Haiku D
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Haiku D Amore
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Author : Duilio Chiarle
language : it
Publisher: Lulu.com
Release Date : 2011
Haiku D Amore written by Duilio Chiarle and has been published by Lulu.com this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011 with categories.
Haiku Before Haiku
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Author : Steven D. Carter
language : en
Publisher: Columbia University Press
Release Date : 2011-02-05
Haiku Before Haiku written by Steven D. Carter and has been published by Columbia University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-02-05 with Literary Criticism categories.
While the rise of the charmingly simple, brilliantly evocative haiku is often associated with the seventeenth-century Japanese poet Matsuo Basho, the form had already flourished for three hundred years before Basho even began to write. These early poems, known as hokku, are identical to haiku in syllable count and structure but function differently as a genre. Whereas each haiku is its own constellation of image and meaning, hokku opens a a series of linked, collaborative stanzas in a sequence called renga. Under the mastery of Basho, hokku first gained its modern independence. His talents evolved the style into the haiku beloved by so many poets today& mdash;Richard Wright, Jack Kerouac, and Billy Collins being notable devotees. This anthology reproduces 300 Japanese hokku poems composed between the thirteenth and early eighteenth centuries, from the work of the courtier Nijo Yoshimoto to the genre's first "professional" master, Sogi, and his subsequent disciples. It also features twenty masterpieces by Basho himself. Steven Carter, a renowned scholar of Japanese poetry and prominent translator, includes an introduction covering the history of haiku and the form's aesthetics and classifies these poems according to style and context& mdash;distinguishing early renga from Haikai renga and renga from the Edo period, for example. His rich commentary and analysis illuminates each work, and he adds their romanized versions and notes on composition and setting, as well as brief descriptions of the poets and the times in which they wrote.
Song Of The Egret
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Author : Milton D. Heifetz, M.D.
language : en
Publisher: Author House
Release Date : 2009-11-01
Song Of The Egret written by Milton D. Heifetz, M.D. and has been published by Author House this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-11-01 with Poetry categories.
Poignant Moments is a collection of Haiku poetry inspired by nature and the seasons written by a Callifornia neurosurgeon.
Rise Ye Sea Slugs
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Author : Robin D Gill
language : en
Publisher: Paraverse Press
Release Date : 2003
Rise Ye Sea Slugs written by Robin D Gill and has been published by Paraverse Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Poetry categories.
Rise, Ye Sea Slugs! is a book of many faces. First, it is a book of translated haiku and contains over 900 of these short Japanese poems in the original (smoothly inserted in the main body),with phonetic and literal renditions, as well as the authors English translations and explanations. All but a dozen or two of the haiku are translated for the first time. There is an index of poets, poems and a bibliography. Second, it is a book of sea slug haiku, for all of the poems are about holothurians, which scientists prefer to call sea cucumbers. (The word cucumber is long for haiku and metaphorically unsuitable for many poems, so poetic license was taken.) With this book, the namako, as the sea cucumber is called in Japanese, becomes the most translated single subject in haiku, surpassing the harvest moon, the snow, the cuckoo, butterflies and even cherry blossoms. Third, it is a book of original haiku. While the authors original intent was to include only genuine old haiku (dating back to the 17th century), modern haiku were added and, eventually, Keigu (Gills haiku name) composed about a hundred of his own to help fill out gaps in the metaphorical museum. For many if not most modern haiku taken from the web, it is also their first time in print! Fourth, it is a book of metaphor. How may we arrange hundreds of poems on a single theme? Gill divides them into 21 main metaphors, including the Cold Sea Slug, the Mystic Sea Slug, the Helpless Sea Slug, the Slippery Sea Slug, the Silent Sea Slug, and the Melancholy Sea Slug, giving each a chapter, within which the metaphors may be further subdivided, and adds a 100 pages of Sundry Sea Slugs (scores of varieties including Monster, Spam, Flying, Urban Myth, and Exploding). Fifth, it is a book on haiku. E ditors usually select only the best haiku, but, Gill includes good and bad haiku by everyone from the 17th century haiku master to the anonymous haiku rejected in some internet contest. This is not to say all poems found were included, but that the standard was along more taxonomic or encyclopedic lines: poems that filled in a metaphorical or sub-metaphorical gap were always welcome. Also, Gill shows there is more than one type of good haiku. These are new ways to approach haiku. Sixth, it is a book on translation. There are approximately 2 translations per haiku, and some boast a dozen. These arearranged in mixed single, double and triple-column clusters which make each reading seem a different aspect of a singular, almost crystalline whole. The authors aim is to demonstrate that multiple reading (such as found in Hofstadters Le Ton Beau de Marot) is not only a fun game but a bona fide method of translating, especially useful for translating poetry between exotic tongues. Seventh, it is a book of nature writing, natural history or metaphysics (in the Emersonian sense). Gill tried to compile relevant or interesting (not necessarily both) historical -- this includes the sea slug in literature, English or Japanese, and in folklore -- and scientific facts to read haiku in their light or, conversely, bringor wring out science from haiku. Unlike most nature writers, Gill admits to doing no fieldwork, but sluggishly staying put and relying upon reportsfrom more mobile souls. Eighth, it is a book about food symbolism. The sea cucumber is noticed by Japanese because they eat it; the eating itselfinvolves physical difficulties (slipperiness and hardness) and pleasures from overcoming them. It is also identified with a state of mind, where you are what you eat takes on psychological dimensions not found in the food literature of the West. Ninth, it is a book about Japanese culture. Gill does not set out to explain Japan, and the sea slug itself is silent;but the collection of poems and their explanations, which include analysis by poets who responded to the author's questions as well has historical sources, take us all around the culture, from ancient myths to contemporary dreams. Tenth, it is a book about sea cucumbers. While most species of sea cucumbers are not mentioned and the coverage of the Japanese sea cucumber is sketchy from the scientific point of view, Gill does introduce this animal graced to live with no brain thanks to the smart materials comprising it and blessed for sucking in dirty sediment and pooping it out clean. Eleventh, it is a book about ambiguity. Gill admits there is much that cannot be translated, much he cannot know and much to be improved in future editions, for which purpose he advises readers to see the on-line Glosses and Errata in English and Japanese. His policy is to confide in, rather than slip by the reader unnoticed, in the manner of the invisible modern translator and allow the reader to makechoices or choose to allow multiple possibilities to exist by not chosing.Twelfth, the book is the first of dozens of spin-offs from a twenty-book haiku saijiki (poetic almanac) called In Praise of Olde Haiku (IPOOH, for short) Gill hopes to finish within the decade. Thirteenth. The book is a novelty item. It has a different (often witty) header (caption) on top of each page and copious notes that are rarely academic and oftehumorous.
Haiku The Sacred Art
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Author : Margaret D. McGee
language : en
Publisher: SkyLight Paths Publishing
Release Date : 2009
Haiku The Sacred Art written by Margaret D. McGee and has been published by SkyLight Paths Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009 with Poetry categories.
In this encouraging guide for both beginning and experienced haiku writers, Margaret D. McGee shows how writing haiku can be a consciously spiritual practice for seekers of any faith tradition or no tradition.
Lenard D Moore And African American Haiku
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Author : Ce Rosenow
language : en
Publisher: Rowman & Littlefield
Release Date : 2022-07-26
Lenard D Moore And African American Haiku written by Ce Rosenow and has been published by Rowman & Littlefield this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-07-26 with Literary Criticism categories.
Lenard D. Moore and African American Haiku: Merging Traditions identifies Moore as a primary figure in the American Haiku Movement as well as a significant contributor to the field of African American haiku. Ce Rosenow analyzes the ways in which Moore combines haiku with a variety of other traditions: African American storytelling, jazz poetry, ekphrasis, and elegies. An examination of Moore’s haibun, a Japanese form combining prose and haiku, reveals the further development of the African American aesthetic created in his individual poems. Ultimately, the author argues that Moore’s decades-long engagement with haiku and his prolific publication history solidify haiku as an established form in African American poetry.
Metamorphosis
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Author : DL Heather
language : en
Publisher:
Release Date : 2019-06-27
Metamorphosis written by DL Heather and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-06-27 with categories.
Haiku is a highly distilled form of Japanese poetry, consisting of seventeen syllables, divided between three lines. Though brief, each haiku tells a story. Haiku often has a seasonal tie-in and contains a hidden dualism, as well as specific word images that reveal deeper layers in each poem. In Metamorphosis, the poet presents 50 emotionally charged haiku poems--on themes such as love, heartbreak, longing and survival.
Haiku In Concrete
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Author : Bruce Kingery Ed.D.
language : en
Publisher: Xlibris Corporation
Release Date : 2012-01-16
Haiku In Concrete written by Bruce Kingery Ed.D. and has been published by Xlibris Corporation this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-01-16 with Poetry categories.
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Himalayan Pink Salt Closest I Ll Get To Everest
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Author : Hanoch Guy Kaner
language : en
Publisher: AuthorHouse
Release Date : 2022-03-31
Himalayan Pink Salt Closest I Ll Get To Everest written by Hanoch Guy Kaner and has been published by AuthorHouse this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-03-31 with Poetry categories.
Hanoch Guy Kaner calls these poems "micro-poems," and as such they need not be subject to or constrained by comparisons with English approximations of 'haiku' nor the conventions that govern such according to any given arbiter of what and what is not––if anything is, a 'haiku' in English. Still, these poems may be read as Hanoch Guy Kaner's own sense of what a 'haiku-like' poem in English can and may do. For, Hanoch Guy Kaner is a polymorphous poet; he is polymorphous-in-verse. Through an imaginative empathetic resonance, and because he is polymorphous poetic, he has intuited (from within, and because of, his own poetry writing) something Basho taught: “When you use words as kireji, every word becomes kireji. When you do not use words as kireji, there are no words which are kireji. From this point, grasp the very depth of the nature of kireji on your own.” These micro-poems use words as kireji; thus every word of them has become kireji. These poems are written in, call it, the 'disjunctive tense'––"the now, the here, through which all future plunges to the past," as Joyce wrote. Each line of a poem is disjunctive, working with and against itself, with and against those lines before and after. The poem is not trying to 'be in the moment' while trying not to be 'caught' in remembering the past (that illusory, false impasse), no. These are poems of "afterwards-ness," nochdemkeyt, the after-now, the recollected-present, awakening the moment-after. For Hanoch Guy Kaner, each of these poems is a haiku d'état, a "finale of seem." They are too, sometimes, what the poet Rachel Bluwstein named, "flowers of Maybe." From this point, Hanoch Guy Kaner invites us to grasp the very depth of the nature of "the now, the here" on our own. --Robert G. Margolis
Haiku From My Journey
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Author : Martha D. Matteson
language : en
Publisher:
Release Date : 2010-02
Haiku From My Journey written by Martha D. Matteson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-02 with Fiction categories.
What in the world is haiku? Haiku is a form of Japanese poetry containing only seventeen syllables in each brief poem (five syllables in line one; seven syllables in line two; and five syllables in line three). Every syllable in a haiku poem is important. Although many haiku poems have references to nature there are no limits to the topics haiku poetry may embrace. CLUTTER "Where are my car keys?" "I cannot find my checkbook!" "Have you seen my purse?" Clutter everywhere Closing in around my neck I don't want to drown! Often haiku poetry reflects matters of faith. Listening for God. Waiting, silent, expecting a theophany. Lord, what do you want? What would you like me to do? I am listening. This book contains more than 550 haiku poems taken from the life experiences of the writer. Enjoy them all at once or savor them one at a time. You are sure to find many which speak to where you are.