Hanns Heinz Ewers Und Der Phantastische Film
DOWNLOAD
Download Hanns Heinz Ewers Und Der Phantastische Film PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Hanns Heinz Ewers Und Der Phantastische Film book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages. If the content not found or just blank you must refresh this page
Hanns Heinz Ewers Und Der Phantastische Film
DOWNLOAD
Author : Reinhold Keiner
language : de
Publisher:
Release Date : 2019-10
Hanns Heinz Ewers Und Der Phantastische Film written by Reinhold Keiner and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-10 with categories.
Hanns Heinz Ewers Und Der Phantastische Film
DOWNLOAD
Author : Reinhold Keiner
language : de
Publisher: MEDIA Net-Kassel
Release Date : 2012-08-27
Hanns Heinz Ewers Und Der Phantastische Film written by Reinhold Keiner and has been published by MEDIA Net-Kassel this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-08-27 with Art categories.
Hanns Heinz Ewers trat als erster deutscher Schriftsteller bereits vor 1914 entschieden für die Belange der Kinematografie ein. Neben seinem theoretischen Engagement schrieb der enthusiastische Verehrer des 'Rollfilms' auch für die Filmindustrie Manuskripte, u.a. ist er der Autor des ersten deutschen ,Kunstfilms', DER STUDENT VON PRAG (1913) - das phantastische Thema, die Persönlichkeitsspaltung, signalisierte bereits ein Merkmal des sogenannten Filmexpressionismus der 1920er Jahre.
Der Fantastische Film
DOWNLOAD
Author : Oliver Jahraus
language : de
Publisher: Königshausen & Neumann
Release Date : 2005
Der Fantastische Film written by Oliver Jahraus and has been published by Königshausen & Neumann this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Fantasy films categories.
Das Phantastische ist nicht nur ein thematischer Bereich in den Texten und Filmen des Genres, sondern verweist immer zugleich auch auf spezifische Eigenschaften und Möglichkeiten des Mediums, nicht zuletzt des Films, und bekommt so selbst mediale Qualitäten. Der Band zeigt an zen-tralen Beispielen, wie im Medium des Phantastischen auf jeweils spezifische Weise Problempotenziale der Zeit aufgegriffen, be- und verarbeitet werden, insbesondere Fragen nach der Wirklichkeit des Menschen und der Erfahrbarkeit seiner Welt. Vorwort - W. Martynkewicz: Von der Fremdheit des Ichs. Das Doppelgängermotiv in Der Student von Prag (1913) - J. Pankau u. J. Thiele: Ein seltsamer Fall: Die Herstellung des Anderen in Dr. Jekyll and Mr. Hyde (USA 1931) - M. Meyer: Frankenstein: Monströse Transformationen in Text und Film - G. E. Grimm: Monster und Galan. Graf Draculas filmische Metamorphosen - C. Houswitschka: Burned to Light: Die Rezeption von F.W. Murnaus Nosferatu (1922) in E. Elias Merhiges Shadow of the Vampire - K. Köhring: Field of Dreams: Vom Amerikanischen Traum als zweiter Chance - S. Kyora: Im Körper des Anderen: Being John Malkovich - G. Rösch: Wächst das Rettende auch? Die Konzeptualisierung und Visualisierung des Bösen in den Filmen Harry Potter I u. II und Men in Black I u. II - O. Jahraus: Die Matrix der Welterkenntnis. Philosophische und religiöse Momente des Phantastischen in Matrix I u. II - S. Neuhaus: Allegorien der Macht: Batman und Spiderman.
Gender And The Uncanny In Films Of The Weimar Republic
DOWNLOAD
Author : Anjeana K. Hans
language : en
Publisher: Wayne State University Press
Release Date : 2014-09-15
Gender And The Uncanny In Films Of The Weimar Republic written by Anjeana K. Hans and has been published by Wayne State University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-09-15 with Performing Arts categories.
The Weimar period in Germany was a time of radical change, when the traditions and social hierarchies of Imperial Germany crumbled, and a young, deeply conflicted republic emerged. Modernity brought changes that reached deep into the most personal aspects of life, including a loosening of gender roles that opened up new freedoms and opportunities to women. The screen vamps, garçonnes, and New Women in this movie-hungry society came to embody the new image of womanhood: sexually liberated, independent, and—at least to some—deeply threatening. In Gender and the Uncanny in Films of the Weimar Republic, author Anjeana K. Hans examines largely forgotten films of Weimar cinema through the lens of their historical moment, contemporary concerns and critiques, and modern film theory to give a nuanced understanding of their significance and their complex interplay between gender, subjectivity, and cinema. Hans focuses on so-called uncanny films, in which terror lies just under the surface and the emancipated female body becomes the embodiment of a threat repressed. In six chapters she provides a detailed analysis of each film and traces how filmmakers simultaneously celebrate and punish the transgressive women that populate them. Films discussed include The Eyes of the Mummy (Die Augen der Mumie Mâ, Ernst Lubitsch, 1918), Uncanny Tales (Unheimliche Geschichten, Richard Oswald, 1919), Warning Shadows (Schatten: Eine nächtliche Halluzination, Artur Robison, 1923), The Hands of Orlac (Orlacs Hände, Robert Wiene, 1924), A Daughter of Destiny (Alraune, Henrik Galeen,1928), and Daughter of Evil (Alraune, Richard Oswald, 1930). An introduction contextualizes Weimar cinema within its unique and volatile social setting. Hans demonstrates that Weimar Germany’s conflicting emotions, hopes, and fears played out in that most modern of media, the cinema. Scholars of film and German history will appreciate the intriguing study of Gender and the Uncanny in Films of the Weimar Republic.
The Horror Film
DOWNLOAD
Author : Stephen Prince
language : en
Publisher: Rutgers University Press
Release Date : 2004-02-09
The Horror Film written by Stephen Prince and has been published by Rutgers University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004-02-09 with Performing Arts categories.
In this volume, Stephen Prince has collected essays reviewing the history of the horror film and the psychological reasons for its persistent appeal, as well as discussions of the developmental responses of young adult viewers and children to the genre. The book focuses on recent postmodern examples such as The Blair Witch Project. In a daring move, the volume also examines Holocaust films in relation to horror. Part One features essays on the silent and classical Hollywood eras. Part Two covers the postWorld War II era and discusses the historical, aesthetic, and psychological characteristics of contemporary horror films. In contrast to horror during the classical Hollywood period, contemporary horror features more graphic and prolonged visualizations of disturbing and horrific imagery, as well as other distinguishing characteristics. Princes introduction provides an overview of the genre, contextualizing the readings that follow. Stephen Prince is professor of communications at Virginia Tech. He has written many film books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 19301968, and has edited Screening Violence, also in the Depth of Field Series.
Film An International Bibliography
DOWNLOAD
Author : Malte Hagener
language : en
Publisher: Springer
Release Date : 2016-12-16
Film An International Bibliography written by Malte Hagener and has been published by Springer this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-16 with Performing Arts categories.
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
The History Of German Literature On Film
DOWNLOAD
Author : Christiane Schönfeld
language : en
Publisher: Bloomsbury Publishing USA
Release Date : 2023-06-15
The History Of German Literature On Film written by Christiane Schönfeld and has been published by Bloomsbury Publishing USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-06-15 with Literary Criticism categories.
This book tells the story of German-language literature on film, beginning with pioneering motion picture adaptations of Faust in 1897 and early debates focused on high art as mass culture. It explores, analyzes and contextualizes the so-called 'golden age' of silent cinema in the 1920s, the impact of sound on adaptation practices, the abuse of literary heritage by Nazi filmmakers, and traces the role of German-language literature in exile and postwar films, across ideological boundaries in divided Germany, in New German Cinema, and in remakes and movies for cinema as well as television and streaming services in the 21st century. Having provided the narrative core to thousands of films since the late 19th century, many of German cinema's most influential masterpieces were inspired by canonical texts, popular plays, and even children's literature. Not being restricted to German adaptations, however, this book also traces the role of literature originally written in German in international film productions, which sheds light on the interrelation between cinema and key historical events. It outlines how processes of adaptation are shaped by global catastrophes and the emergence of nations, by materialist conditions, liberal economies and capitalist imperatives, political agendas, the mobility of individuals, and sometimes by the desire to create reflective surfaces and, perhaps, even art. Commercial cinema's adaptation practices have foregrounded economic interest, but numerous filmmakers throughout cinema history have turned to German-language literature not simply to entertain, but as a creative contribution to the public sphere, marking adaptation practice, at least potentially, as a form of active citizenship.
Ministry Of Illusion
DOWNLOAD
Author : Eric Rentschler
language : en
Publisher: Harvard University Press
Release Date : 1996-10
Ministry Of Illusion written by Eric Rentschler and has been published by Harvard University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996-10 with History categories.
Overview of Nazi cinema
German National Cinema
DOWNLOAD
Author : Sabine Hake
language : en
Publisher: Routledge
Release Date : 2008
German National Cinema written by Sabine Hake and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008 with Business & Economics categories.
Sabine Hake traces German film's relationship with other national cinemas and popular culture as a whole, and focuses on key themes including genre, audiences and stars. This fully revised and updated new edition will be required reading for everyone interested in German film and the history of modern Germany.
Der Phantastische Film
DOWNLOAD
Author : Claudia Pinkas
language : de
Publisher: Walter de Gruyter
Release Date : 2010-09-22
Der Phantastische Film written by Claudia Pinkas and has been published by Walter de Gruyter this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-09-22 with Literary Criticism categories.
Während die Literaturwissenschaft auf eine mittlerweile vier Jahrzehnte andauernde intensive Auseinandersetzung mit dem Phänomen und Begriff des Phantastischen zurückblicken kann, hat die Filmwissenschaft bislang keine vergleichbaren Ansätze einer Engfassung und Theoretisierung des phantastischen Films entwickelt. Die Arbeit unternimmt einen ersten Schritt dazu, das von der strukturalistischen Literaturwissenschaft entwickelte, narratologische Modell des Phantastischen systematisch für den fiktionalen Spielfilm zu adaptieren, wobei dieses Modell jedoch dahingehend zu erweitern und zu modifizieren ist, dass es den speziellen Bedingungen des filmischen Erzählens gerecht wird. Ein Schlüsselbegriff ist dabei der der Instabilität, die sich sowohl auf die narrative Vermittlung des Dargestellten als auch auf die erzählte Welt erstreckt. Phantastisches Erzählen ist, wie die Arbeit zeigt, stets ein mehrdeutiges, destabilisierendes Erzählen, das aus der Spannung zwischen der Evokation einer ins Wanken geratenen, mittels des rationalen Verstandes nicht mehr entzifferbaren erzählten Welt und spezifischen Verfahren der narrativen Präsentation der Ereignisse entsteht. Im Einzelnen untersucht werden instabile und mehrdeutige Wahrnehmungsperspektiven (Fokalisierungen), Durchbrechungen und Auflösungen der raumzeitlichen Kontinuität, destabilisierte Erzählerinstanzen, Verschachtelungen der Erzählebenen sowie die Kategorien der Figur, des Raums und das grenzüberschreitende Ereignis der Inszenierung virtueller Medienrealitäten im phantastischen Film. Die Arbeit greift dabei auf Beispiele von der Frühzeit des fiktionalen Films bis zur Gegenwart zurück und bezieht verschiedene nationale Kinematographien ein.