Imagining Opera
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Imagining Opera
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Author : Chenyin Tang
language : en
Publisher:
Release Date : 2022
Imagining Opera written by Chenyin Tang and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2022 with categories.
Nineteenth Century Opera And The Scientific Imagination
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Author : David Trippett
language : en
Publisher: Cambridge University Press
Release Date : 2019-08-22
Nineteenth Century Opera And The Scientific Imagination written by David Trippett and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-08-22 with Music categories.
Explores the rich and varied interactions between nineteenth-century science and the world of opera for the first time.
French Grand Opera And The Historical Imagination
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Author : Sarah Hibberd
language : en
Publisher: Cambridge University Press
Release Date : 2009-04-30
French Grand Opera And The Historical Imagination written by Sarah Hibberd and has been published by Cambridge University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2009-04-30 with Music categories.
Closely examining five French operas, this book reveals how and why grand opera sought to bring the past alive.
A History Of Opera
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Author : Carolyn Abbate
language : en
Publisher: Penguin UK
Release Date : 2012-11-01
A History Of Opera written by Carolyn Abbate and has been published by Penguin UK this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012-11-01 with Music categories.
Opera is in many ways the most extraordinary artistic medium of the last four hundred years. Prohibitively expensive and patently unrealistic, it can nevertheless paint the human passions with astonishing power and drama. This book, the first new, full-length, single-volume history of opera for more than a generation provokes in-depth discussions of many works by the greatest opera composers, from Monteverdi, Handel and Mozart, to Verdi and Wagner, to Strauss, Puccini, Berg, and Britten. There are lively discussions of opera's social, political and literary background, its economic cicumstances and the almost continual polemics that have accompanied its development through the centuries. Central to the book is an exploration of the tensions that have always sustained and enlivened opera. Abbate and Parker examine the problems that opera has faced in the last half century, when new works - which were once opera's life-blood - have shrunk to a tiny minority, have largely failed to find a permanent place in the repertoire. Yet the book's final message is one of celebration. Even if the majority of opera's most popular and enduring works were written in what is now a remote European past, in circumstances very different from our own, and the viability of contemporary opera is ever more in question, opera as an art form remains extraordinarily buoyant and challenging. It continues to transform people physically, emotionally, and intellectually, and to articulate human experience in ways no other art form can match.
Bygone Modernity
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Author : Ditlev Rindom
language : en
Publisher:
Release Date : 2019
Bygone Modernity written by Ditlev Rindom and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019 with categories.
Believing In Opera
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Author : Tom Sutcliffe
language : en
Publisher:
Release Date : 2016-04-03
Believing In Opera written by Tom Sutcliffe and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-04-03 with Opera categories.
The staging of opera has become immensely controversial over the last twenty years. Tom Sutcliffe here offers an engaging and far-reaching book about opera performance and interpretation. This work is a unique tribute to the most distinctive and adventurous achievements in the theatrical interpretation of opera as it has developed in recent decades. Readers will find descriptions of the most original and successful avant-garde opera productions in Britain, Europe, and America. Sutcliffe beautifully illustrates how updating, transposition, or relocation, and a variety of unexpected imagery in opera, have qualified and adjusted our perception of the content and intention of established masterpieces. Believing in Opera describes in detail the seminal opera productions of the last fifty years, starting with Peter Brook in London after the war, and continuing with the work of such directors and producers as Patrice Chéreau in Bayreuth, Peter Sellars and David Alden in America, Ruth Berghaus in Frankfurt, and such British directors as Richard Jones, Graham Vick, Peter Hall, and David Pountney. Through his descriptions of these works, Sutcliffe states that theatrical opera has been enormously influenced by the editing style, imagery, and metaphor commonplace in the cinema and pop videos. The evolution of the performing arts depends upon revitalization and defamiliarization, he asserts. The issue is no longer naturalism, but the liberation of the audience's imagination powered by the music. Sutcliffe, an opera critic for many years, argues that opera is theater plus music of the highest expressive quality, and as a result he has often sided with unconventional and novel theatrical interpretations. He believes that there is more to opera than meets the ear, and his aim is to further the process of understanding and interpretation of these important opera productions. No other book has attempted this kind of monumental survey. Originally published in 1997. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Pleasures Of The Imagination
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Author : John Brewer
language : en
Publisher: Routledge
Release Date : 2013
The Pleasures Of The Imagination written by John Brewer and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013 with Art categories.
The Pleasures of the Imagination examines the birth and development of English "high culture" in the eighteenth century. It charts the growth of a literary and artistic world fostered by publishers, theatrical and musical impresarios, picture dealers and auctioneers, and presented to th public in coffee-houses, concert halls, libraries, theatres and pleasure gardens. In 1660, there were few professional authors, musicians and painters, no public concert series, galleries, newspaper critics or reviews. By the dawn of the nineteenth century they were all aprt of the cultural life of the nation. John Brewer's enthralling book explains how this happened and recreates the world in which the great works of English eighteenth-century art were made. Its purpose is to show how literature, painting, music and the theatre were communicated to a public increasingly avid for them. It explores the alleys and garrets of Grub Street, rummages the shelves of bookshops and libraries, peers through printsellers' shop windows and into artists' studios, and slips behind the scenes at Drury Lane and Covent Garden. It takes us out of Gay and Boswell's London to visit the debating clubs, poetry circles, ballrooms, concert halls, music festivals, theatres and assemblies that made the culture of English provincial towns, and shows us how the national landscape became one of Britain's greatest cultural treasures. It reveals to us a picture of English artistic and literary life in the eighteenth century less familiar, but more suprising, more various and more convincing than any we have seen before.
Watching Dallas
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Author : Ien Ang
language : en
Publisher: Routledge
Release Date : 2013-09-13
Watching Dallas written by Ien Ang and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-09-13 with Social Science categories.
Dallas, one of the great internationally-screened soap operas, offers us first and foremost entertainment. But what is it about Dallas that makes that entertainment so successful, and how exactly is its entertainment constructed?
Ballet And Opera In The Age Of Giselle
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Author : Marian Smith
language : en
Publisher: Princeton University Press
Release Date : 2010-08-09
Ballet And Opera In The Age Of Giselle written by Marian Smith and has been published by Princeton University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-08-09 with Music categories.
Marian Smith recaptures a rich period in French musical theater when ballet and opera were intimately connected. Focusing on the age of Giselle at the Paris Opéra (from the 1830s through the 1840s), Smith offers an unprecedented look at the structural and thematic relationship between the two genres. She argues that a deeper understanding of both ballet and opera--and of nineteenth-century theater-going culture in general--may be gained by examining them within the same framework instead of following the usual practice of telling their histories separately. This handsomely illustrated book ultimately provides a new portrait of the Opéra during a period long celebrated for its box-office successes in both genres. Smith begins by showing how gestures were encoded in the musical language that composers used in ballet and in opera. She moves on to a wide range of topics, including the relationship between the gestures of the singers and the movements of the dancers, and the distinction between dance that represents dancing (entertainment staged within the story of the opera) and dance that represents action. Smith maintains that ballet-pantomime and opera continued to rely on each other well into the nineteenth century, even as they thrived independently. The "divorce" between the two arts occurred little by little, and may be traced through unlikely sources: controversies in the press about the changing nature of ballet-pantomime music, shifting ideas about originality, complaints about the ridiculousness of pantomime, and a little-known rehearsal score for Giselle. ?
Historical Dictionary Of Opera
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Author : Scott L. Balthazar
language : en
Publisher: Scarecrow Press
Release Date : 2013-07-05
Historical Dictionary Of Opera written by Scott L. Balthazar and has been published by Scarecrow Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-07-05 with Music categories.
Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.
