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Harmonic Function In Chromatic Music


Harmonic Function In Chromatic Music
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Harmonic Function In Chromatic Music


Harmonic Function In Chromatic Music
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Author : Daniel Harrison
language : en
Publisher: University of Chicago Press
Release Date : 1994-05-28

Harmonic Function In Chromatic Music written by Daniel Harrison and has been published by University of Chicago Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1994-05-28 with Music categories.


Applicable on a wide scale not only to this repertory, Harrison's lucid explications of abstract theoretical concepts provide new insights into the workings of tonal systems in general.



Harmonic Function In The Late Nineteenth Century Chromatic Tonality Of Wagner And Strauss


Harmonic Function In The Late Nineteenth Century Chromatic Tonality Of Wagner And Strauss
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Author : Kyle Hutchinson
language : en
Publisher:
Release Date : 2020

Harmonic Function In The Late Nineteenth Century Chromatic Tonality Of Wagner And Strauss written by Kyle Hutchinson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020 with categories.


That mid-to-late nineteenth-century chromatic tonality challenges diatonic-based prolongational models of tonality is a well-known assertion. Recently, the field has embraced alternative frameworks, especially neo-Riemannian and transformational approaches, to account for coherence in the works of composers such as Richard Wagner or Richard Strauss. These approaches, however, only occasionally capture the extent to which this repertoire exhibits the prolongational procedures operative in classical tonality despite the unfamiliarity of the chromatic syntax. My dissertation investigates how this chromatic syntax can be approached as an extension of familiar diatonic models. My broader theoretic basis involves recognizing a proliferation of harmonic polysemy, whereby chords that have commonplace sonorities do not function in ways traditionally associated with that sonority. To account for this disjunction, I develop a model of Functional Interval Progressions (FIPs), which proposes dominant function is a product not of sonority, nor an isolated leading tone, but rather a combination of a univalent dissonance (a tritone or diminished seventh) combined with its conventional resolution: in short, I suggest function is a product of motion. I apply this principle in various ways. Firstly, I postulate the possibility of chromatically altered diminished-seventh chords: these chords often have the sonority of commonplace tonal chords, such as dominant or half-diminished sevenths, but their behaviour is more consistent with diminished-seventh chords. The presence and resolution of a diminished-seventh interval, I posit, overwrites the centrifugal nature of the chromatic alteration. I then export this principle to triads, arguing that a similar half-enharmonic reinterpretation can explain what Lorenz (1933) refers to as apparent consonances. Contrary to Cohn (2004/2012), I view these triads then as tonal dissonances, rather than as acoustic consonances. Lastly, I argue for a contextual remodeling of chordal inversion, following Schenker's (1922) notion of "the roothood-tendency of the lowest tone," suggesting that in certain cases inverted chords project the function of their bass, rather than their root. I conclude by applying these principles to larger-scale analysis, proposing that through a more thorough understanding of the surface-level harmonic syntax, deeper-level prolongations- and their relationships to one another-can be adduced with greater certainty and clarity in highly chromatic music.



Chromatic Harmony


Chromatic Harmony
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Author : Justine Shir-Cliff
language : en
Publisher:
Release Date : 1965

Chromatic Harmony written by Justine Shir-Cliff and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1965 with Music categories.




Chromatic Transformations In Nineteenth Century Music


Chromatic Transformations In Nineteenth Century Music
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Author : David Kopp
language : en
Publisher: Cambridge University Press
Release Date : 2002-10-31

Chromatic Transformations In Nineteenth Century Music written by David Kopp and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002-10-31 with Music categories.


David Kopp's book develops a model of chromatic chord relations in nineteenth-century music by composers such as Schubert, Beethoven, Chopin, Schumann and Brahms. The emphasis is on explaining chromatic third relations and the pivotal role they play in theory and practice. The book traces conceptions of harmonic system and of chromatic third relations from Rameau through nineteenth-century theorists such as Marx, Hauptmann and Riemann, to the seminal twentieth-century theorists Schenker and Schoenberg and on to the present day. Drawing on tenets of nineteenth-century harmonic theory, contemporary transformation theory and the author's own approach, the book presents a clear and elegant means for characterizing commonly acknowledged but loosely defined elements of chromatic harmony, and integrates them as fully fledged entities into a chromatically based conception of harmonic system. The historical and theoretical argument is supplemented by plentiful analytic examples.



Harmonic Practice In Tonal Music


Harmonic Practice In Tonal Music
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Author : Robert Gauldin
language : en
Publisher: W W Norton & Company Incorporated
Release Date : 1997

Harmonic Practice In Tonal Music written by Robert Gauldin and has been published by W W Norton & Company Incorporated this book supported file pdf, txt, epub, kindle and other format this book has been release on 1997 with Harmony categories.


This textbook takes a linear, functional approach to tonal music in the common-practice era, explaining how both harmonic and melodic forces contribute to the development of musical structures. Coverage includes the basic elements of music; functional diatonic harmony, modulations, and sequences; the common procedures of chromatic harmony; and advanced chromatic techniques. The second edition contains a broader range of musical examples than the first, featuring more world music, popular music, jazz, and music by women. Annotation (booknews.com).



Pieces Of Tradition


Pieces Of Tradition
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Author : Daniel Harrison
language : en
Publisher: Oxford University Press
Release Date : 2016

Pieces Of Tradition written by Daniel Harrison and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with Music categories.


Over the last century tonality has adapted and persisted in remarkable ways. In Pieces of Tradition, Daniel Harrison explores the modern endurance of tonal music, examining works by masters such as Shostakovich and Hindemith alongside music by Leonard Bernstein and Brian Wilson.



Desire In Chromatic Harmony


Desire In Chromatic Harmony
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Author : Kenneth M. Smith
language : en
Publisher: Oxford University Press
Release Date : 2020-04-15

Desire In Chromatic Harmony written by Kenneth M. Smith and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-04-15 with Music categories.


How does musical harmony engage listeners in relations of desire? Where does this desire come from? Author Kenneth Smith seeks to answer these questions by analyzing works from the turn of the twentieth- century that are both harmonically enriched and psychologically complex. Desire in Chromatic Harmony yields a new theory of how chromatic chord progressions direct the listener on intricate journeys through harmonic space, mirroring the tensions of the psyche found in Schopenhauer, Freud, Lacan, Lyotard, and Deleuze. Smith extends this mode of enquiry into sophisticated music theory, while exploring philosophically engaged European and American composers such as Richard Strauss, Alexander Skryabin, Josef Suk, Charles Ives, and Aaron Copland. Focusing on harmony and chord progression, the book drills down into the diatonic undercurrent beneath densely chromatic and dissonant surfaces. From the obsession with death and mourning in Suk's asrael Symphony to an exploration of "perversion" in Strauss's elektra; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Copland's The Tender Land, Desire in Chromatic Harmony cuts a path through the dense forests of chromatic complexity, revealing the psychological make-up of post-Wagnerian psychodynamic music.



Harmonic Function In Tonal Music


Harmonic Function In Tonal Music
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Author : Gregory Fletcher
language : en
Publisher:
Release Date : 1980

Harmonic Function In Tonal Music written by Gregory Fletcher and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Harmony categories.




Studies On The Origin Of Harmonic Tonality


Studies On The Origin Of Harmonic Tonality
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Author : Carl Dahlhaus
language : en
Publisher: Princeton University Press
Release Date : 2014-07-14

Studies On The Origin Of Harmonic Tonality written by Carl Dahlhaus and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-07-14 with Music categories.


Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over. Translated here for the first time, this fundamental work on the development of tonality shows his complete mastery of the theory of harmony. In it Dahlhaus explains the modern concepts of harmony and tonality, reviewing in the process the important theories of Rameau, Sechter, Ftis, Riemann, and Schenker. He contrasts the familiar premises of chordal composition with the lesser known precepts of intervallic composition, the basis for polyphonic music in the late Middle Ages and Renaissance. Numerous quotations from theoretical treatises document how early music was driven forward not by progressions of chords but by simple progressions of intervals. Exactly when did composers transform intervallic composition into chordal composition? Modality into tonality? Dahlhaus provides extensive analyses of motets by Josquin, frottole by Cara and Tromboncino, and madrigals by Monteverdi to demonstrate how, and to what degree, such questions can be answered. In his bold speculations, in his magisterial summaries, in his command of eight centuries of music and writings on music, and in his deep understanding of European history and culture, Carl Dahlhaus sets a standard that will seldom be equalled. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.



The Oxford Handbook Of Neo Riemannian Music Theories


The Oxford Handbook Of Neo Riemannian Music Theories
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Author : Edward Gollin
language : en
Publisher: OUP USA
Release Date : 2011-12-22

The Oxford Handbook Of Neo Riemannian Music Theories written by Edward Gollin and has been published by OUP USA this book supported file pdf, txt, epub, kindle and other format this book has been release on 2011-12-22 with Music categories.


In recent years neo-Riemannian theory has established itself as the leading approach of our time, and has proven particularly adept at explaining features of chromatic music. The Oxford Handbook of Neo-Riemannian Music Theories assembles an international group of leading music theory scholars in an exploration of the music-analytical, theoretical, and historical aspects of this new field.