Il Catalogo Della Gioia
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Il Catalogo Della Gioia
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Author : Antonella Anedda
language : it
Publisher: Donzelli Editore
Release Date : 2003
Il Catalogo Della Gioia written by Antonella Anedda and has been published by Donzelli Editore this book supported file pdf, txt, epub, kindle and other format this book has been release on 2003 with Poetry categories.
Historiae
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Author : Antonella Anedda
language : en
Publisher: New York Review of Books
Release Date : 2023-04-25
Historiae written by Antonella Anedda and has been published by New York Review of Books this book supported file pdf, txt, epub, kindle and other format this book has been release on 2023-04-25 with Poetry categories.
Poems between natural and human history, private life and death, and about the crises of our century, from an acclaimed Italian poet. Tacitus, the brooding historian of the Roman Empire, supplies the title of Antonella Anedda’s Historiae, in which she grapples with a legacy of Mediterranean displacement and violence that stretches from antiquity to the present day. Anedda writes about the aftermath of centuries of colonization, about the ongoing European immigration crisis, and about the wild Sardinian archipelago of La Maddalena and the teeming Roman neighborhood of Trastevere—places between which she has divided her life—in a wonderfully various collection where poems of community frame poems of private life, among them a moving elegy for her mother. With wit, insight, and economy, Anedda reminds us that history is plural and that our perspectives, too, are constituted by pluralities—by events both present and past, both world-shaking and exquisitely mundane.
Papi In Posa
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Author : Aa.Vv.
language : en
Publisher: Gangemi Editore Spa
Release Date : 2013-09-21T00:00:00+02:00
Papi In Posa written by Aa.Vv. and has been published by Gangemi Editore Spa this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-21T00:00:00+02:00 with Art categories.
The exhibition entitled “Papi in Posa,” i.e., “Papal Portraiture,” with the highly refined and historically significant Braschi Palace – home of the Museum of Rome – in 2004, and now in Washington, The John Paul II Center, is not offered only as an excellent exposition of masterpieces from major international museums – such as the Vatican Museums – and prestigious private collections, but stands out in particular because it is one of the most important expositions of portrait painting ever because of both the outstanding quality and the considerable number of paintings and sculptures offered – executed by Europe's leading artists from the last five centuries – and the great spiritual and social significance of the personages portrayed: the greatest Pontiffs who from the 16th century to the present have sat in the Chair of Saint Peter. It is suggestive to observe, as we scan the unique artistic itinerary offered by the curators of the exhibition, how through the succession of historical periods and particularly by virtue of the esthetic verve and inner sensitivity of the artists, the description of the human person was oriented, with extreme plastic ductility and acuity in their perception of their subjects' physiognomy, to represent not only the body lines of the subject being depicted but, in particular, the most intimate traits of the heart, the lively mobility of their thought, the innermost lines of the subject's character, in an intense dialogue of chiaroscuro observations from which the characterizing notes of complex personages are evinced – persons who appear completely clear and evident only to those who are capable of sublimating their outward appearance into an acute observation. From this prestigious gallery of portraits it emerges unmistakably how the anthropocentric path of human thought has manifestly reverberated within the bounds of the figurative arts through a progressive contextualization, which sees the subject represented unbound through a metatemporal aura of rarefied abstraction and placed, naturalistically, in a precise and well defined spatiotemporal sphere. At the same time, we witness a gradual definition of the personage portrayed as the bearer of a clear personal connotation – the self and the identity, which seem to be invisible and thus impossible to represent – no longer, hortatively, as an idealized and metaphoric emblem of absolute values in deference to a markedly ethical and pedagogical conception. The exhibited works, which rightfully range themselves among the most outstanding expressions of portraiture, reveal a deep spiritual harmony evocative of beauty and unleash a lively dialogue with the onlooker based on a real and inherent economy of the act of viewing, albeit freed from the exercise of a psychologism oriented toward uncontrollable wanderings. The reception of the meaning of the formal systems – thoughtful poses and attitudes – involves, to be sure, the active presence of the spectator in a sort of visual dialogue with the portrait that is not considered exclusively as a fixed commemorative system but rather as an interactive structure. In the perspective of the reception, the observer becomes a fundamental element for the construction of the meaning of the image that, from this very private perspective, undergoes obvious momentous transformations. Observer and image thus become integral parts of a fascinating system of visual exchange not unlike the mechanisms of verbal dialogue: both members of the “pair” take on contemporaneously the dual role of subject/object, restructuring the complex relational web established in a rapport between an “I” and a “you.” Beyond the temporal contingencies, each portrait is recounted and seduces us through the universal language of fame: this incarnates, deeply, the artist's attempt to describe the personality of the subjects portrayed, consigning the multiform essence of their nature to one attitude or to a single expression by resorting to a refined psychological introspection in an attempt to render visually the subject's inner world. It is owing to the above considerations that, while I applaud the felicitous initiative of giving life to such a culturally transcendent exhibition, I would wish that all those who will have the pleasure of visiting it or at least of perusing the pages of this catalogue will be able to perceive the portraits of the individual popes not as so many freestanding elements, but rather as integrated parts of a related set of men who, albeit struggling with the many and varied anxieties of everyday life, endeavored to serve Christ among their brothers, each one with a clear perception of himself as servo servorum Dei – the servant of God's servants! Through looks, attitudes and symbols committed by the artist in a well-constructed iconographic code to the pictorial or sculptural page, the discerning observer cannot help but grasp a veiled spiritual harmony that reflects the profound mystery of faith and propagates an echo of the ineffable beauty of God, revealing how, through art, man – pulled between the eternal and the transient – strives to draw close to his Creator. Francesco Cardinal Marchisano Vicar General of the Pope for the State of Vatican City
Adi
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Author :
language : en
Publisher:
Release Date : 1983
Adi written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1983 with Italian literature categories.
Agenda
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Author : William Cookson
language : en
Publisher:
Release Date : 2004
Agenda written by William Cookson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Poetry categories.
Bernini
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Author : Claude Douglas Dickerson (III)
language : en
Publisher: Metropolitan Museum of Art
Release Date : 2012
Bernini written by Claude Douglas Dickerson (III) and has been published by Metropolitan Museum of Art this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Artists' preparatory studies categories.
"The brilliantly expressive clay models created by Gian Lorenzo Bernini (1598-1680) as "sketches" for his works in marble offer extraordinary insights into his creative imagination. Although long admired, the terracotta models have never been the subject of such detailed examination. This publication presents a wealth of new discoveries (including evidence of the artist's fingerprints imprinted on the clay), resolving lingering issues of attribution while giving readers a vivid sense of how the artist and his assistants fulfilled a steady stream of monumental commissions. Essays describe Bernini's education as a modeler; his approach to preparatory drawings; his use of assistants; and the response to his models by 17th-century collectors. Extensive research by conservators and art historians explores the different types of models created in Bernini's workshop. Richly illustrated, Bernini transforms our understanding of the sculptor and his distinctive and fascinating working methods."--Publisher's website.
Italian Literature Since 1900 In English Translation 1929 2016
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Author : Robin Healey
language : en
Publisher: University of Toronto Press
Release Date : 2019-03-07
Italian Literature Since 1900 In English Translation 1929 2016 written by Robin Healey and has been published by University of Toronto Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-03-07 with Literary Criticism categories.
Providing the most complete record possible of texts by Italian writers active after 1900, this annotated bibliography covers over 4,800 distinct editions of writings by some 1,700 Italian authors. Many entries are accompanied by useful notes that provide information on the authors, works, translators, and the reception of the translations. This book includes the works of Pirandello, Calvino, Eco, and more recently, Andrea Camilleri and Valerio Manfredi. Together with Robin Healey's Italian Literature before 1900 in English Translation, also published by University of Toronto Press in 2011, this volume makes comprehensive information on translations from Italian accessible for schools, libraries, and those interested in comparative literature.
Auto Universum
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Author :
language : en
Publisher:
Release Date : 1957
Auto Universum written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1957 with Automobiles categories.
Nuovi Argomenti 29
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Author : AA.VV.,
language : it
Publisher: Edizioni Mondadori
Release Date : 2013-09-01
Nuovi Argomenti 29 written by AA.VV., and has been published by Edizioni Mondadori this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-01 with Literary Criticism categories.
Hanno collaborato: Enzo Siciliano, Cristina Ubax Ali Farah, Angeliki Riganatou, Manuela Avakian, Ron Kubati, Claudio Nigro, Igiaba Scego, Muin Masri, Ingy Mubiayi, Charles Simic, Vincenzo Pardini, Nino De Vita, Valerio Aiolli, Igino Domanin, Fabio Pusterla, Pasquale di Palmo, Giuseppe Goffredo, Andrea Inglese, Francesco Ivan Piccioni, Maria Grazia Calandrone, Roberto Amato, Eric Salerno, Andrea Carraro, Roberto Benzi, Ferruccio Parazzoli, Leonardo Colombati, Alessandro Baldacci, Alessandro Piperno, Mario Santagostini, Riccardo D'Anna, Alessandro Leogrande, Carola Susani, Paola Frandini.
La Poesia Italiana Oggi
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Author : Giorgio Manacorda
language : it
Publisher: Castelvecchi
Release Date : 2004
La Poesia Italiana Oggi written by Giorgio Manacorda and has been published by Castelvecchi this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Literary Criticism categories.