It S Time For Music
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It S Time For Music
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Author : Lynn Freeman Olson
language : en
Publisher: Alfred Music
Release Date :
It S Time For Music written by Lynn Freeman Olson and has been published by Alfred Music this book supported file pdf, txt, epub, kindle and other format this book has been release on with Music categories.
Easy-to-use lesson plans are coordinated with 40 minutes of music incorporating Orff instrument accompaniments and Kodaly hand signs. Designed to spark excitement and encourage development for every child ages 3 to 7. Perfect for children's center leaders, classroom teachers, music teachers and parents.
Baby S Quiet Time Music Book
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Author : Sam Taplin
language : en
Publisher: Usborne
Release Date : 2019-06
Baby S Quiet Time Music Book written by Sam Taplin and has been published by Usborne this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-06 with categories.
Sometimes, after lunchtime, after a family cook-out, or after playing, babies and toddlers need some quiet time to rest, relax and have some quality time with their parents. This book will be the perfect tool to allow children and their parents to have a calmer moment. Listen to the quiet music as you follow a band of little animals going down a river on a raft playing classics like Pachelbel's canon and other famous soothing music.
Its Time For Music Songbook
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Author :
language : en
Publisher:
Release Date : 1990
Its Time For Music Songbook written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1990 with categories.
It S Time To Sing Children S Edition
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Author :
language : en
Publisher:
Release Date : 2016-07-15
It S Time To Sing Children S Edition written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016-07-15 with categories.
The Oxford Handbook Of Time In Music
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Author : Mark Doffman
language : en
Publisher: Oxford University Press
Release Date : 2020-11-01
The Oxford Handbook Of Time In Music written by Mark Doffman and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2020-11-01 with Music categories.
Music represents one of humanity's most vivid contemplations on the nature of time itself. The ways that music can modify, intensify, and even dismantle our understanding of time's passing is at the foundation of musical experience, and is common to listeners, composers, and performers alike. The Oxford Handbook of Time in Music provides a range of compelling new scholarship that examines the making of musical time, its effects and structures. Bringing together philosophical, psychological, and socio-cultural understandings of time in music, the chapters highlight the act of 'making' not just as cultural construction but also in terms of the perceptual, cognitive underpinnings that allow us to 'make' sense of time in music. Thus, the Handbook is a unique synthesis of divergent perspectives on the nature of time in music. With its focus on contemporary music (while paying attention to some of the generative temporalities of the nineteenth century), the volume establishes the richness and complexity of so much current music-making and in the process overcomes historic demarcations between art and popular musics.
The Time Of Music
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Author : Jonathan D. Kramer
language : en
Publisher: MacMillan Publishing Company
Release Date : 1988
The Time Of Music written by Jonathan D. Kramer and has been published by MacMillan Publishing Company this book supported file pdf, txt, epub, kindle and other format this book has been release on 1988 with Music categories.
Telling The Time
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Author : Peter Webb
language : en
Publisher:
Release Date : 1991
Telling The Time written by Peter Webb and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1991 with categories.
Quiet Time Music Book
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Author : Sam Taplin
language : en
Publisher:
Release Date : 2019-04-04
Quiet Time Music Book written by Sam Taplin and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2019-04-04 with categories.
This soothing music book has five classical tunes to hear by pressing the buttons on the pages. Little children can curl up for a peaceful moment as they listen to the music and lose themselves in the charming illustrations, as each page shows a different group of baby animals who are entranced by the tunes. Illustrations: Full colour throughout
The Melody Of Time
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Author : Benedict Taylor
language : en
Publisher: Oxford University Press
Release Date : 2016
The Melody Of Time written by Benedict Taylor and has been published by Oxford University Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2016 with History categories.
Music has been seen since the Romantic era as the quintessentially temporal art, possessing a unique capacity to invoke the human experience of time. The Melody of Time explores the multiple ways in which music may provide insight into the problematics of time, spanning the dynamic century between Beethoven and Elgar.
How Music Developed A Critical And Explanatory Account Of The Growth Of Modern Music
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Author : W. J. Henderson
language : en
Publisher: Frederick A. Stokes Co.
Release Date : 1899
How Music Developed A Critical And Explanatory Account Of The Growth Of Modern Music written by W. J. Henderson and has been published by Frederick A. Stokes Co. this book supported file pdf, txt, epub, kindle and other format this book has been release on 1899 with Music categories.
How Music Developed : A Critical and Explanatory Account of the Growth of Modern Music The reader will understand that every scale was divided into two tetrachords, each having its semitone in the same position. There were, of course, several other scales, but these are sufficient to illustrate the subject. The peculiarity of the sound of chants founded on these ancient scales to our modern ears is what we call the "lack of tonality." Our scales are all determined by the semitone between the seventh and eighth notes, called the leading note. The scale of G, for instance, cannot exist without the F sharp. Our ears have been trained to expect that progression, and so these old Greek scales do not seem to us to be in any key at all, and when we wish to describe a tune that has apparently no beginning, end, or rhythm, we say it sounds like a chant. For several centuries all modern music written by the scientific composers suffered from this lack of tonality, while much of the popular music of the people was written in the modern major and minor keys. Any musician will see that the old Lydian scale was our scale of C major. The ancient Æolian scale was almost the same as our scale of A minor. From these two our modern scales developed themselves among the people who were not busy trying to build church liturgies out of Greek music. Not much is known about the musical character of the Ambrosian chant except that contemporary writers regarded it as very sweet and solemn. One important fact has come down to us, namely, that the Ambrosian chant was metrical. This means that it followed the prosodial quantity of the syllables in the Latin text of the liturgy. A long syllable had a long note, and a short syllable a short note. From this peculiarity the chant obtained the name of cantus firmus, or fixed chant. It was, however, speedily merged in what is called the Gregorian chant. This has generally been attributed to Pope Gregory (590-604 A. D.); but recent investigations go to prove that he did little beyond issuing rules as to its use and for its regulation. The church chant, however, was changed in character in the time of Gregory, and one of the most fruitful alterations was the abandonment of its metrical character. The tones no longer had a determined length; and this abolished from the church music of the time the last vestige of rhythm. It furthermore left the singers free to do as they pleased, and so gave rise to abuses which seemed to be injurious to music, but which really led to good results, as we shall see. In form, the Gregorian chant was divided into five parts: the "intonation," which was the introductory phrase of the first half of the verse; the "recitation" of the principal part of that half on a single note; the "mediation," which finished the first half of the verse and formed the connecting link between it and the second half; the "recitation," which began the second half; and the "termination," which ended the verse.