[PDF] In Feindes Hand - eBooks Review

In Feindes Hand


In Feindes Hand
DOWNLOAD
AUDIOBOOK
READ ONLINE

Download In Feindes Hand PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get In Feindes Hand book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages. If the content not found or just blank you must refresh this page





Geschichte Der R Mer Mit Einem Titelbilde


Geschichte Der R Mer Mit Einem Titelbilde
DOWNLOAD
AUDIOBOOK
READ ONLINE
Author : Oskar JAEGER
language : en
Publisher:
Release Date : 1861

Geschichte Der R Mer Mit Einem Titelbilde written by Oskar JAEGER and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1861 with categories.




The Meyerbeer Libretti


The Meyerbeer Libretti
DOWNLOAD
AUDIOBOOK
READ ONLINE
Author : Robert Ignatius Letellier
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2013-02-21

The Meyerbeer Libretti written by Robert Ignatius Letellier and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-21 with Music categories.


Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer’s grands opéras, and his final work. By 1860 long-imposed labor had started to tell upon the composer’s health: he knew that he must concentrate on the “navigator project” which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and César-Victor Perrin, the director of the Opéra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph Fétis, while the libretto was revised by Mélesville. The original title of L’Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L’Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.



Complete Libretti Of Giacomo Meyerbeer In The Original And In Translation In Five Volumes The


Complete Libretti Of Giacomo Meyerbeer In The Original And In Translation In Five Volumes The
DOWNLOAD
AUDIOBOOK
READ ONLINE
Author : Richard Arsenty
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2013-02-14

Complete Libretti Of Giacomo Meyerbeer In The Original And In Translation In Five Volumes The written by Richard Arsenty and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-02-14 with Music categories.


Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeer’s grands opéras, and his final work. By 1860 long-imposed labor had started to tell upon the composer’s health: he knew that he must concentrate on the “navigator project” which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and César-Victor Perrin, the director of the Opéra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph Fétis, while the libretto was revised by Mélesville. The original title of L’Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. L’Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.



The Complete Libretti Of Giacomo Meyerbeer In The Original And In Translation


The Complete Libretti Of Giacomo Meyerbeer In The Original And In Translation
DOWNLOAD
AUDIOBOOK
READ ONLINE
Author :
language : en
Publisher: Cambridge Scholars Press
Release Date :

The Complete Libretti Of Giacomo Meyerbeer In The Original And In Translation written by and has been published by Cambridge Scholars Press this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




Das Leben Des Herzogs Bernhard Von Sachsen Weimar Eisenach Etc


Das Leben Des Herzogs Bernhard Von Sachsen Weimar Eisenach Etc
DOWNLOAD
AUDIOBOOK
READ ONLINE
Author : R. STARKLOF
language : en
Publisher:
Release Date : 1865

Das Leben Des Herzogs Bernhard Von Sachsen Weimar Eisenach Etc written by R. STARKLOF and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1865 with categories.




Geschichte Der Geistlichen Dichtung Und Kirchlichen Torkunst In Ihrem Zusammenhange Mit Der Politischen Und Socialen Entwickelung Insbesondere Des Deutschen Volkes Bd I Geschichte Der Geistlichen Dichtung Und Kirchlichen Tonkunst Vom Beginne Des Christenthums Bis Zum Anfange Des Elften Jahrhunderts Mit Einer Einleitung Ber Die Poesie Und Musik Der Alten V Lker


Geschichte Der Geistlichen Dichtung Und Kirchlichen Torkunst In Ihrem Zusammenhange Mit Der Politischen Und Socialen Entwickelung Insbesondere Des Deutschen Volkes Bd I Geschichte Der Geistlichen Dichtung Und Kirchlichen Tonkunst Vom Beginne Des Christenthums Bis Zum Anfange Des Elften Jahrhunderts Mit Einer Einleitung Ber Die Poesie Und Musik Der Alten V Lker
DOWNLOAD
AUDIOBOOK
READ ONLINE
Author : Hans Michael SCHLETTERER
language : en
Publisher:
Release Date : 1869

Geschichte Der Geistlichen Dichtung Und Kirchlichen Torkunst In Ihrem Zusammenhange Mit Der Politischen Und Socialen Entwickelung Insbesondere Des Deutschen Volkes Bd I Geschichte Der Geistlichen Dichtung Und Kirchlichen Tonkunst Vom Beginne Des Christenthums Bis Zum Anfange Des Elften Jahrhunderts Mit Einer Einleitung Ber Die Poesie Und Musik Der Alten V Lker written by Hans Michael SCHLETTERER and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1869 with categories.




Deutfchen Borzeit


Deutfchen Borzeit
DOWNLOAD
AUDIOBOOK
READ ONLINE
Author :
language : en
Publisher:
Release Date : 1852

Deutfchen Borzeit written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1852 with categories.




Ein Feldlager In Schlesien


Ein Feldlager In Schlesien
DOWNLOAD
AUDIOBOOK
READ ONLINE
Author : Robert Ignatius Letellier
language : en
Publisher: Cambridge Scholars Publishing
Release Date : 2008-10-01

Ein Feldlager In Schlesien written by Robert Ignatius Letellier and has been published by Cambridge Scholars Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 2008-10-01 with Music categories.


Giacomo Meyerbeer returned to his native city of Berlin from Paris in 1842 to take up his new position of Generalmusikdirektor to King Friedrich Wilhelm IV. He was invited to compose a new work for the festive occasion of the reopening of the opera house on 7 December 1844, on a theme celebrating the king's famous ancestor, Frederick the Great? Eugene Scribe provided the text, in secret, and Ludwig Rellstab translated it. Feldlager was Meyerbeer’s first opera in 30 years on a less serious topic, and using spoken dialogue.—in other words a Singspiel. Especially in the first and third acts, it is possible to see the influence of lighter composers, especially Lortzing and Auber. But much of the second act, especially the tremendous finale, is in the style of the grand operas. Successful as Feldlager was in Berlin with the brilliant Swedish soprano Jenny Lind, Meyerbeer never considered its narrowly patriotic themes suitable for export. Edouard Hanslick pointed out that in no other of Meyerbeer’s works was the German nation so directly engaged, and emphasized the homely, comfortable tone that permeates the music of the score. The overture and much of act 2 was adapted for Meyerbeer’s and Scribe’s opéra comique, L’Étoile du Nord (1854). Several melodies have become famous because of Constant Lambert’s adaptation of them for the ballet Les Patineurs (16 February 1937). The fame of the beautiful cantabile melody of the third movement has spread all over the world, and is known to so many who remain ignorant of its true provenance—in the finale of Feldlager, where it accompanies Vielka’s dream-vision and becomes a celebration of peace and the promise of wonderful things to come.



English German Dictionary Of Idioms


English German Dictionary Of Idioms
DOWNLOAD
AUDIOBOOK
READ ONLINE
Author : Professor Hans Schemann
language : en
Publisher: Routledge
Release Date : 2013-04-15

English German Dictionary Of Idioms written by Professor Hans Schemann and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-04-15 with Foreign Language Study categories.


This dictionary is the ideal supplement to the German/English Dictionary of Idioms, which together give a rich source of material for the translator from and into each language. The dictionary contains 15,000 headwords, each entry supplying the German equivalents, variants, contexts and the degree of currency/rarity of the idiomatic expression. This dictionary will be an invaluable resource for students and professional literary translators. Not for sale in Germany, Austria or Switzerland



Prisoners In War


Prisoners In War
DOWNLOAD
AUDIOBOOK
READ ONLINE
Author : Sibylle Scheipers
language : en
Publisher: OUP Oxford
Release Date : 2010-02-25

Prisoners In War written by Sibylle Scheipers and has been published by OUP Oxford this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010-02-25 with Political Science categories.


The issue of prisoners in war is a highly timely topic that has received much attention from both scholars and practitioners since the start of the military operations in Afghanistan and Iraq and the ensuing legal and political problems concerning detainees in those conflicts. This book analyses these contemporary problems and challenges against the background of their historical development. It provides a multidisciplinary yet highly coherent perspective on the historical trajectory of legal and ethical norms in this field by integrating the historical analysis of war with a study of the emergence of the modern legal regime of prisoners in war. In doing so, it provides the first comprehensive study of prisoners, detainees and internees in war, covering a broad range of both regular and irregular wars from the crusades to contemporary counterinsurgency campaigns. The book revolves around two major developments: First, there has been a continuous increase in the political relevance of prisoners in war, in particular since the emergence of POW camps in the nineteenth century. Secondly, and related, the growth in the legal regime pertaining to prisoners had contradictory consequences. Whilst it enhanced the protection of prisoners in regular conflicts, its state-centric bias tends to exclude combatants who do not fit the template of regular inter-state war. Detainees in the 'war on terror' embody both tendencies, the development of which, however, is by no means a novel phenomenon. This book is a project of the Oxford Leverhulme Programme on the Changing Character of War.