James T Bialac Collection
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James T Bialac Collection
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Author :
language : en
Publisher:
Release Date : 1972
James T Bialac Collection written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1972 with Indian painting categories.
Drawn From Memory
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Author : Heard Museum
language : en
Publisher:
Release Date : 199?
Drawn From Memory written by Heard Museum and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 199? with Art, American categories.
Tea And Immortality
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Author : Dr. Janet Baker
language : en
Publisher:
Release Date : 2010
Tea And Immortality written by Dr. Janet Baker and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2010 with Ceramic teapots categories.
The James T Bialac Native American Art Collection
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Author : Fred Jones Jr. Museum of Art
language : en
Publisher:
Release Date : 2012
The James T Bialac Native American Art Collection written by Fred Jones Jr. Museum of Art and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 2012 with Art categories.
One of the most important collections of modern Native American art assembled by one individual, the James T. Bialac Native American Art Collection is an encyclopedic compilation of easel paintings and three-dimensional works. Showcased in this stunning catalogue, the collection comprises nearly four thousand items, including drawings, sculptures, prints, kachinas, jewelry, ceramics, rattles, baskets, and textiles. James T. Bialac began collecting art in the 1950s, when he was a student at the University of Arizona School of Law. It was then that he purchased the first of what would develop into a collection of more than one thousand kachina dolls. In 1964 he acquired his first painting, Robert Chee's Moccasin Game, and he went on to expand his collection to reflect the diversity of Native American art forms. Inspired by his connections with other collectors, Bialac learned the importance of documenting, cataloging, and preserving his collection. In 2010 he bequeathed the collection to the University of Oklahoma, where the art will be displayed at the Fred Jones Jr. Museum of Art, as well as at other locations, including Bialac's native Arizona. The Bialac Collection represents indigenous cultures across North America, especially the Pueblos of the Southwest, Navajos, Hopis, and many of the tribes of the Great Plains. It encompasses such important and innovative artists as Fred Kabotie, Alfonso Roybal, Fritz Scholder, Joe Hilario Herrera, Allan Houser, Jerome Tiger, Tonita Peña, Helen Hardin, Pablita Velarde, George Morrison, Walter Richard "Dick" West, and Patrick DesJarlait, all of whose work is featured in this volume. Along with its rich sampling of works from the Bialac Collection, this catalogue offers informative essays by art historians, who draw on their areas of expertise to explain the significance of the artwork. The volume also features a foreword by David L. Boren, President of the University of Oklahoma, a preface by Ghislain d'Humières, Director of the Fred Jones Jr. Museum of Art, and an introduction by Mary Jo Watson, Director of the School of Art and Art History. Published in cooperation with the Fred Jones Jr. Museum of Art, University of Oklahoma
The James T Bialac Collection Of Southwest Indian Paintings
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Author : Clara Lee Tanner
language : en
Publisher:
Release Date : 1968
The James T Bialac Collection Of Southwest Indian Paintings written by Clara Lee Tanner and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Indian art categories.
An overview of the paintings by Indians of the Southwest in the James T. Bialac collection at the Arizona State Museum includes analyses of Rio Grande Pueblo, Hopi, Zuni, Navajo, and Apache painting.
The James T Bialac Collection
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Author :
language : en
Publisher:
Release Date : 1967
The James T Bialac Collection written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1967 with Indian artists categories.
James T Bialac Collection Of Southwest Indian Paintings
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Author :
language : en
Publisher:
Release Date : 1968
James T Bialac Collection Of Southwest Indian Paintings written by and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with categories.
The James T Bialac Collection Of Southwest Indian Paintings
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Author : Clara Lee Tanner
language : en
Publisher:
Release Date : 1968
The James T Bialac Collection Of Southwest Indian Paintings written by Clara Lee Tanner and has been published by this book supported file pdf, txt, epub, kindle and other format this book has been release on 1968 with Indian art categories.
An overview of the paintings by Indians of the Southwest in the James T. Bialac collection at the Arizona State Museum includes analyses of Rio Grande Pueblo, Hopi, Zuni, Navajo, and Apache painting.
Kokopelli Ceremonies
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Author : Stephen W. Hill
language : en
Publisher: Kiva Publishing
Release Date : 1995
Kokopelli Ceremonies written by Stephen W. Hill and has been published by Kiva Publishing this book supported file pdf, txt, epub, kindle and other format this book has been release on 1995 with Art categories.
KOKOPELLI, the Humpbacked Flute Player, has become the most widely recognized symbol of SOUTHWEST NATIVE AMERICAN SPIRITUALITY. Typically appearing in ROCK ART, LEGENDS, & CEREMONIALS of the HOPI & PUEBLO peoples, Kokopelli now enjoys widespread popular appeal, & is found in all the decorative arts of the Southwest: SCULPTURE, PAINTING, POTTERY, JEWELRY, even furniture & t-shirts! Psychologist Hill & PUEBLO PAINTER MONTOYA present a total picture of Kokopelli, from his history in LEGEND & MYTH to his depiction in PUEBLO ART & ceremonials. The FLUTE PLAYER is presented as an archetypal figure associated with fertility, music & dance. Special section on the painter's style & how he achieves spiritual effects. Montoya's original paintings are accompanied by a commentary on PUEBLO SPIRITUALITY. Introduction to the artist by James T. Bialac. KOKOPELLI CEREMONIES, $24.95 (cloth), $16.95 (pap.) plus $2.50 s/h. Order from Kiva Publishing, 102 E. Water St., Santa Fe, NM 87501; 505-820-7413.
The Sooner Story
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Author : Anne Barajas Harp
language : en
Publisher: University of Oklahoma Press
Release Date : 2015-07-08
The Sooner Story written by Anne Barajas Harp and has been published by University of Oklahoma Press this book supported file pdf, txt, epub, kindle and other format this book has been release on 2015-07-08 with History categories.
David Ross Boyd stepped off the train in Norman, Oklahoma, on August 6, 1892, and looked toward the southwest. “There was not a tree or shrub in sight,” wrote the former Kansas school superintendent just hired to serve as the University of Oklahoma’s first president. “Behind me was a crude little town of 1,500 people, and before me was a stretch of prairie on which my helpers and I were to build an institution of culture.” By 1895, five years after the University’s official founding, the school boasted four faculty members (three men and one woman) and 100 students. Today the campus is home to more than 30,000 students and 2,700 full-time faculty and is one of the most respected public universities in the nation, with twenty-one colleges offering hundreds of majors at the bachelor’s, master’s, and doctoral level. OU’s remarkable journey from that treeless prairie to its present standing as a world-class institution of learning unfolds in The Sooner Story. Arriving upon the university’s 125th anniversary, the book updates a history that last left off in 1980, when William Slater Banowsky was at the helm. Author Anne Barajas Harp examines the school’s history through the lens of each presidential administration from the beginning of David Ross Boyd’s tenure to the present moment in David Lyle Boren’s presidency, now in its third decade. In describing what each president encountered in his turn, she captures the unique character, challenges, and accomplishments of each administration, as these reflect the university’s growth and progress through the twentieth and early twenty-first centuries. “Discouraged?” Boyd wrote at his arrival in 1892. “Not a bit. The sight was a challenge.” The Sooner Story conveys the inspiration and excitement of meeting and renewing that challenge over the past 125 years.