date : 2006
Soundtrack Pro written by Mary Plummer and has been published by Peachpit Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Computer sound processing categories.
Soundtrack Pro, Apple's exciting sound design software, is the newest member of the Final Cut Pro Studio digital video suite-And whether you're musically impaired or musically gifted, the Soundtrack Pro guide will help you get up to speed quickly. In this Apple-certified book/DVD combo, readers will find a complete, self-paced course in all aspects of Soundtrack Pro. Author Mary Plummer guides you through the secrets of editing, repairing, mixing, and arranging multi-track audio files, as well as how to create original soundtracks, score to video, add effects, and more. Step-by-step exercises and lesson files will have readers taking advantage of Soundtrack's thousands of audio loops to create perfectly synched scores in no time. Also included are dozens of advanced sound editing tips for professional users who want to take their video, DVD, and Web projects to the next level.
Sound For Picture
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Author : Tom Kenny
language : en
Publisher: Hal Leonard Corporation
Release Date : 2000
Sound For Picture written by Tom Kenny and has been published by Hal Leonard Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Music categories.
The updated version of this popular MixBooks title--which, because of the advent of DVD, is as timely as the day the movies first appeared--features the details of assembling audio tracks for some of the highest-profile motion pictures of the 1990s, including: Titanic, The Thin Red Line, Austin Powers 2: The Spy Who Shagged Me, Yellow Submarine and The Green Mile. Also included is an exclusive interview with the dean of film mixers, Walter Murch, Larry Blake's comprehensive glossary of film sound terminology, a complete appendix of Oscar for Best Sound and Best Sound Effects Editing, and much more
Sound Design
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Author : Bastian Müller
language : en
Publisher: diplom.de
Release Date : 2008-09-05
Sound Design written by Bastian Müller and has been published by diplom.de this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-09-05 with Language Arts & Disciplines categories.
Inhaltsangabe:Abstract: In this master thesis the author explores the development of sound design from beginning of sound film until now. The paper explains the vocabulary of sound techniques, standards and devices. It describes sound design in Hollywood films by outstanding examples from prominent sound designers. The thesis links the achievement of the sound designers to the state of the art. The study depicts the interaction between technical possibilities and high demands of audiences. It gives insight into film sound history, explains the production process of film sound in detail and defines the work of a sound designer. Furthermore it contributes to the ongoing academic discussion of film sound, which was coined by researchers such as Chion, Flueckiger, Sonnenschein and Whittington. The author thoroughly analyzes key scenes by successful sound designers and illustrates with the use of examples such as King Kong (1933), Once Upon a Time in the West (1969), Terminator 2 (1991), Saving Private Ryan (1998), and King Kong (2005) amongst many others, the technical and aesthetical progress of sound design and its influence on contemporary Hollywood films. Inhaltsverzeichnis:Table of Contents: Abstract4 1.Introduction6 1.1.The Structure of This Report8 1.2.Research Method and Sources10 2.Sound Design for Film12 2.1.The Three Pillars of a Soundtrack12 2.2.Music13 2.2.1.The Leitmotif15 2.3.Dialogue19 2.4.SOUND Backgrounds, Noise and Sound Effects20 2.4.1.Backgrounds21 2.4.2.Noise21 2.4.3.Sound Effects Sound FX22 2.5.The Work of Sound Designers, Sound Editors and Film Makers22 2.6.Summary23 2.7.Sound Design Definition24 3.A Short History of Film Sound29 3.1.Early Film Sound29 3.2.Talkies - The First Movies with Dialogue30 3.3.Widescreen and Surround Sound vs. Television at Home32 3.4.The First Sound Designers33 3.5.The Digital Age - A new Era?37 4.The Production Steps39 4.1.Pre-production39 4.2.Production41 4.3.Post-Production42 4.4.Technical Developments and Their Impact45 5.The Power of Sound47 5.1.The Use of Sound as a Stylistic Tool47 5.2.How do we perceive Sound and Images?51 5.3.Silence52 5.3.1.a) Silence as symbol for death:55 5.3.2.b) Awkward feelings, unsolved conflicts, embarrassment56 5.3.3.c) Circus effect56 5.3.4.d) In connection with disorientation mainly for showdown59 5.3.5.Summary59 5.4.Counterpoint, Asynchronous Sound61 5.5.Synchresis64 5.6.Added value66 5.7.Diegetic and Non-diegetic [...]
Sound Design For Film And Television
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Author : Vesna Dakic
language : en
Publisher: GRIN Verlag
Release Date : 2009-10
Sound Design For Film And Television written by Vesna Dakic and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-10 with Music categories.
Seminar paper from the year 2007 in the subject Communications - Movies and Television, grade: 1.0, Technical University of Berlin, course: Audiovisuelle Wahrnehmung. Phänomene in der Medienrezeption, language: English, abstract: In the process of filmmaking, sound design is an relatively young creative discipline, compared with applying sound design in theatre. That has perhaps impacted the fact that the responsibilities and duties of the acoustic professionals, who are working as a sound designers on film, are still not precise determinated. Nevertheless the revolution of sound design happened exactly on the film. As a result, the film industry has devoted many of its resources to develop techniques for producing sound effects and ambience sounds that evoke emotional responses and allow the viewer to be immersed.