[PDF] Instrumental Works For Strings Continuo Works 14 - eBooks Review

Instrumental Works For Strings Continuo Works 14


Instrumental Works For Strings Continuo Works 14
DOWNLOAD

Download Instrumental Works For Strings Continuo Works 14 PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Instrumental Works For Strings Continuo Works 14 book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages. If the content not found or just blank you must refresh this page





Instrumental Works For Strings Continuo Works 14


Instrumental Works For Strings Continuo Works 14
DOWNLOAD
Author : Eva Linfield
language : en
Publisher:
Release Date :

Instrumental Works For Strings Continuo Works 14 written by Eva Linfield and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on with categories.




Instrumental Works From The Library Of The Royal Conservatories Brussels


Instrumental Works From The Library Of The Royal Conservatories Brussels
DOWNLOAD
Author : Petrus Hercules Brehy
language : en
Publisher: A-R Editions, Inc.
Release Date : 2021-01-01

Instrumental Works From The Library Of The Royal Conservatories Brussels written by Petrus Hercules Brehy and has been published by A-R Editions, Inc. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2021-01-01 with Music categories.


Brussels native Petrus Hercules Brehy (1673–1737) composed twelve sonatas for two violins, viola, basso viola, and continuo around 1715–22, and two sonatas for five instruments and continuo approximately ten years later, all during his tenure as zangmeester of the Collegiate Church of SS. Michael and Gudula. Since 1929 the autograph manuscripts have been conserved at the Library of the Royal Conservatories of Music, Brussels. Unlike Brehy’s earlier symphonias, these were not published during his lifetime and were written to be played by a mix of professional musicians, able clerics, and older choirboys. Six of the twelve sonatas for four instruments and continuo reflect the earlier polyphonic ensemble sonata da chiesa of the late seventeenth century, four feature the violin in more flamboyant soloistic passagework, and two contain elements of both idioms. The two sonates à 5 are consistent with the late Baroque international style. All the sonatas in this volume reflect the somewhat conservative religious style of a Habsburg Empire territory capital during the early eighteenth century.



The Instrumental Music Of Schmeltzer Biber Muffat And Their Contemporaries


The Instrumental Music Of Schmeltzer Biber Muffat And Their Contemporaries
DOWNLOAD
Author : Charles E. Brewer
language : en
Publisher: Taylor & Francis
Release Date : 2016-12-05

The Instrumental Music Of Schmeltzer Biber Muffat And Their Contemporaries written by Charles E. Brewer and has been published by Taylor & Francis this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-12-05 with Music categories.


Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pantomimes and balls. These same cultural practices also account for some of Biber's most programmatic music, which accompanied similar entertainments in Kromeriz and Salzburg. The many sonatas by these composers have also been misunderstood by not being placed in a context where it was normal to be entertained in church and edified in court. Many of the works discussed here remain unpublished but have, in recent years, been recorded. This book enhances our understanding and appreciation of these recordings by providing an analysis of the context in which the works were first performed.



Dieterich Buxtehude


Dieterich Buxtehude
DOWNLOAD
Author : Kerala J. Snyder
language : en
Publisher: University Rochester Press
Release Date : 1987

Dieterich Buxtehude written by Kerala J. Snyder and has been published by University Rochester Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 1987 with Biography & Autobiography categories.


An enlightening, revised edition of the definitive biography on celebrated organist and composer, Dieterich Buxtehude. This book is a new edition of the most comprehensive life-and-works study of the great Baroque-era organist and composer Dieterich Buxtehude (ca. 1637-1707), released to celebrate the tercentenary of the composer's death. Originally published in 1987 and long out of print, Dieterich Buxtehude: Organist in Lübeck is considered by most musicologists to be the definitive biography. It also includes close description of Buxtehude's compositional output, from trio sonatas to the famed Abendmusiken: Buxtehude's yearly oratorio presentations. The young J. S. Bach traveled to Lübeck on foot in 1705 to learn as much as he could from the great master of the organ and of Lutheranchurch music. The revised edition contains new information on the organs that Buxtehude played in Scandinavia and Lübeck, excerpts from the newly available account books from St. Mary's in Lübeck, a discussion of newly discovered sources, including one written by J. S. Bach, an evaluation of recent scholarship on Buxtehude, and an extensive bibliography. Written for both the casual reader and the serious scholar. The accompanying music CD (this material is now provided on a companion website) provides examples of all genres discussed in the book -- vocal works, a trio sonata, harpsichord music, and organ music newly recorded on the North German meantone organ in Gothenburg, Sweden, by a noted specialist in this repertoire, Hans Davidsson, who is professor of organ at the University of Rochester's Eastman School of Music and the founder of the Göteborg Organ Art Center (GOArt). Kerala J.Snyder is Professor Emerita of Musicology, Eastman School of Music (University of Rochester).



Interpreting Historical Keyboard Music


Interpreting Historical Keyboard Music
DOWNLOAD
Author : Andrew Woolley
language : en
Publisher: Routledge
Release Date : 2016-05-23

Interpreting Historical Keyboard Music written by Andrew Woolley and has been published by Routledge this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-05-23 with Music categories.


Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.



The Instrumental Works


The Instrumental Works
DOWNLOAD
Author : Marin Marais
language : en
Publisher:
Release Date : 1980

The Instrumental Works written by Marin Marais and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1980 with Instrumental music categories.




Music For A Mixed Taste


Music For A Mixed Taste
DOWNLOAD
Author : Steven David Zohn
language : en
Publisher: Oxford University Press
Release Date : 2015

Music For A Mixed Taste written by Steven David Zohn and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015 with Music categories.


This first full-length study of Telemann's concertos, sonatas, and suites focuses on his imaginative mixing of styles and genres. Special attention is also devoted to the extra musical meanings and humor of his programmatic overture-suites, his unprecedented self-publishing enterprise, and the social resonances of his Polish-style works.



Notes


Notes
DOWNLOAD
Author : Music Library Association
language : en
Publisher:
Release Date : 2000

Notes written by Music Library Association and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2000 with Music categories.




The Scoring Of Baroque Concertos


The Scoring Of Baroque Concertos
DOWNLOAD
Author : C. R. F. Maunder
language : en
Publisher: Boydell Press
Release Date : 2004

The Scoring Of Baroque Concertos written by C. R. F. Maunder and has been published by Boydell Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2004 with Music categories.


Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.



Interpreting Historical Keyboard Music


Interpreting Historical Keyboard Music
DOWNLOAD
Author : Dr Andrew Woolley
language : en
Publisher: Ashgate Publishing, Ltd.
Release Date : 2013-12-28

Interpreting Historical Keyboard Music written by Dr Andrew Woolley and has been published by Ashgate Publishing, Ltd. this book supported file pdf, txt, epub, kindle and other format this book has been release on 2013-12-28 with Music categories.


Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ‘workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.