Hitchcock S Hide And Seek In Rear Window
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Hitchcock S Hide And Seek In Rear Window
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Author : Dasa Kollarova
language : en
Publisher:
Release Date : 2013-07
Hitchcock S Hide And Seek In Rear Window written by Dasa Kollarova and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07 with categories.
Essay from the year 2011 in the subject Film Science, grade: B+, - (Anglo-American University, Prague), language: English, abstract: The Interpretation of the famous Alfred's Hitchcock's movie Rear Window based on Robin Wood's and John Belton's analysis.
Alfred Hitchcock S Rear Window
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Author :
language : en
Publisher:
Release Date : 2012
Alfred Hitchcock S Rear Window written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with categories.
Hitchcock S Rear Window
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Author : John Wesley Fawell
language : en
Publisher:
Release Date : 2001
Hitchcock S Rear Window written by John Wesley Fawell and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2001 with Rear window (Motion picture : 1954) categories.
The Camera Tells The Story Alfred Hitchcock S Rear Window
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Author : Sandra Miller
language : en
Publisher: GRIN Verlag
Release Date : 2015-03-09
The Camera Tells The Story Alfred Hitchcock S Rear Window written by Sandra Miller and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-03-09 with Performing Arts categories.
Seminar paper from the year 2003 in the subject Communications - Movies and Television, grade: High Distinction, James Cook University (James Cook University), course: Communication, Information & Society, language: English, abstract: Alfred Hitchcock used non-verbal communication extensively in his filmmaking to convey meaning and to create suspension for the audience. His critical and disparaging opinion of dialogue in film shows clearly that he did not consider language to be a privileged cinematic medium for communication - quite the opposite and he remarks that language “should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms” (Hitchcock in Truffaut 272). The possibilities of the camera for conveying meaning was paramount to Hitchcock’s storytelling. As a film-maker, he is widely acknowledged for his use of point-of-view shots, tracking shots, and other techniques that reinforce the power of looking or the role of the gaze in cinema. A well-known example of his use of camera movement is Rear Window (1954), a film that evokes a viewing experience for the spectator in the form of “a mental process, done by the use of the visual” (Spoto 224). As director, Hitchcock makes intensive use of his prerogative to manipulate points of view thereby controlling the viewer’s gaze with narrative frames. The directing of the gaze is both an exercise of power and an imposition on those whom it captures. Theatrical and cinematic effects dominate in his work with the use of proxemics, stance and gestures of actors. Other visual clues are clothes and accessories worn by actresses. In Rear Window, most of the female’s protagonist’s dresses are mirrored in the dresses worn by other women. By coding dresses in such a way and juxtaposing them in different frames, they signify different states of mind and intentions; they act as emotional referents that connect the women through their visual appearance.
Playing With The Gaze In Hitchcock The Experience Of Visual Pleasure In Rear Window Vertigo And Psycho
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Author : Anett Koch
language : en
Publisher: GRIN Verlag
Release Date : 2014-06-18
Playing With The Gaze In Hitchcock The Experience Of Visual Pleasure In Rear Window Vertigo And Psycho written by Anett Koch and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2014-06-18 with Performing Arts categories.
Bachelor Thesis from the year 2011 in the subject Communications - Movies and Television, grade: 1,0, University of Heidelberg, language: English, abstract: Woman [...] stands in patriarchal culture as a signifier for the male other, bound by a symbolic order in which man can live out his fantasies and obsessions through linguistic command by imposing them on the silent image of woman still tied to her place as bearer, not maker, of meaning (Mulvey, “Visual Pleasure” 15). Ever since Laura Mulvey published her essay “Visual Pleasure and Narrative Cinema” in 1975, feminist film theorists have challenged her assertion that films are directed at an exclusively male spectatorship. Despite the fact that Mulvey herself has revised some of her ideas in “Afterthoughts on ‘Visual Pleasure and Narrative Cinema’ inspired by King Vidor’s Duel in the Sun (1946)” (1981), theorists are still struggling to understand if and how visual pleasure manifests itself for female viewers. In classical Hollywood cinema, this visual pleasure is the result of successful audience manipulation. Cinema is often regarded as a ‘narrative machine’ because “the narrative is delivered so effortlessly and efficiently to the audience that it appears to have no source” (Belton, American Cinema 22). As a rule, the film’s artifice is hidden so well that it remains unnoticed by the audience, conveying the impression that the narrative is “spontaneously creating itself in the presence of the spectators [...] for their immediate consumption and pleasure” (ibid.). Thus, cinema’s visual manipulation techniques enable viewers to experience visual pleasure as they enter the world on screen and become involved in the lives of their screen surrogates. Among the many talented directors in the history of film making, Alfred Hitchcock is known for being one of cinema’s most productive auteurs and a pioneer in the field of visual manipulation. Through his way of directing the camera – and with the camera also the gaze of the spectator – his audience not only appreciates the narrative itself but also, and especially, Hitchcock’s technique of storytelling. By means of simultaneously zooming in and tracking out, combined with point-of-view shots and extreme close-ups, the audience assumes the protagonist’s perspective along with a sense of vertigo, guilt and pleasure. Thus, as a director, Hitchcock is like a criminal who makes the audience his accomplice in a crime that is about to unfold in front of their eyes. [...]
Alfred Hitchcock
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Author : Paula Marantz Cohen
language : en
Publisher: University Press of Kentucky
Release Date : 2021-10-05
Alfred Hitchcock written by Paula Marantz Cohen and has been published by University Press of Kentucky this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-10-05 with Performing Arts categories.
This provocative study traces Alfred Hitchcock's long directorial career from Victorianism to postmodernism. Paula Marantz Cohen considers a sampling of Hitchcock's best films—Shadow of a Doubt, Rear Window, Vertigo, Psycho—as well as some of his more uneven ones—Rope, The Wrong Man, Topaz—and makes connections between his evolution as a filmmaker and trends in the larger society. Drawing on a number of methodologies including feminism, psychoanalysis, and family systems, the author provides an insightful look at the paradox of a Victorian-style gentleman who evolved into one of the leading masters of the modern medium of film. Cohen posits that Hitchcock's films are, in part, a masculine response to the domestic, psychological novels that had appealed primarily to women during the Victorian era. His career, she argues, can be seen as an attempt to balance "the two faces of Victorianism": the masculine legacy of law and hierarchy and the feminine legacy of feeling and imagination. Cohen asserts that Hitchcock's films reflect his Victorian legacy and serve as a map for ideological trends. She charts his development from his British period through his classic Hollywood years into his later phase, tracing a conceptual evolution that corresponds to an evolution in cultural identity—one that builds on a Victorian inheritance and ultimately discards it.
Spektakel Filmischer Oberfl Chen
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Author : Hannes Wesselkämper
language : de
Publisher: Walter de Gruyter GmbH & Co KG
Release Date : 2024-04-02
Spektakel Filmischer Oberfl Chen written by Hannes Wesselkämper and has been published by Walter de Gruyter GmbH & Co KG this book supported file pdf, txt, epub, kindle and other format this book has been release on 2024-04-02 with categories.
The Voice In Cinema
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Author : Michel Chion
language : en
Publisher:
Release Date : 1999
The Voice In Cinema written by Michel Chion and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1999 with Performing Arts categories.
Chion analyzes imaginative uses of the human voice by directors like Lang, Hitchcock, Ophuls, Duras, and de Palma.
Hitch
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Author : John Russell Taylor
language : en
Publisher: A&C Black
Release Date : 2013-04-16
Hitch written by John Russell Taylor and has been published by A&C Black this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-16 with Biography & Autobiography categories.
This biography of Alfred Hitchcock is as intriguing, revealing, perverse, and entertaining as any of his classic films. 'The best book yet about the movies' most famous director' Publisher's Weekly 'No one will ever top Hitch' Jimmy Stewart One of cinema's greatest directors, a virtuoso visual artist, and a genius of the suspense genre, Alfred Hitchcock (1899–1980) is universally known for such masterpieces as Strangers on a Train, Rear Window, Vertigo, North by Northwest, Psycho, and The Birds. But he was also a famously difficult and complex man, prone to arguing with studios and stars alike. In writing this biography, John Russell Taylor, a distinguished film critic and friend of Hitchcock's, enjoyed his full cooperation. Based on numerous interviews, with photos from the private family albums, and an in-depth study of the making of his last film, this biography of the director is as intriguing, revealing, perverse, and entertaining as any Hitchcock classic.
The Four Fundamental Concepts Of Psycho Analysis
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Author : Jacques Lacan
language : en
Publisher: Routledge
Release Date : 2018-05-08
The Four Fundamental Concepts Of Psycho Analysis written by Jacques Lacan and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2018-05-08 with Psychology categories.
The author's writings, and especially the seminars for which he has become famous, have provoked intense controversies in French analytic circles, requiring as they do a radical reappraisal of the legacy bequeathed by Freud. This volume is based on a year's seminar, which is of particular importance because he was addressing a larger, less specialist audience than ever before, amongst whom he could not assume familiarity with his work. For his listeners then, and for his readers now, he wanted "to introduce a certain coherence into the major concepts on which psycho-analysis is based", namely the unconscious, repetition, the transference and the drive. In re-defining these four concepts he explores the question that, as he puts it, moves from "Is psycho-analysis a science?" to "What is a science that includes psycho-analysis?"
