Illusion And Realism
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The Object Of Art
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Author : Marian Hobson
language : en
Publisher: Cambridge University Press
Release Date : 2009-06-25
The Object Of Art written by Marian Hobson and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-06-25 with Literary Criticism categories.
Are works of art imitations? If so, what exactly do they imitate? Should an artist remind his audience that what it is perceiving is in fact artifice, or should he try above all to persuade it to accept the illusion as reality? Questions such as these, which have dominated aesthetic theory since the Greeks, were debated with extraordinary vigour and ingenuity in eighteenth-century France. In this book Dr Hobson analyses these debates, focusing in turn on painting, the novel, drama, poetry and music. In each case she relates theory to contemporary works of art by Watteau, Chardin, Diderot, Beaumarchais, Gluck and many others. She shows that disputes within the theory of each art centred upon the nature of the perceiver's attention. Dr Hobson provides a method of mapping the changes in artistic style which took place as the century advanced. In discussing such conceptual transformations Dr Hobson opens an important perspective for the study of Romanticism and Realism.
Illusion And Realism
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Author : Antoni Ziemba
language : en
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Release Date : 2017
Illusion And Realism written by Antoni Ziemba and has been published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften this book supported file pdf, txt, epub, kindle and other format this book has been release on 2017 with Art, Dutch categories.
The book is a study on Dutch painting, drawing and printmaking of the 17th century, focused on interlocking its descriptive realism with the visual strategy of illusion. The author analyzes this relationship as a conjunction rather than an opposition. Illusionistic compositional devices were current not only in mythological, biblical and allegorical images but also in proper realistic representations of the world. At the same time, many visual inventions, which included illusionistic concepts, were presented with persuasive realism of the forms. Thus, different seventeenth-century Dutch artists - such as Hendrick Goltzius, Hendrick Vroom, Rembrandt, Vermeer - attempted to produce «open images» and to conduct a visual game with their beholders.
Cinematic Illusions
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Author : Bert Cardullo
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2007
Cinematic Illusions written by Bert Cardullo and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2007 with Art categories.
Contains twelve essays arranged around the primordial subject of realism and anti-realism (the experimental or non-representational) in film. This book treats the subject of illusion from the point of view of the cinema's unsurpassed ability to create not only the illusion of reality, but also the reality of illusion on the silver screen.
Projecting Illusion
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Author : Richard Allen
language : en
Publisher: Cambridge University Press
Release Date : 1995
Projecting Illusion written by Richard Allen and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Performing Arts categories.
On cinema and illusion.
The Reality Of Illusion
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Author : Joseph Anderson
language : en
Publisher: SIU Press
Release Date : 1996
The Reality Of Illusion written by Joseph Anderson and has been published by SIU Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1996 with Performing Arts categories.
Applying research findings from studies in visual perception, neurophysiology, cognitive psychology, developmental psychology, and anthropology, Joseph D. Anderson defines the complex interaction of motion pictures with the human mind and organizes the relationship between film and cognitive science. Anderson's primary argument is that motion picture viewers mentally process the projected images and sounds of a movie according to the same perceptual rules used in response to visual and aural stimuli in the world outside the theater. To process everyday events in the world, the human mind is equipped with capacities developed through millions of years of evolution. In this context, Anderson builds a metatheory influenced by the writings of J. J. and Eleanor Gibson and employs it to explore motion picture comprehension as a subset of general human comprehension and perception, focusing his ecological approach to film on the analysis of cinema's true substance: illusion. Anderson investigates how viewers, with their mental capacities designed for survival, respond to particular aspects of filmic structure--continuity, diegesis, character development, and narrative--and examines the ways in which rules of visual and aural processing are recognized and exploited by filmmakers. He uses Orson Welles's Citizen Kane to disassemble and redefine the contemporary concept of character identification; he addresses continuity in a shot-by-shot analysis of images from Casablanca; and he uses a wide range of research studies, such as Harry F. Harlow's work with infant rhesus monkeys, to describe how motion pictures become a substitute or surrogate reality for an audience. By examining the human capacity for play and the inherent potential for illusion, Anderson considers the reasons viewers find movies so enthralling, so emotionally powerful, and so remarkably real.
Realism Structure And Illusion
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Author : Macdonald Stewart Art Centre
language : en
Publisher:
Release Date : 1981
Realism Structure And Illusion written by Macdonald Stewart Art Centre and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1981 with categories.
Realism And Illusion
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Author : Freddy Henderson
language : en
Publisher:
Release Date : 1993
Realism And Illusion written by Freddy Henderson and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1993 with categories.
The Anatomy Of Illusion
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Author : Michael English
language : en
Publisher: Collins & Brown
Release Date : 1989
The Anatomy Of Illusion written by Michael English and has been published by Collins & Brown this book supported file pdf, txt, epub, kindle and other format this book has been release on 1989 with Art categories.
Reality And Illusion In Tennessee Williams A Streetcar Named Desire
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Author : Ilona Sontag
language : en
Publisher: GRIN Verlag
Release Date : 2010-03-09
Reality And Illusion In Tennessee Williams A Streetcar Named Desire written by Ilona Sontag and has been published by GRIN Verlag this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-03-09 with Foreign Language Study categories.
Seminar paper from the year 2009 in the subject Didactics for the subject English - Literature, Works, grade: 1,7, RWTH Aachen University (Institut für Anglistik I), course: Hauptseminar "American Drama", language: English, abstract: Tennessee Williams, born Thomas Lanier Williams, is not only known for being a “talented, perceptive and influential American playwright” (Day 1987, vii), but also for his frequent use of symbols. “A Streetcar Named Desire” (1947), the work which will be dealt with in this paper, is a good example for of usage, since it contains a lot of different kinds of symbolism, for example concerning colours, names, music and many more. Numerous works will be found, if anyone searches for essays about symbolism in Williams’ works. Moreover, it is common knowledge that Streetcar is a play which deals not only superficially with a woman going insane, but a play which “bring[s] into violent contrast a neurotic woman’s dream world and the animalistic realism of her brother-in-law” (back of the book in the Diesterweg edition). But since there does not seem to be any work which deals with the question of how exactly Williams drew this contrast by use of symbolism, it will be my aim in this paper to analyse this question. Consequently, I will try to point out the main symbols with which Williams underlined the contrast between realism and illusion, especially considering names, colours, clothes, light, music and certain rituals of the main characters. In the second part of this paper, I will deal with the question to what degree the main characters Stanley and Blanche are strictly opposed to each other or may have something in common. I will also deal with the meaning of the ending concerning realism and illusion. Therefore, what will be discussed are the most striking antinomies and similes in the main characters’ attitudes. A general conclusion about the topic of symbolism in Tennessee Williams’ Streetcar will be given in the end. To introduce the reader to the topic and also to justify my choice of symbols, a definition of the notion of symbolism will be given right at the beginning of this paper. This will be done by including different approaches, so that a broader definition can be given. Furthermore, for this paper is based on symbolism in Streetcar by Tennessee Williams, it may also be very interesting for the reader to have a look at Williams’ attitude towards symbols which will be done at the end of the second chapter. One last point to mention in this introduction is that due to space restrictions not all symbols concerning the topic of illusion and realism can be discussed in this paper. Nevertheless, it is my aim to present the most striking ones.
The Problem Of Perception
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Author : A. D. Smith
language : en
Publisher: Motilal Banarsidass Publishe
Release Date : 2005
The Problem Of Perception written by A. D. Smith and has been published by Motilal Banarsidass Publishe this book supported file pdf, txt, epub, kindle and other format this book has been release on 2005 with Perception (Philosophy) categories.
In a major Contribution to the theory of perception, A.D.Smith presents a truly original defense of direct realism the view that in perception we are directly aware of things in a physical world. It offers two arguements against direct realism-one conceening illusion, and one concerning hallueination that upto now no theory of perception could adequately rebut.At the heart of Smiths theory is a new way of drawing the distinction between perception and sensation alone with an unusual treatment of the nature of object of halluecination .