Grade 3 Viola Sight Reading Intensive Exercise
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Grade 3 Viola Sight Reading Intensive Exercise
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Author : Regina Regina Pratley
language : en
Publisher:
Release Date : 2019-03-31
Grade 3 Viola Sight Reading Intensive Exercise written by Regina Regina Pratley and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-31 with categories.
This book is written for students who are going to take the ABRSM grade 3 viola exam. 60 original tunes written by the author are designed for students who want more sight reading exercise in the standard of the exam. Tricky things that frequently appear in the sight reading part are included in the pieces of this book so that students can have more practice on them and avoid making mistakes in the real exam! If you want to prepare better for the sight reading part of your viola exam, this book is definitely for you!
Grade 5 Viola Sight Reading Intensive Exercise
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Author : Regina Regina Pratley
language : en
Publisher:
Release Date : 2020-01-29
Grade 5 Viola Sight Reading Intensive Exercise written by Regina Regina Pratley and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-01-29 with categories.
This book is written for students who are going to take the Associated Board (ABRSM) grade 5 viola exam. 60 original tunes written by the author are designed for students who want more sight reading exercise in the standard of the exam. Tricky things that frequently appear in the sight reading part are included in the pieces of this book so that students can have more practice on them and avoid making mistakes in the real exam! If you want to prepare better for the sight reading part of your viola exam, this book is definitely for you! For full catalog of my books and updates, please visit: www.reginapratley.com.
Grade 4 Viola Sight Reading Intensive Exercise
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Author : Regina Regina Pratley
language : en
Publisher:
Release Date : 2019-05-30
Grade 4 Viola Sight Reading Intensive Exercise written by Regina Regina Pratley and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-05-30 with categories.
This book is written for students who are going to take the ABRSM grade 4 viola exam. Over 50 original tunes written by the author are designed for students who want more sight reading exercise in the standard of the exam. Tricky things that frequently appear in the sight reading part are included in the pieces of this book so that students can have more practice on them and avoid making mistakes in the real exam! If you want to prepare better for the sight reading part of your viola exam, this book is definitely for you!
Grade 2 Viola Sight Reading Intensive Exercise
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Author : Regina Regina Pratley
language : en
Publisher:
Release Date : 2019-03-30
Grade 2 Viola Sight Reading Intensive Exercise written by Regina Regina Pratley and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-30 with categories.
This book is written for students who are going to take the ABRSM grade 2 viola exam. 60 original tunes written by the author are designed for students who want more sight reading exercise in the standard of the exam. Tricky things that frequently appear in the sight reading part are included in the pieces of this book so that students can have more practice on them and avoid making mistakes in the real exam! If you want to prepare better for the sight reading part of your viola exam, this book is definitely for you!
Grade 1 Viola Sight Reading Intensive Exercise
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Author : Regina Regina Pratley
language : en
Publisher:
Release Date : 2019-03-28
Grade 1 Viola Sight Reading Intensive Exercise written by Regina Regina Pratley and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-28 with categories.
This book is written for students who are going to take the ABRSM grade 1 viola exam. 60 original tunes written by the author are designed for students who want more sight reading exercise in the standard of the exam. Tricky things that frequently appear in the sight reading part are included in the pieces of this book so that students can have more practice on them and avoid making mistakes in the real exam! If you want to prepare better for the sight reading part of your viola exam, this book is definitely for you!
Improve Your Sight Reading Piano Grade 3
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Author : Paul Harris
language : en
Publisher: Faber Music Ltd
Release Date : 2018-07-25
Improve Your Sight Reading Piano Grade 3 written by Paul Harris and has been published by Faber Music Ltd this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-07-25 with Music categories.
The full eBook version of Improve Your Sight-Reading! Grade 3 in fixed-layout format - part of the best-selling series by Paul Harris guaranteed to improve your sight-reading! This workbook helps the player overcome problems, by building up a complete picture of each piece, through rhythmic and melodic exercises related to specific technical issues, then by studying prepared pieces with associated questions, and finally going solo with a series of meticulously-graded sight-reading pieces. This edition has been completely re-written, with exercises and pieces to support the Associated Board's sight-reading requirements from 2009. Improve Your Sight-Reading! will help you improve your reading ability, and with numerous practice tests included, will ensure sight-reading success in graded exams.
Viola Sight Reading 1
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Author : John Kember
language : de
Publisher: Schott Music
Release Date : 2020-09-04
Viola Sight Reading 1 written by John Kember and has been published by Schott Music this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-04 with Music categories.
- An approach based on self-learning and recognition of rhythmic and melodic patterns. - Original tunes, rather than abstract sight-reading exercises. - 214 carefully graded pieces in a range of musical styles. - Eight sections ranging from open strings to 3rd position. - Each section concludes with a set of duets and accompanied pieces for practice of ensemble sight-reading. - Tunes progress towards all key signatures up to three sharps and flats. - Preliminary towards grade 5.
300 Progressive Sight Reading Exercises For Viola Large Print Version
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Author : Robert Anthony
language : en
Publisher: CreateSpace
Release Date : 2015-01-05
300 Progressive Sight Reading Exercises For Viola Large Print Version written by Robert Anthony and has been published by CreateSpace this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-01-05 with categories.
THIS IS THE LARGE PRINT VERSION OF THIS BOOK: It was designed to be easy to SEE on a Kindle or for the vision impaired. The print is VERY LARGE on purpose. For the Large Print Version, the 300 exercises are broken down into two books. Part One contains exercises 1-150 and Part Two contains exercises 151-300. THIS IS NOT A METHOD BOOK. It is precisely what it says it is: 300 Progressive Sight Reading Exercises! Volume One is comprised of 300 progressive eight-bar exercises that cover the keys of C Major, F Major, G Major, A Minor, D Minor and E Minor. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). The remaining key signatures, additional time signatures, tempo markings and dynamics markings will be covered in future volumes. All of the exercises are eight measures long. Many sonatinas, jazz standards, and pop songs use "32 Bar Form" (A A B A), "Binary Form" (A B), and "Ternary Form" (A B A), with each section often being eight bars. Thus, eight measures (one 'period' of music) makes the perfect length for sight-reading studies in my opinion. How to use this book: Start where the exercises begin and work across the book - from exercise 1, 5, 9, 13 and so on until you get to a point where the music challenges you and then mark your ending point. The next practice, play exercises 2, 6, 10, 14, and so on... The next: 3, 7, 11, 15 and so on, and finally 4, 8, 12, 16, and so on. If you want to work at your "break point" (the point in the book where you can no longer play musically), work DOWN the page instead of across the pages. "These books differ from conventional 'methods' in that technical and theoretical instructions have been omitted, in the belief that these are more appropriately left for the teacher to explain to the student." - Bela Bartok, Mikrokosmos. I whole-heartedly agree with Bartok's sentiment and if music teachers would ask their students what they like least (or hate the most) about typical lessons, it is the method books that win this contest EVERY TIME. I have completely eliminated method books from my own teaching practice and have much happier and more productive students than ever. While this book is intended to train sight-reading skills, it may also be used by beginners or those new to reading to acquire basic reading skills, but it assumes one either has a teacher or can at least find C on their instrument. It starts at a very basic level (only three notes) and adds a new note, rhythm, or concept every four exercises and thoroughly reinforces them throughout the rest of the book. Next, the music's composition is a slave to its function: The purpose of the books is to train reading skill, and the exercises keep challenging the range that has been established by previous exercises as well as less-than-convenient intervalic skips. They are composed from a 'music-first' perspective, as opposed to an 'instrument-first' perspective, and are purposely composed to be difficult to memorize. For example, the first exercises begin on C because they are in the key of C, and then go on to sometimes start and end on different scale degrees of the same key. Those familiar with the Fundamental Modes will likely recognize what they are hearing, but those unfamiliar with these modes will likely be hearing something that sounds a bit different, or odd, until their ears acclimate to these sounds. I see many students go through this process with altered dominants and augmented triads as well. Additionally, a 20th-century composition technique (Bartok, Stravinsky) - Serial Composition - has also been used on several of the pieces, so if your ears are unfamiliar with this type of music, you might at first be uncomfortable with what you are hearing.
Viola Sight Reading 2
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Author : John Kember
language : de
Publisher: Schott Music
Release Date : 2020-09-04
Viola Sight Reading 2 written by John Kember and has been published by Schott Music this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-09-04 with Music categories.
- An approach based on self-learning and recognition of rhythmic and melodic patterns - Original tunes not abstract sight-reading exercises - 150 carefully graduated pieces in a range of musical styles - Five sections related to the technical development of the viola player - Tunes progress to eventually include key signatures up to five sharps and flats; whole-tone, chromatic, modal and atonal elements are also incorporated - Each section concludes with duets and accompanied pieces for practice of ensemble sight-reading - Tunes range from Grade 4 to advanced
Sight Reading Trainer
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Author : Robert Kay
language : en
Publisher: MusicOnline UK
Release Date : 2020-11-17
Sight Reading Trainer written by Robert Kay and has been published by MusicOnline UK this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-17 with Juvenile Nonfiction categories.
Sight Reading is a skill in which many people concentrate just on the pitch and forget about the rhythm.Most students focus primarily on getting the notes the correct pitch at the expense of keeping the beat going. However, if you look at the ABRSM marking criteria for a sight reading test, the FIRST thing that is mentioned for a distinction is, “Fluent, rhythmically accurate” (followed by “accurate notes/pitch/key”).Sight Reading Trainer will change the way you sight read. It is not just a series of specimen sight reading tests like you can buy in the ABRSM Specimen Sight Reading Grade Books. The examples in this book are designed to be played with an accompanying audio track which can be downloaded for free at: www.music-online.org.uk/p/sight-readingtrainer.htmlThis will improve your rhythm and fluency when sight reading. Another hindrance to effective sight reading is poor “Piano Geography”. This is the ability to feel your way around the piano without looking at your hands. Be honest - when you sight read, are you continually looking at your hands? It’s something I call, "watching vertical tennis", where your eyes travel up and down between hand and book for virtually every note or chord. No wonder your sight reading is hesitant and lacking fluency.With this in mind, throughout the course there are some “Piano Geography” tests which MUST BE PLAYED WITHOUT LOOKING AT YOUR HANDS.The third factor that will contribute to better sight reading is visualizing the music in your head (especially rhythm) before you even play a note and this includes how to use your preparation time effectively.In an ABRSM exam for example, you are given 30 seconds to prepare. How you use this 30 seconds, is key to effective sight reading. DON'T just start playing from the beginning. Rather, the first thing you should do is get a sense of the key you are in and if you are taking an early Grade (1-2), simply find the hand position for each hand before playing a note. Throughout this course you will also find some “Instant Hand Position or Key Signature Recognition” tests.Then, concentrating on the rhythm, try and visualize in your head how the music should sound, again before you even play a note. This will also include other stylistic markings such as dynamics and articulation. Getting the right pitch is only a small part of what the examiner is looking for. Below each test in this course, there will be hints of details to look out for, before you even play a note.The last thing mentioned in the marking criteria for a distinction is “Confident presentation”. A sight reading test is an assessment on how well you can convey the music as a whole performance, NOT if you can recognise the pitches A, B, C etc - that is a theory exam!!Finally - a word on mistakes. If you do miss a note, DON’T go back and correct it, you’ll only upset the flow and rhythm of the music and this effectively then counts as a 2nd mistake. You can’t erase the first mistake, and the examiner is not interested if you can improve on your wrong note, he wants to hear a performance of the music as a whole, which conveys as best you can, the character of the piece.