General History Of Taiwanese Visual Art

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General History Of Taiwanese Visual Art

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Author : Shiming Bai
language : en
Publisher:
Release Date : 2021

General History Of Taiwanese Visual Art written by Shiming Bai and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021 with Art categories.

Art And Cultural Politics In Postwar Taiwan

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Author : Jason C. Kuo
language : en
Publisher: University of Washington Press
Release Date : 2000

Art And Cultural Politics In Postwar Taiwan written by Jason C. Kuo and has been published by University of Washington Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Art categories.

Addressing the paucity of attention devoted to the uniqueness of Taiwan, Kuo (art history and archaeology, U. of Maryland) examines the country's visual arts for their embodiment of Taiwan's crises of national and cultural identities. Contents include how the Japanese colonized the Taiwanese using architecture and other visual arts, and how the Taiwanese decolonized themselves in the 1980s and 90s through the promotion of "Taiwan Consciousness." Two major modern artists of the late 50s and 60s, Chuang Che and Liu Kuo-sung, earn their own treatments, and Taiwanese artists born after WWII occupy final chapters. Lacks a subject index. Annotation copyrighted by Book News, Inc., Portland, OR

A Brief History Of Art In Taiwan

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Author : Qiongrui Xiao
language : en
Publisher:
Release Date : 2022

A Brief History Of Art In Taiwan written by Qiongrui Xiao and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with Art categories.

Refracted Modernity

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Author : Yuko Kikuchi
language : en
Publisher: University of Hawaii Press
Release Date : 2007-08-01

Refracted Modernity written by Yuko Kikuchi and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-08-01 with Art categories.

Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895–1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized. Contributors: Chao-Ching Fu, Chia-yu Hu, Yuko Kikuchi, Kaoru Kojima, Ming-chu Lai, Hsin-tien Liao, Naoko Shimazu, Toshio Watanabe, Chuan-ying Yen.

Refracted Modernity

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Author : Yuko Kikuchi
language : en
Publisher: University of Hawaii Press
Release Date : 2007-08-01

Refracted Modernity written by Yuko Kikuchi and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007-08-01 with Art categories.

Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895–1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," which was imposed by Japanese, and its relation to the "nativism" that was embraced by Taiwanese; the gendered modernity exemplified in the representation of Chinese/Taiwanese women; and the development of Taiwanese artifacts and crafts from colonial to postcolonial times, from their discovery, estheticization, and industrialization to their commodification by both the colonizers and the colonized. Contributors: Chao-Ching Fu, Chia-yu Hu, Yuko Kikuchi, Kaoru Kojima, Ming-chu Lai, Hsin-tien Liao, Naoko Shimazu, Toshio Watanabe, Chuan-ying Yen.

Arttaiwan

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Author : Museum of Contemporary Art (Sydney, N.S.W.)
language : en
Publisher: Fine Art Publishing
Release Date : 1995

Arttaiwan written by Museum of Contemporary Art (Sydney, N.S.W.) and has been published by Fine Art Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Antiques & Collectibles categories.

The Development Of Taiwanese Art

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Author : National Taïwan museum of fine arts
language : en
Publisher:
Release Date : 2004*

The Development Of Taiwanese Art written by National Taïwan museum of fine arts and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004* with categories.

A History Of Art In 20th Century China

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Author : 吕澎
language : en
Publisher:
Release Date : 2010

A History Of Art In 20th Century China written by 吕澎 and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Art categories.

This book allows access to the complete history of the development of Chinese art during the 20th century. An editorial that shows the huge framework of Chinese art world events and the much denser meanings that have shaped the emergence of Chinese modernism not only in mainland China, Taiwan and Hong Kong, but also in major centres such as Paris and Tokyo. Unveiling new viewpoints and specialties, the book guides the reader through the transformation of a visual culture. Once considered "exotic" by the West, it is now at the forefront of contemporary and post-modern innovation. -- Provided by publisher.

Taiwan Under Japanese Colonial Rule 1895 1945

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Author : Binghui Liao
language : en
Publisher: Columbia University Press
Release Date : 2006

Taiwan Under Japanese Colonial Rule 1895 1945 written by Binghui Liao and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2006 with Taiwan categories.

The first study of colonial Taiwan in English, this volume brings together seventeen essays by leading scholars to construct a comprehensive cultural history of Taiwan under Japanese rule. Contributors from the United States, Japan, and Taiwan explore a number of topics through a variety of theoretical, comparative, and postcolonial perspectives, painting a complex and nuanced portrait of a pivotal time in the formation of Taiwanese national identity. Essays are grouped into four categories: rethinking colonialism and modernity; colonial policy and cultural change; visual culture and literary expressions; and from colonial rule to postcolonial independence. Their unique analysis considers all elements of the Taiwanese colonial experience, concentrating on land surveys and the census; transcolonial coordination; the education and recruitment of the cultural elite; the evolution of print culture and national literature; the effects of subjugation, coercion, discrimination, and governmentality; and the root causes of the ethnic violence that dominated the postcolonial era. The contributors encourage readers to rethink issues concerning history and ethnicity, cultural hegemony and resistance, tradition and modernity, and the romancing of racial identity. Their examination not only provides a singular understanding of Taiwan's colonial past, but also offers insight into Taiwan's relationship with China, Japan, and the United States today. Focusing on a crucial period in which the culture and language of Taiwan, China, and Japan became inextricably linked, Taiwan Under Japanese Colonial Rule effectively broadens the critique of colonialism and modernity in East Asia.

China Art Modernity

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Author : David Clarke
language : en
Publisher: Hong Kong University Press
Release Date : 2019-01-22

China Art Modernity written by David Clarke and has been published by Hong Kong University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-01-22 with Art categories.

China—Art—Modernity provides a critical introduction to modern and contemporary Chinese art as a whole. It illuminates what is distinctive and significant about the rich range of art created during the tumultuous period of Chinese history from the end of Imperial rule to the present day. The story of Chinese art in the twentieth and twenty-first centuries is shown to be deeply intertwined with that of the country’s broader socio-political development, with art serving both as a tool for the creation of a new national culture and as a means for critiquing the forms that culture has taken. The book’s approach is inclusive. In addition to treating art within the Chinese Mainland itself during the Republican and Communist eras, for instance, it also looks at the art of colonial Hong Kong, Taiwan and the Chinese diaspora. Similarly, it gives equal prominence to artists employing tools and idioms of indigenous Chinese origin and those who engage with international styles and contemporary media. In this way it writes China into the global story of modern art as a whole at a moment in intellectual history when Western-centred stories of modern and contemporary culture are finally being recognized as parochial and inadequate. Assuming no previous background knowledge of Chinese history and culture, this concise yet comprehensive and richly-illustrated book will appeal to those who already have an established interest in modern Chinese art and those for whom this is a novel topic. It will be of particular value to students of Chinese art or modern art in general, but it is also for those in the wider reading public with a curiosity about modern China. At a time when that country has become a major actor on the world stage in all sorts of ways, accessible sources of information concerning its modern visual culture are nevertheless surprisingly scarce. As a consequence, a fully nuanced picture of China’s place in the modern world remains elusive. China—Art—Modernity is a timely remedy for that situation. ‘Here is a book that offers a comprehensive account of the dizzying transformations of Chinese art and society in the twentieth and twenty-first centuries. Breaking free of conventional dichotomies between traditional and modern, Chinese and Western that have hobbled earlier studies, Clarke’s highly original book is exactly what I would assign my own students. Anyone eager to understand developments in China within the global history of modern art should read this book.’ —Robert E. Harrist Jr., Columbia University ‘Clarke’s book presents a critically astute mapping of the arts of modern and contemporary China. It highlights the significance of urban and industrial contexts, migration, diasporas and the margins of the mainland, while imaginatively seeking to inscribe its subject into the broader story of modern art. A timely and reliable intervention—and indispensable for the student and non-specialist reader.’ —Shane McCausland, SOAS University of London