Human Character In The Wayang
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Human Character In The Wayang
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Author : Sri Mulyono
language : en
Publisher:
Release Date : 1971
Human Character In The Wayang written by Sri Mulyono and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1971 with Wayang categories.
Human Character In The Wayang
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Author : Sri Mulyono Djojosupadmo
language : en
Publisher:
Release Date : 1981
Human Character In The Wayang written by Sri Mulyono Djojosupadmo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with categories.
The Wayang Kulit Character Arjuna In The Play Lakon Makutha Rama The Perang Examination Of The Shadow Puppet S Shapes And Movements
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Author :
language : en
Publisher: GRIN Verlag
Release Date : 2022-09-19
The Wayang Kulit Character Arjuna In The Play Lakon Makutha Rama The Perang Examination Of The Shadow Puppet S Shapes And Movements written by and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022-09-19 with Performing Arts categories.
Pre-University Paper from the year 2013 in the subject Theater Studies, Dance, grade: 1,3, , language: English, abstract: At first sight it seems obvious that movements and shapes are important for characterizing the personality of a Wayang Kulit puppet in shadow theatre, in the further development of the essay it turned out to an even more complex and detailed arrangement. There is a deeper meaning behind the performance, created in specified details in the movements and shapes of Arjuna. So, in what way do the shadow puppets` shapes and movements support the characterization of the Wayang Kulit character “Arjuna” in the play “Lakon Makutha Rama - The perang”? The essay shows in which way it is possible to understand the characters of Wayang Kulit figures from an Indonesian view. Indonesians learn about the traditional meanings of the puppets’ features from the beginning of their childhood on people in the western world, however, often do not even notice the small details and what they mean, such as the shape of the puppets’ eyes and the extraordinary hairstyle. Arjuna’s features regarding his outward appearance as well as his behavior represent perfection. In order to reflect on his specific abilities, attitudes as a fighter and royal figure, it is sensible to take a closer look at the play “Lakon Makutha Rama - The perang”. In the further development, it turned out to make most sense to analyze a battle scene in which Arjuna focuses on his enemy and where the precision of his movements play an essential role for the understanding of the personality of the characters on the one side and the meaning of the entire play on the other side. Thereby, Arjuna’s refined strategy becomes evident and a lot of movements are needed to finally win the fight, which highlight his characteristics as well as the shapes of his shadow.
A Brief Outline On The Aspects Of The Javanese Wayang Kulit
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Author : Ki S. B. Josodharmodjo
language : en
Publisher:
Release Date : 1967
A Brief Outline On The Aspects Of The Javanese Wayang Kulit written by Ki S. B. Josodharmodjo and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1967 with Puppet plays categories.
On The Wayang Kulit Purwa And Its Symbolic And Mystical Elements
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Author : Mangkunegara VII (of Surakata)
language : en
Publisher:
Release Date : 1957
On The Wayang Kulit Purwa And Its Symbolic And Mystical Elements written by Mangkunegara VII (of Surakata) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1957 with Cults categories.
The Main Characters Of The Wayang Poerwa
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Author : J. J. Ras
language : en
Publisher:
Release Date : 1985
The Main Characters Of The Wayang Poerwa written by J. J. Ras and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1985 with Art, Indonesian categories.
Wayang Wong
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Author : R.M. Soedarsono
language : en
Publisher: UGM PRESS
Release Date : 2021-11-24
Wayang Wong written by R.M. Soedarsono and has been published by UGM PRESS this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-11-24 with Performing Arts categories.
Preface I have been teaching the history of performing arts and Javanese dance, Yogyakarta style, for twenty years, and there have always been two features of this history that made me think and rethink: (1) wayang wong was never performed outside the palace’s walls until the first quarter of the twentieth century, becase it was considered a pusaka (sacred heiloom): and (2) wayang wong performances were always put on the Tratag Bangsal Kĕncana stage and started at dawn. Numerous ex-wayang wong dancers of the Yogyakarta court gave me the same answers to my questions about hese facts. They said that: (1) wayang wong was a pusaka because it was created by Sultan Hamĕngkubuwana I; and (2) wayang wong performances we put on stage at the dawn of the day because it was karsa-Dalĕm, the Sultan’s will. In my opinion, there must be something particularly significant behind the creation of wayang wong, because the Surakarta court never performed this dance genre, and I realized that to obtain satisfactory answers to these questions I would have to do extensive research on this subject. In August, 1977, when I participated in the World Music Congress at Berkeley, I met Professor Judith Becker. On onve occasion I taled with her concerning the possibility of my pursuin a Ph.D. degree at the University of Michigan with a dissertation topic, “Wayang Wong”. She responded wholeheartedly and, without any delay, made a long distance call to her husband, Professor Alton L. Becker. Both of them became my teachers, advisors and co-chairmen. After my return from Berkeley I started to do research on some aspects of wayang wong. In 1980 I began my course work in Southeast Asian Studies at the University of Michigan emphasizing three areas of study: (1) Southeast Asian Performance Traditions; (2) Southeast Asian History; and (3) Southeast Asian Literature. With the assistance of the Asian Cultural Council I continued my research at the Asia Society and the Library of Performing Arts in New York. There I scrutinized wayang wong films, especially the one of the lakon Mintaraga made by Mr. Tassilo Adam in 1926. Although the film is very choppy, it gave me priceless information about he magnificent production and also about the large audience of kawula-Dalĕm, the Sultan’s subjects. Who witnessed the perfor-mance. With the assistance of the Asian Cultural Council, the Ford Foundation and the University of Michigan I returned to Java during the summer of 1981 to continue by research at the Yogya-karta court libraries. The Sanabudaya Museum, and to interview numerous ex-wayang wong dancers. From these activities the first evidence for my hypothesis emerged, i.e., that wayang wong was a state ritual and not just a mere entertainment in the Yogyakarta court. By reading numerous wayang wong texts –Sĕrat Kandha and Sĕrat Pocapan, all in Javanese handwriting--, manuscripts about he Yogyakarta’s pusakas, and by analysing the conception of kingship of Mataram, I obtainded enough data to confirm my hypothesis further. It became apparent to me that wayang wong was created by Sultan Hamĕngkubuwana I in the late 1970’s as a revival of the Old javanese wayang wang. Photographs play a significant role in this work, since visual information about this dance drama gives us a clear image of numerous scenes. With the exception of figures nos. 1317, 69 and 84 all the photographs and pictures are from my own collection and drawing. Photographs are, nevertheless, motionless shots of dance movement and, therefore, cannot distinguish the movements of one character from another. Hence I have felt it necessary to put the basic movements of the twenty-one wayang wong types of character in Labanotation.
The Making Of Biblical Wayang
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Author : Anindito Murti Baroto
language : en
Publisher:
Release Date : 2012
The Making Of Biblical Wayang written by Anindito Murti Baroto and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Java (Indonesia) categories.
Wayang is a traditional theater art form in Indonesia which has been in existence since the 10th century. As one of Indonesia's cultural masterpieces rich in aesthetic, ethical and philosophical values, UNESCO has proclaimed wayang a Masterpiece of Oral and Itangible Heritage of Humanity in 2003. It brings into play cultural entertainment, moral and political advocacy as it is a vital form of art in Indonesia. Wayang harmoniously combines five elements of art-performing arts, musical arts, literary arts, creative arts as well as philosophical and educative arts. In recent times, it has depicted the evangelization of the Catholic region through wayang wahyu. This study will analyze the creation and emergence of wayang wahyu or biblical wayang, a variance of wayang which illustrate characters, stories and philosophies from the bible. This study will also document how wayang wahyu is presented and will show wayang wahyu designs from a specific bible narrative. The characters created embody the good and the bad, represented through colors, textures, designs, backgrounds, visual compositions and kinetic movements.
Wayang Its Significance In Indonesian Society
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Author : Moerdowo (R. M.)
language : en
Publisher:
Release Date : 1982
Wayang Its Significance In Indonesian Society written by Moerdowo (R. M.) and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1982 with Indonesia categories.
Voices Of The Puppet Masters
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Author : Mimi Herbert
language : en
Publisher: University of Hawaii Press
Release Date : 2002
Voices Of The Puppet Masters written by Mimi Herbert and has been published by University of Hawaii Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2002 with Drama categories.
"Indonesia's wayang golek puppet theater is among the world's oldest and richest puppetry traditions, contemporary with Japanese Noh drama and the mystery plays of Europe. The puppet masters, many of whom trace their skills back through seven or eight generations, are extraordinary artists. Some are shamans, and many are charismatic performers. The master carvers who create these three-dimensional wooden puppets boast similarly impressive genealogies, and their work draws equally on ancient mystical practices. As the puppet master Tizar Purbaya once explained, "The wayang puppet is not a doll. It follows the dalang [puppet master], but the dalang must also follow it. He gives it soul and it, in return, gives life to him."" "Voices of the Puppet Masters is based on five years of intensive research in Indonesia, including hundreds of hours of discussions and interviews with puppet masters and craftsmen. The author and her Indonesian collaborator visited the artists in their homes, in villages scattered across the length and breadth of Java, attending performances, and even participating in an exorcism ceremony. These performances typically last for many hours, sometimes through the night - theatrical extravaganzas blending religious mysticism with all of the frailties and strengths of the human condition, accompanied by song and a gamelan orchestra"--Publisher's description.